1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:34,768 --> 00:00:37,771 [PLAYING WHISTLE] 4 00:00:57,191 --> 00:01:00,194 CAPTIONING MADE POSSIBLE BY WARNER BROS. 5 00:01:00,194 --> 00:01:02,396 [CONTINUES PLAYING WHISTLE] 6 00:01:19,012 --> 00:01:25,419 [PLAYING MARYLAND, MY MARYLAND] 7 00:02:01,021 --> 00:02:04,124 [BAND PLAYS LESTER LEAPS IN] 8 00:02:04,124 --> 00:02:06,327 [APPLAUSE] 9 00:02:10,864 --> 00:02:12,866 CATCH HIS GIG, JIM! 10 00:02:24,278 --> 00:02:26,480 YARDBIRD CAN PLAY! 11 00:02:31,885 --> 00:02:33,487 HEY! 12 00:03:29,677 --> 00:03:31,312 GO! 13 00:03:31,312 --> 00:03:33,080 WOO! WOO! 14 00:03:33,080 --> 00:03:34,715 BLOW, BIRD! 15 00:03:34,715 --> 00:03:36,584 BLOW, MAN! 16 00:03:42,756 --> 00:03:43,957 THAT'S RIGHT. 17 00:03:46,860 --> 00:03:48,862 PLAY IT SWEET, BIRD! 18 00:04:12,620 --> 00:04:14,488 [THUNDER] 19 00:04:16,524 --> 00:04:21,261 * IF I SHOULD LOSE YOU * 20 00:04:22,530 --> 00:04:25,999 * THE STARS WOULD FALL FROM THE SKY * 21 00:04:27,401 --> 00:04:31,171 * IF I SHOULD LOSE YOU... ** 22 00:04:31,171 --> 00:04:32,906 YOU'RE AWAKE. 23 00:04:35,309 --> 00:04:36,910 I'M GLAD. 24 00:04:38,712 --> 00:04:40,714 HALFWAY THROUGH THE LAST SET, 25 00:04:40,714 --> 00:04:43,784 GUESS WHO DROPPED IN ON ME? 26 00:04:43,784 --> 00:04:45,319 MY ULCERS! 27 00:04:45,319 --> 00:04:46,720 HA HA HA! 28 00:04:46,720 --> 00:04:51,291 I GAVE THEM SOME CODEINE, AND THEY WOULDN'T GO AWAY. 29 00:04:51,291 --> 00:04:53,894 WHAT ELSE HAPPENED? 30 00:04:56,430 --> 00:04:57,865 THE STRINGS, 31 00:04:57,865 --> 00:05:01,702 THEY WENT INTO THE INTRO FOR EASY TO LOVE, 32 00:05:01,702 --> 00:05:05,906 AND I STARTED PLAYIN' IF I SHOULD LOSE YOU. 33 00:05:08,308 --> 00:05:09,910 DIDN'T FIT. 34 00:05:11,311 --> 00:05:14,915 NOT EVEN WHEN I TRIED TO MAKE IT FIT. 35 00:05:14,915 --> 00:05:16,517 IT WOULDN'T FIT. 36 00:05:19,720 --> 00:05:21,722 WOULDN'T NOBODY HAVE NOTICED 37 00:05:21,722 --> 00:05:23,991 EXCEPT FOR MAYBE DIZZY GILLESPIE. 38 00:05:23,991 --> 00:05:27,595 BUT DIZZY GILLESPIE IS ON THE ROAD SOMEWHERE, 39 00:05:27,595 --> 00:05:30,330 AS FAR AS I KNOW. 40 00:05:30,330 --> 00:05:33,934 BUT HE WOULD HAVE CHIDED ME. 41 00:05:35,202 --> 00:05:36,770 IS THAT ALL? 42 00:05:36,770 --> 00:05:38,672 NO. 43 00:05:39,740 --> 00:05:42,943 I'M GRATEFUL THAT YOU DIDN'T BOLT THE DOOR. 44 00:05:45,345 --> 00:05:49,349 I EXPECTED THAT I WAS GOING TO HAVE TO TALK 45 00:05:49,349 --> 00:05:51,552 MY WAY BACK IN HERE. 46 00:05:52,953 --> 00:05:54,855 DID YOU GET MY NOTE? 47 00:05:54,855 --> 00:05:57,458 I LEFT IT ON THE REFRIGERATOR. 48 00:05:57,458 --> 00:05:59,092 WHAT ELSE HAPPENED? 49 00:05:59,092 --> 00:06:00,961 WHAT ELSE? HA HA! 50 00:06:00,961 --> 00:06:03,697 ABOUT WHAT YOU'D EXPECT. 51 00:06:05,032 --> 00:06:08,769 STEINBERG GOT ONE OF THE CAMERA GIRLS 52 00:06:08,769 --> 00:06:12,072 TO TAKE A PICTURE OF ME... 53 00:06:12,072 --> 00:06:14,307 [KISS] 54 00:06:14,307 --> 00:06:17,110 IN THE MIDST OF MY DISORIENTATION... 55 00:06:18,779 --> 00:06:20,981 SOMETHING TO SHOW THE UNION. 56 00:06:22,049 --> 00:06:25,786 I SAID, "YOU DON'T GIVE ME THAT NEGATIVE BACK... 57 00:06:25,786 --> 00:06:28,589 I DON'T WORK HERE NO MORE." 58 00:06:29,790 --> 00:06:33,594 SO...I DON'T WORK THERE NO MORE. 59 00:06:37,898 --> 00:06:41,101 * LIVING WOULD BE IN VAIN * 60 00:06:41,101 --> 00:06:46,440 * IF I LOST YOU ** 61 00:06:51,044 --> 00:06:53,280 TO HELL WITH THEM. 62 00:06:53,280 --> 00:06:55,282 I'M HUNGRY. 63 00:06:55,282 --> 00:06:57,017 ARE YOU? 64 00:07:00,888 --> 00:07:02,823 OH! 65 00:07:02,823 --> 00:07:06,927 WE HAVE DECIDED TO HUMOR HIM... 66 00:07:06,927 --> 00:07:08,629 THIS EVENING! 67 00:07:09,830 --> 00:07:12,432 IF HE SAYS HE'S HAVING PAINS 68 00:07:12,432 --> 00:07:13,834 FROM HIS ULCERS, 69 00:07:13,834 --> 00:07:16,904 NEVER MIND THAT WE DON'T BELIEVE IT! 70 00:07:16,904 --> 00:07:18,305 I BELIEVE IT. 71 00:07:18,305 --> 00:07:20,841 WORK THAT PSYCHOLOGY ON HIM! 72 00:07:20,841 --> 00:07:23,577 HE'S JUST AN OVERGROWN, 73 00:07:23,577 --> 00:07:26,313 GODDAMN ADOLESCENT, ANYWAY! 74 00:07:26,313 --> 00:07:28,448 DANGEROUS WHEN CONTRADICTED, 75 00:07:28,448 --> 00:07:30,450 BUT AN ADOLESCENT! 76 00:07:30,450 --> 00:07:32,052 GOD, YOU'RE WEIRD. 77 00:07:34,054 --> 00:07:36,524 GOD, I'M WEIRD? 78 00:07:38,458 --> 00:07:41,862 IS THAT WHAT THEY SAY IN WESTCHESTER? 79 00:07:41,862 --> 00:07:46,466 I HEAR THAT STEINBERG, HE LIVES IN WESTCHESTER! 80 00:07:46,466 --> 00:07:49,970 WHAT DO YOU MEAN, "TO HELL WITH THEM"? 81 00:07:49,970 --> 00:07:53,473 WHY DON'T YOU STICK UP FOR YOUR OWN PEOPLE? 82 00:07:53,473 --> 00:07:55,475 STICK UP FOR SOMEBODY! 83 00:07:55,475 --> 00:07:57,477 THIS IS GETTING UGLY AGAIN. 84 00:07:57,477 --> 00:08:00,480 MAYBE I SHOULD HAVE BOLTED THE DOOR. 85 00:08:00,480 --> 00:08:03,483 HELL, DON'T LET ME MESS UP YOUR PLANS. 86 00:08:03,483 --> 00:08:04,985 I'LL BOLT THE DOOR. 87 00:08:04,985 --> 00:08:06,486 [BABY CRYING] 88 00:08:06,486 --> 00:08:09,089 I GOT HIM. I GOT HIM. 89 00:08:09,089 --> 00:08:10,924 GOT HIM. 90 00:08:10,924 --> 00:08:12,993 NO! 91 00:08:12,993 --> 00:08:15,095 I SAID I GOT HIM! 92 00:08:15,095 --> 00:08:16,597 DON'T TOUCH HIM! 93 00:08:17,898 --> 00:08:20,133 WHAT YOU HIT ME FOR LIKE THAT? 94 00:08:20,133 --> 00:08:23,170 WHAT DID YOU THINK I HAD ON MY MIND? 95 00:08:24,504 --> 00:08:25,639 HUH? 96 00:08:25,639 --> 00:08:27,374 NOTHING. I'M SORRY. 97 00:08:27,374 --> 00:08:29,743 I'M SORRY. 98 00:08:29,743 --> 00:08:33,113 WE JUST PUT ONE CHILD IN THE GRAVE. 99 00:08:38,018 --> 00:08:39,152 [CRYING] 100 00:08:39,152 --> 00:08:40,087 DON'T. 101 00:08:40,087 --> 00:08:43,857 WHAT DID YOU THINK I WAS GOING TO DO? 102 00:08:48,128 --> 00:08:49,529 FORGIVE ME. 103 00:08:49,529 --> 00:08:51,531 I WAS HUMORING YOU. 104 00:08:51,531 --> 00:08:53,133 I'M SORRY. 105 00:08:54,534 --> 00:08:56,870 THAT'S OK. THAT'S OK. 106 00:08:56,870 --> 00:08:58,138 HEY. 107 00:08:58,972 --> 00:09:01,174 GUESS WHAT I DID YESTERDAY. 108 00:09:01,174 --> 00:09:02,209 WHAT? 109 00:09:02,209 --> 00:09:06,346 I WENT TO THE LAWYER'S, AND I MADE A WILL, 110 00:09:06,346 --> 00:09:09,149 AND I LEFT EVERYTHING TO YOU. 111 00:09:20,160 --> 00:09:24,031 THERE'S NO HARM IN GETTING YOUR AFFAIRS IN ORDER. 112 00:09:24,031 --> 00:09:27,901 I DON'T WANT TO HEAR ABOUT THAT WILL, MAN. 113 00:09:27,901 --> 00:09:30,971 I CAN'T DO ANYTHING RIGHT ANYMORE. 114 00:09:34,374 --> 00:09:37,377 DO WE...DO WE HAVE ANY GELUSIL? 115 00:09:37,377 --> 00:09:38,445 WE SURE DO. 116 00:09:38,445 --> 00:09:39,780 I GOT A BRAND-NEW 50-GALLON DRUM 117 00:09:39,780 --> 00:09:41,081 IN THE BATHROOM. 118 00:09:52,225 --> 00:09:54,962 [THUNDER] 119 00:09:57,264 --> 00:09:59,199 "COME FILL THE CUP, 120 00:09:59,199 --> 00:10:02,202 "AND IN THE FIRE OF SPRING, 121 00:10:02,202 --> 00:10:06,006 "YOUR WINTER GARMENT OF REPENTANCE FLING. 122 00:10:07,607 --> 00:10:12,813 "THE BIRD OF TIME HAS BUT A LITTLE WAY TO FLUTTER, 123 00:10:12,813 --> 00:10:16,283 AND THE BIRD IS ON THE WING." 124 00:10:52,419 --> 00:10:53,987 AAH! 125 00:10:53,987 --> 00:10:55,122 AAH! 126 00:11:08,902 --> 00:11:10,871 THAT WAS STUPID. 127 00:11:10,871 --> 00:11:14,407 NOW I'LL HAVE TO CALL AN AMBULANCE. 128 00:11:14,407 --> 00:11:16,009 CASE NUMBER 1540-- 129 00:11:16,009 --> 00:11:18,445 PATIENT ADMITTED TO PSYCHIATRIC PAVILION 130 00:11:18,445 --> 00:11:22,315 AT REQUEST OF WIFE, FOLLOWING SUICIDE ATTEMPT 131 00:11:22,315 --> 00:11:23,717 BY INGESTING IODINE. 132 00:11:23,717 --> 00:11:26,119 TIME--5 A.M., SEPTEMBER 1, 1954. 133 00:11:26,119 --> 00:11:30,157 PATIENT HAS A PAST HISTORY OF "NERVOUS BREAKDOWN," 134 00:11:30,157 --> 00:11:32,760 FOR WHICH HE WAS HOSPITALIZED IN CALIFORNIA 135 00:11:32,760 --> 00:11:35,362 FOR A PERIOD OF EIGHT MONTHS. 136 00:11:35,362 --> 00:11:37,164 ACCORDING TO THE WIFE, 137 00:11:37,164 --> 00:11:39,767 THIS ATTEMPT WAS RELATED TO DEPRESSION 138 00:11:39,767 --> 00:11:41,902 TO THE RECENT DEATH OF THEIR DAUGHTER 139 00:11:41,902 --> 00:11:44,905 AND ALSO BY REVERSES IN "HIS CAREER." 140 00:11:44,905 --> 00:11:46,907 APPARENTLY, HE'S A MUSICIAN. 141 00:11:46,907 --> 00:11:48,909 WHERE'S HE BEEN PUT? 142 00:11:48,909 --> 00:11:50,911 PQ-3. SEMIAGITATIVE. 143 00:11:50,911 --> 00:11:53,313 WHAT ARE YOU GOING TO RECOMMEND? 144 00:11:53,313 --> 00:11:55,315 HIS WIFE IS COMING THIS AFTERNOON. 145 00:11:55,315 --> 00:11:57,951 WHAT DO YOU EXPECT ME TO RECOMMEND? 146 00:11:57,951 --> 00:12:00,120 CHARLIE PARKER. 147 00:12:01,088 --> 00:12:03,456 LET ME GO! LET ME GO! 148 00:12:03,456 --> 00:12:05,926 LET ME GO! LET ME GO! 149 00:12:05,926 --> 00:12:08,128 LET ME OUT OF HERE! 150 00:12:12,132 --> 00:12:13,100 EXCUSE ME. 151 00:12:13,100 --> 00:12:15,869 TOO EARLY, AND YOU KNOW IT. 152 00:12:31,885 --> 00:12:35,522 DID YOU SEE-- DID YOU SEE THAT? 153 00:12:38,425 --> 00:12:39,960 I ASKED THAT... 154 00:12:39,960 --> 00:12:43,363 MISGUIDED, OFFICIOUS YOUNG WOMAN 155 00:12:43,363 --> 00:12:46,967 IF SHE WOULD ADMINISTER MY PARALDEHYDE, 156 00:12:46,967 --> 00:12:49,903 AND SHE DEMURRED. 157 00:12:51,771 --> 00:12:53,173 DEMURRED. 158 00:12:54,574 --> 00:12:56,977 I AM NOT A LABORATORY ANIMAL. 159 00:12:56,977 --> 00:12:58,912 I AM IN PAIN HERE. 160 00:12:58,912 --> 00:13:00,814 CAN'T SHE SEE THAT? 161 00:13:00,814 --> 00:13:03,083 TELL YOUR TROUBLES TO SOMEBODY ELSE. 162 00:13:03,083 --> 00:13:07,087 WHY? YOU'RE PERFECT. 163 00:13:09,189 --> 00:13:10,190 ORDERLY! 164 00:13:10,190 --> 00:13:10,991 ORDERLY! 165 00:13:10,991 --> 00:13:12,592 [ALARM RINGS] 166 00:13:12,592 --> 00:13:14,995 ALL RIGHT, CALM DOWN! CALM DOWN! 167 00:13:14,995 --> 00:13:16,997 COME ON. CALM DOWN. 168 00:13:16,997 --> 00:13:19,599 LET HIM GO! LET HIM GO! 169 00:13:19,599 --> 00:13:21,601 WHAT'S WRONG WITH YOU PEOPLE? 170 00:13:21,601 --> 00:13:23,003 EASY. EASY. 171 00:13:23,003 --> 00:13:25,005 WHEN ALL ELSE FAILS, 172 00:13:25,005 --> 00:13:27,407 WHAT HE'LL DO IS PROVOKE A FIGHT. 173 00:13:27,407 --> 00:13:29,877 IF HE CAN'T AFFORD TO GET DRUNK, 174 00:13:29,877 --> 00:13:31,411 THE SUBSTITUTE IS PAIN. 175 00:13:31,411 --> 00:13:33,881 IT TAKES HIS MIND OFF THINGS FOR A WHILE. 176 00:13:33,881 --> 00:13:36,016 THERE WAS A TIME 177 00:13:36,016 --> 00:13:38,418 HE COULD DO THAT WITH CONVERSATION, 178 00:13:38,418 --> 00:13:41,621 BUT NOT SINCE THE ULCERS STARTED BLEEDING. 179 00:13:41,621 --> 00:13:43,723 ARE YOU EMPLOYED, MRS. PARKER? 180 00:13:43,723 --> 00:13:47,027 NO. NO. HE'S A GOOD PROVIDER. 181 00:13:48,028 --> 00:13:49,729 OH, I DANCE... 182 00:13:49,729 --> 00:13:53,066 IN NIGHTCLUBS ONCE IN A GREAT WHILE. 183 00:13:56,036 --> 00:13:58,038 HARDLY AT ALL THESE DAYS. 184 00:13:58,038 --> 00:14:00,640 I HAVE TWO CHILDREN AT HOME. 185 00:14:00,640 --> 00:14:03,877 WHAT I'M GETTING AT IS THE FINANCIAL PROBLEM. 186 00:14:03,877 --> 00:14:06,379 HE NEEDS MEDICAL TREATMENT... 187 00:14:07,647 --> 00:14:09,782 NOT PSYCHOLOGICAL. 188 00:14:09,782 --> 00:14:12,185 WHY DID YOU CALL US, THEN? 189 00:14:39,712 --> 00:14:40,948 YEAH. 190 00:14:40,948 --> 00:14:43,550 CHARLES CHRISTOPHER PARKER, JR. 191 00:14:43,550 --> 00:14:45,685 AUGUST 29, 1920. 192 00:14:45,685 --> 00:14:48,956 YOU WERE AN EASY DELIVERY. TURN THAT LIGHT ON. 193 00:14:50,690 --> 00:14:52,559 NOW MEET SOMEBODY. 194 00:14:55,195 --> 00:14:57,064 THAT'S YOU, MY MAN. 195 00:14:57,064 --> 00:14:58,831 DEAD FROM IT. 196 00:14:58,831 --> 00:15:01,601 BUT OLDER THAN YOU'LL BE BECAUSE YOU STARTED EARLIER. 197 00:15:01,601 --> 00:15:06,206 SO I GIVE YOU 18 YEARS, 20 ON THE OUTSIDE. 198 00:15:06,206 --> 00:15:08,208 I'M WORSE THAN A PROPHET. 199 00:15:08,208 --> 00:15:11,044 I DON'T JUST HAVE FAITH, I'VE SEEN IT. 200 00:15:11,044 --> 00:15:13,780 YOU'VE BEEN HEARING FROM MY MOTHER. 201 00:15:13,780 --> 00:15:15,848 YOU BELIEVE ME OR NOT? 202 00:15:15,848 --> 00:15:17,617 WHY SHOULDN'T I BELIEVE YOU? 203 00:15:17,617 --> 00:15:20,487 ARE YOU GOING TO DO SOMETHING ABOUT IT? 204 00:15:20,487 --> 00:15:24,324 WHAT DO YOU EXPECT ME TO DO ABOUT IT? 205 00:15:29,529 --> 00:15:33,200 WHAT DO YOU EXPECT ME TO DO ABOUT IT? 206 00:15:35,702 --> 00:15:37,670 NOTHING. JUST SIGN IT. 207 00:15:39,106 --> 00:15:42,109 I HAVEN'T DONE ANYTHING REMOTELY RESEMBLING THIS 208 00:15:42,109 --> 00:15:43,710 IN MY LIFE. 209 00:15:47,114 --> 00:15:48,915 "STRINGS." 210 00:15:48,915 --> 00:15:50,783 YEAH, BUT I GOT THEM ALL. 211 00:15:50,783 --> 00:15:52,219 THE HELL YOU DO. 212 00:15:52,219 --> 00:15:53,853 THE HELL I DON'T. 213 00:15:53,853 --> 00:15:56,623 I GOT A STACK OF 78s THIS HIGH. 214 00:15:59,226 --> 00:16:01,328 THIS IS DEATH'S DOOR? 215 00:16:05,832 --> 00:16:08,101 HALF THE CITY THINKS YOU'RE CRIMPED, 216 00:16:08,101 --> 00:16:09,602 AND YOU'RE HERE SIGNING AUTOGRAPHS. 217 00:16:09,602 --> 00:16:12,305 YOU DIDN'T THINK SO, THOUGH, BERNIE. 218 00:16:12,305 --> 00:16:14,074 NAH. EVERY TIME I TURN AROUND, 219 00:16:14,074 --> 00:16:15,942 YOU'RE SUPPOSED TO BE GONE. 220 00:16:15,942 --> 00:16:17,210 YOU'LL BURY US ALL, 221 00:16:17,210 --> 00:16:19,112 AND TAKE OUR WOMEN WITH YOU. 222 00:16:19,112 --> 00:16:21,048 WHAT HAVE YOU GOT THERE? 223 00:16:22,249 --> 00:16:23,916 WHITMAN'S CHOCOLATES. 224 00:16:23,916 --> 00:16:26,719 ALSO, I THINK, SOME GOOD NEWS. 225 00:16:26,719 --> 00:16:28,288 CAN HE EAT THESE? 226 00:16:28,288 --> 00:16:30,890 BETTER LET ME TRY ONE FIRST. 227 00:16:30,890 --> 00:16:32,492 FIRST OF ALL... 228 00:16:32,492 --> 00:16:35,495 LEIGHTON WILL PAY 100 BUCKS 229 00:16:35,495 --> 00:16:37,830 FOR FIVE TUNES WRITTEN OUT FOR SAXOPHONE. 230 00:16:37,830 --> 00:16:39,799 BEFORE YOU JUMP ON MY ASS... 231 00:16:39,799 --> 00:16:43,403 I TOLD HIM I WOULDN'T BE COLLECTING ANY COMMISSION 232 00:16:43,403 --> 00:16:45,972 ON A SUM THAT SMALL. IT'S ALL YOURS. 233 00:16:45,972 --> 00:16:48,541 OH, THANK YOU VERY MUCH, MR. PARKER. 234 00:16:48,541 --> 00:16:51,344 WHAT'S SECOND OF ALL, BERNIE? 235 00:16:51,344 --> 00:16:54,447 IT'S A LITTLE MORE LONG RANGE. 236 00:16:54,447 --> 00:16:58,017 I RAN INTO CHUMMY MORELLO YESTERDAY. 237 00:16:58,017 --> 00:17:00,520 OH...CHUMMY. 238 00:17:00,520 --> 00:17:02,255 HE'S THINKING ABOUT LEAVING WOODY, 239 00:17:02,255 --> 00:17:04,057 AND THEY WANT TO PACKAGE HIM 240 00:17:04,057 --> 00:17:06,259 AROUND A SINGER AND SEND HIM ON TOUR, 241 00:17:06,259 --> 00:17:09,296 BUT NOT TILL AFTER THE FIRST OF THE YEAR. 242 00:17:09,296 --> 00:17:12,399 MY GOD, BERNIE, THAT'S THREE MONTHS. 243 00:17:12,399 --> 00:17:15,168 I KNOW, I KNOW. BUT STILL... 244 00:17:15,168 --> 00:17:18,271 WELL, NEEDLESS TO SAY, 245 00:17:18,271 --> 00:17:20,907 HE'D BE HONORED TO HAVE YOU WITH HIM. 246 00:17:20,907 --> 00:17:22,275 IF I'M STRAIGHT. 247 00:17:22,275 --> 00:17:25,145 IT'S A LEGITIMATE CONCERN. 248 00:17:26,879 --> 00:17:31,151 YOU GOT THREE MONTHS TO...WELL... 249 00:17:33,620 --> 00:17:35,021 I'M TRYING, MAN. 250 00:17:35,021 --> 00:17:37,190 IT'S A GOOD PROSPECT. 251 00:17:40,193 --> 00:17:42,129 THINK ABOUT IT. 252 00:17:50,303 --> 00:17:53,506 [ALL REHEARSING] 253 00:18:31,378 --> 00:18:35,148 [ENGLISH ACCENT] WOULD YOU LIKE A CHOCOLATE, DOCTOR? 254 00:18:37,384 --> 00:18:39,252 I'VE GOT TO, UH... 255 00:18:39,252 --> 00:18:41,388 REDO THE RESTRAINTS. 256 00:18:41,388 --> 00:18:44,191 YOU TRY AND GET SOME SLEEP. 257 00:18:46,226 --> 00:18:49,596 AREN'T YOU GOING TO SAY "PLEASANT DREAMS," DOC? 258 00:18:58,805 --> 00:19:02,542 I THINK HE WOULD BENEFIT FROM A STATE ASYLUM 259 00:19:02,542 --> 00:19:04,811 AND FROM SHOCK TREATMENT. 260 00:19:04,811 --> 00:19:08,348 PERHAPS THAT SOUNDS COLD-BLOODED TO YOU. 261 00:19:10,417 --> 00:19:13,620 NO. YOU SOUND COLD-BLOODED TO ME. 262 00:19:15,021 --> 00:19:16,423 ALL RIGHT. 263 00:19:16,423 --> 00:19:19,959 BUT I PROMISE YOU, IF HE WERE MY BROTHER, 264 00:19:19,959 --> 00:19:21,528 I'D SHOCK HIM. 265 00:19:21,528 --> 00:19:22,762 WOULD YOU? 266 00:19:22,762 --> 00:19:25,932 WHAT DOES YOUR BROTHER DO FOR A LIVING? 267 00:19:25,932 --> 00:19:28,801 I DON'T HAVE A BROTHER. 268 00:19:28,801 --> 00:19:30,169 WE'RE TALKING ABOUT 269 00:19:30,169 --> 00:19:32,171 A VERY SPECIAL, CREATIVE MAN. 270 00:19:32,171 --> 00:19:34,574 HIS LIVELIHOOD DEPENDS ON HIS ABILITY 271 00:19:34,574 --> 00:19:36,576 TO IMPROVISE AND COMPOSE MUSIC. 272 00:19:36,576 --> 00:19:38,578 SEE, THAT'S NOT JUST DEXTERITY. 273 00:19:38,578 --> 00:19:42,048 THAT COMES-- THAT'S FROM BEING A-- 274 00:19:42,048 --> 00:19:44,284 MRS. PARKER... 275 00:19:44,284 --> 00:19:47,320 DO YOU WANT A MUSICIAN OR A HUSBAND? 276 00:19:47,320 --> 00:19:49,722 LOOK, THEY DO NOT SEPARATE! 277 00:19:51,057 --> 00:19:53,460 I HAVE A COUPLE OF CHORES. 278 00:19:53,460 --> 00:19:57,397 TAKE A FEW CAREFUL MINUTES BY YOURSELF. 279 00:21:01,361 --> 00:21:02,862 HI, MORRIS. 280 00:21:02,862 --> 00:21:03,930 HI, DEAR. 281 00:21:03,930 --> 00:21:07,133 PINKY, I HAVE PHOTOS TO SHOW YOU LATER. 282 00:21:07,133 --> 00:21:09,135 I'M NOT LATE, AM I? 283 00:21:09,135 --> 00:21:11,137 HEY, GOOD EVENING, PROFESSOR. 284 00:21:11,137 --> 00:21:14,140 HERE WE ARE AT THE 18 CLUB! 285 00:21:14,140 --> 00:21:16,142 IT'S HARRY "THE HIPSTER" GIBSON! 286 00:21:16,142 --> 00:21:18,144 STOP THAT SHOUTING UP THERE! 287 00:21:18,144 --> 00:21:19,546 [WHISTLES] 288 00:21:19,546 --> 00:21:22,549 HEY, ARTIE, YOU KEEP BRINGIN' IN THEM STIFFS, 289 00:21:22,549 --> 00:21:27,153 AND NOT ONE OF THEM GOT A DIME FOR A TIP. 290 00:21:27,153 --> 00:21:30,156 HERE WE ARE ON THE STREET OF DREAMS! 291 00:21:30,156 --> 00:21:32,959 SWING'S THE THING. JAZZ IS THE KING. 292 00:21:32,959 --> 00:21:35,562 YOU LIKE IT HOT, HERE'S THE RIGHT PLACE. 293 00:21:35,562 --> 00:21:39,165 NO COVER, AND DIXIE TILL 4:00 IN THE MORNING. 294 00:21:39,165 --> 00:21:41,167 HEY, GET OUT OF HERE. 295 00:21:41,167 --> 00:21:44,170 GIVE ME A BREAK. IT'S MY BIRTHDAY. 296 00:21:44,170 --> 00:21:45,572 EXCUSE ME, SIR. 297 00:21:45,572 --> 00:21:47,106 HEY, SAILORS, COME HERE! 298 00:21:47,106 --> 00:21:50,309 IF YOU LEAVE WITHOUT SEEING MISS VIRGINIA KNIGHT, 299 00:21:50,309 --> 00:21:51,711 YOU'LL REGRET IT. 300 00:21:51,711 --> 00:21:54,581 SHE GOES ALL THE WAY FOR SERVICEMEN, 301 00:21:54,581 --> 00:21:56,583 RIGHT DOWN TO THE CURLICUES. 302 00:21:56,583 --> 00:21:59,452 IF YOU DON'T SEE PAY DIRT, GET YOUR MONEY BACK. 303 00:21:59,452 --> 00:22:01,588 YOU STIFFS! 304 00:22:01,588 --> 00:22:04,591 HEY! HERE WE ARE AT POULEZ ROULEZ. 305 00:22:04,591 --> 00:22:07,193 HEY, GOOD EVENING, LADIES AND GENTLEMEN. 306 00:22:07,193 --> 00:22:08,995 HEY, GET OUT OF HERE! 307 00:22:08,995 --> 00:22:11,998 ALL RIGHT, ART TATUM-- FIRST SHOW JUST STARTED. 308 00:22:11,998 --> 00:22:15,602 FIRST SHOW JUST STARTED. I GOT ONE TABLE LEFT. 309 00:22:15,602 --> 00:22:18,605 IF YOU HURRY, YOU CAN GET IT. 310 00:22:18,605 --> 00:22:21,207 TELL THEM THE MAYOR SENT YOU. 311 00:22:21,207 --> 00:22:22,609 ASK FOR GINO. 312 00:22:22,609 --> 00:22:25,211 TABLE NEAR THE DOOR. YES, SIR! 313 00:22:25,211 --> 00:22:27,013 ALL RIGHT, THE THREE DEUCES! 314 00:22:27,013 --> 00:22:30,216 B.S. PULLEY, THE FUNNIEST MAN IN NEW YORK! 315 00:22:30,216 --> 00:22:32,218 BEBOP! MUSIC OF THE FUTURE! 316 00:22:32,218 --> 00:22:35,221 COME ON, WHAT DO YOU GOT TO LOSE? 317 00:22:35,221 --> 00:22:37,223 OO-BOP-SHA-BAM! 318 00:22:37,223 --> 00:22:39,191 OO-BOP, MY ASS! 319 00:22:39,191 --> 00:22:41,461 HEY, BUSTER! 320 00:22:41,461 --> 00:22:43,062 WHERE YOU WORKING? 321 00:22:43,062 --> 00:22:44,797 I'M BACK WITH BASIE. 322 00:22:44,797 --> 00:22:48,167 YOU GOING INSIDE TO HEAR THIS NEW GUY? 323 00:22:48,167 --> 00:22:49,836 300 PEOPLE ARE IN THERE-- 324 00:22:49,836 --> 00:22:52,539 HALF OF THEM ARE SAXOPHONE PLAYERS! 325 00:22:52,539 --> 00:22:53,906 AIN'T NO NEW GUY. 326 00:22:53,906 --> 00:22:55,908 THAT'S DIZZY GILLESPIE DRUMMIN' UP PUBLICITY. 327 00:22:55,908 --> 00:22:58,878 I REMEMBER PARKER FROM EIGHT YEARS AGO 328 00:22:58,878 --> 00:23:00,079 IN KANSAS CITY, 329 00:23:00,079 --> 00:23:03,282 WHEN HE COULDN'T PLAY COME TO JESUS 330 00:23:03,282 --> 00:23:04,884 IN WHOLE NOTES! 331 00:23:07,420 --> 00:23:10,890 [BAND PLAYING RENO JAM SESSION] 332 00:23:27,306 --> 00:23:28,941 COME ON! 333 00:23:30,042 --> 00:23:31,478 WOO! WOO! 334 00:23:31,478 --> 00:23:33,913 WOO! WOO! 335 00:23:45,925 --> 00:23:47,760 [AUDIENCE CHEERS] 336 00:23:49,428 --> 00:23:50,963 GO, BOPPER! 337 00:23:59,338 --> 00:24:01,340 DON'T TRIFLE WITH HIM. 338 00:24:01,340 --> 00:24:03,342 HE'S PLAYED WITH MOTEN, 339 00:24:03,342 --> 00:24:05,344 AND YOU AIN'T DONE SHIT! 340 00:24:05,344 --> 00:24:08,548 JUST PLAY A CHORUS AND GET OFF. 341 00:24:24,396 --> 00:24:26,065 YEAH! 342 00:24:26,065 --> 00:24:27,967 ALL RIGHT! 343 00:24:28,801 --> 00:24:31,538 YO! COME ON IN HERE. 344 00:24:31,538 --> 00:24:33,706 COME ON UP HERE! 345 00:24:35,642 --> 00:24:37,243 WHAT'S YOUR NAME? 346 00:24:37,243 --> 00:24:38,244 CHARLIE. 347 00:24:38,244 --> 00:24:40,947 AND WHO'D YOU PLAY WITH? 348 00:24:40,947 --> 00:24:42,615 JUST AROUND. 349 00:24:45,384 --> 00:24:46,686 LADIES AND GENTLEMEN, 350 00:24:46,686 --> 00:24:49,989 THIS HERE IS CHARLIE FROM "JUST AROUND." 351 00:24:56,395 --> 00:24:59,599 [BAND PLAYING YOUNG BIRD] 352 00:25:08,474 --> 00:25:10,877 NOT BAD. NOW GET OFF. 353 00:25:15,414 --> 00:25:19,619 [PLAYING DISCORDANT NOTES] 354 00:25:32,999 --> 00:25:34,667 GET OFF! 355 00:25:54,854 --> 00:25:58,257 [WOMAN'S VOICE] TIME TO GO HOME. 356 00:26:03,596 --> 00:26:05,097 WHAT YOU-- 357 00:26:05,097 --> 00:26:06,599 MAN! 358 00:26:26,085 --> 00:26:27,887 AIN'T NO NEW GUY. 359 00:26:27,887 --> 00:26:30,189 IT'S CHARLIE FROM "JUST AROUND." 360 00:26:39,231 --> 00:26:42,702 [BAND PLAYING LESTER LEAPS IN] 361 00:26:57,917 --> 00:27:00,386 CHARLIE FROM JUST AROUND. 362 00:27:37,790 --> 00:27:39,926 I REMEMBER WHEN DON BYAS 363 00:27:39,926 --> 00:27:41,961 WAS LEAVING DIZZY'S GROUP. 364 00:27:41,961 --> 00:27:43,963 I KNEW THE PRESS AGENT AT THE CLUB AND ASKED HIM 365 00:27:43,963 --> 00:27:46,132 "WHO COULD YOU POSSIBLY GET TO REPLACE DON?" 366 00:27:46,132 --> 00:27:47,433 AND HE SAID, 367 00:27:47,433 --> 00:27:50,937 "OH, SOME CAT IN KANSAS CITY NAMED CHARLIE PARKER." 368 00:27:50,937 --> 00:27:53,572 AND I SAID, "IS HE CUTE?" 369 00:27:53,572 --> 00:27:58,177 AND MY FRIEND SAID, "NO, BUT YOU'LL DIG HIM." 370 00:27:58,177 --> 00:27:59,979 HA HA HA! 371 00:28:23,803 --> 00:28:26,839 YEAH! YEAH! 372 00:28:26,839 --> 00:28:28,808 WOO! WOO! 373 00:28:34,413 --> 00:28:38,217 ALL RIGHT, WHAT DO YOU THINK ABOUT YARDBIRD? 374 00:28:38,217 --> 00:28:40,486 [AUDIENCE CHEERS] 375 00:29:05,044 --> 00:29:07,980 WHAT DO YOU THINK ABOUT YARDBIRD? 376 00:29:13,786 --> 00:29:15,487 [SPLASH] 377 00:29:26,799 --> 00:29:29,802 I WON'T SIGN. 378 00:29:31,938 --> 00:29:34,540 WE HAVE TO RELEASE HIM, THEN. 379 00:29:34,540 --> 00:29:37,877 YES...YOU DO. 380 00:29:39,011 --> 00:29:40,479 DID YOU KNOW THAT WITHIN THREE HOURS, 381 00:29:40,479 --> 00:29:44,683 THERE WAS A COMMITTEE FORMED TO GET YOU OUT? 382 00:29:44,683 --> 00:29:46,085 GET ME OUT? 383 00:29:46,085 --> 00:29:49,221 HOW'D THEY KNOW I WAS IN? 384 00:29:51,290 --> 00:29:52,424 OH. 385 00:29:54,560 --> 00:29:57,229 THIS IS A HELL OF A MOMENT. 386 00:29:57,229 --> 00:29:59,698 I FINALLY MADE THE FRONT PAGE. 387 00:29:59,698 --> 00:30:01,700 I SHOULDN'T HAVE CALLED BELLEVUE. 388 00:30:01,700 --> 00:30:03,702 NO. YOU DID RIGHT. 389 00:30:03,702 --> 00:30:05,704 THE DETOX DID ME GOOD. 390 00:30:05,704 --> 00:30:07,673 I TOLD YOU ABOUT BERNIE? 391 00:30:07,673 --> 00:30:09,575 20 BUCKS A TUNE. 392 00:30:09,575 --> 00:30:11,110 THOSE BASTARDS. 393 00:30:11,110 --> 00:30:14,280 WAIT TILL YOU HEAR THE TUNES. 394 00:30:16,115 --> 00:30:18,717 BUT YOU KNOW, THIS MORELLO THING... 395 00:30:18,717 --> 00:30:20,486 IT SOUNDS GOOD. 396 00:30:20,486 --> 00:30:23,322 IF IT WASN'T SO FAR OFF. 397 00:30:23,322 --> 00:30:24,723 WE'LL GET THERE. 398 00:30:24,723 --> 00:30:26,125 BY THE WAY, 399 00:30:26,125 --> 00:30:28,928 DIZZY SENT YOU A BIRTHDAY CARD. 400 00:30:29,862 --> 00:30:32,064 SO I GUESS HE'S BACK. 401 00:30:33,132 --> 00:30:36,168 DO YOU OWE HIM A PHONE CALL? 402 00:30:37,736 --> 00:30:40,072 I OWE DIZZY EVERYTHING... 403 00:30:40,873 --> 00:30:43,009 EXCEPT A PHONE CALL. 404 00:30:46,145 --> 00:30:48,948 HE KNOWS WHERE TO FIND ME. 405 00:30:54,153 --> 00:30:56,422 [SAXOPHONE PLAYING NOW'S THE TIME] 406 00:30:56,422 --> 00:31:00,159 WHO THE HELL ARE YOU? THE GOOD HUMOR MAN? 407 00:31:05,764 --> 00:31:07,766 YOU WOULDN'T ANSWER YOUR KNOCK. 408 00:31:07,766 --> 00:31:09,768 WILL YOU LISTEN TO THIS? 409 00:31:09,768 --> 00:31:11,370 LISTEN TO THIS. 410 00:31:15,774 --> 00:31:18,644 [WOMAN] WHAT THE HELL IS GOING ON? 411 00:31:18,644 --> 00:31:20,179 YEAH. 412 00:31:20,179 --> 00:31:23,749 IT'S 4 A.M. IN THE MORNING, YOU FOOLS! 413 00:31:23,749 --> 00:31:25,784 YOU GOT A WOMAN IN THERE? 414 00:31:25,784 --> 00:31:28,787 YEAH, I GOT A WOMAN IN THERE. 415 00:31:28,787 --> 00:31:31,790 I MARRIED HER, SO SHE'D STAY IN THERE. 416 00:31:31,790 --> 00:31:32,925 WHERE'S YOURS? 417 00:31:32,925 --> 00:31:34,526 HELLO, LORRAINE. 418 00:31:34,526 --> 00:31:35,361 HELLO, BIRD, 419 00:31:35,361 --> 00:31:37,896 IF YOU COMIN' IN, I'M LEAVIN'. 420 00:31:37,896 --> 00:31:40,032 WILL YOU WRITE THIS DOWN FOR ME? 421 00:31:40,032 --> 00:31:41,467 WHY DON'T YOU WRITE IT DOWN? 422 00:31:41,467 --> 00:31:43,269 I GOT NO PAPER. 423 00:31:43,269 --> 00:31:44,836 THERE'S PEOPLE WAITIN' FOR ME. 424 00:31:44,836 --> 00:31:46,638 WRITE IT IN THE MORNING. 425 00:31:46,638 --> 00:31:48,674 I WON'T BE HERE. 426 00:31:48,674 --> 00:31:50,876 I'M GOING ON THE ROAD. 427 00:31:50,876 --> 00:31:52,144 WHERE? 428 00:31:52,144 --> 00:31:54,313 THAT'S A NICE APARTMENT. 429 00:31:54,313 --> 00:31:56,182 MAYBE I WENT OUT ON MY OWN TOO SOON. 430 00:31:56,182 --> 00:31:58,550 WHERE? WHERE YOU GOIN'? 431 00:31:58,550 --> 00:32:00,386 I DON'T KNOW. 432 00:32:00,386 --> 00:32:01,954 THEY KNOW. 433 00:32:01,954 --> 00:32:04,356 WILL YOU WRITE THIS DOWN FOR ME? 434 00:32:04,356 --> 00:32:08,327 YARD, IF I GET THIS GIG IN CALIFORNIA, 435 00:32:08,327 --> 00:32:10,997 AM I GOING TO BE ABLE TO FIND YOU? 436 00:32:11,964 --> 00:32:13,299 CALIFORNIA? 437 00:32:13,299 --> 00:32:16,969 NOT SUPPOSED TO BE EASY TO SCORE IN CALIFORNIA. 438 00:32:16,969 --> 00:32:18,570 SHIT. 439 00:32:19,638 --> 00:32:20,672 * 440 00:32:20,672 --> 00:32:21,707 HEY! 441 00:32:22,774 --> 00:32:25,377 GOT A GIG. I GOT TO GO. 442 00:32:25,377 --> 00:32:27,946 YARD! WHENEVER YOU GET WHERE YOU'RE GOING, 443 00:32:27,946 --> 00:32:30,316 CALL ME, ALL RIGHT? 444 00:32:35,454 --> 00:32:39,191 [LORRAINE] I THOUGHT I TOLD YOU TO SHUT HIM UP! 445 00:33:02,014 --> 00:33:03,615 GOOD NIGHT. 446 00:33:03,615 --> 00:33:04,650 GOOD NIGHT. 447 00:33:04,650 --> 00:33:06,852 BIRD, I THOUGHT YOU WERE IN PHILADELPHIA! 448 00:33:06,852 --> 00:33:07,853 I WAS. 449 00:33:07,853 --> 00:33:09,255 HI! 450 00:33:09,255 --> 00:33:10,856 WHAT ARE YOU DOIN' HERE? 451 00:33:10,856 --> 00:33:12,158 I'M REHEARSING. 452 00:33:12,158 --> 00:33:14,460 YEAH? YOU GOT A DANCE JOB? 453 00:33:14,460 --> 00:33:15,627 YOU BET. 454 00:33:15,627 --> 00:33:16,862 THAT'S NICE. 455 00:33:16,862 --> 00:33:18,864 I WAS CHECKIN' ON A RECORD DATE. 456 00:33:18,864 --> 00:33:20,866 YOU'RE LOOKING SPLENDID. 457 00:33:20,866 --> 00:33:22,668 WHEN ARE YOU GOIN' TO MARRY ME? 458 00:33:22,668 --> 00:33:25,871 WHEN YOU STRAIGHTEN UP AND WALK LIKE A JAZZ MUSICIAN. 459 00:33:25,871 --> 00:33:27,273 YEAH? YEAH. 460 00:33:27,273 --> 00:33:29,341 YOU WANT A BITE OF THIS? 461 00:33:29,341 --> 00:33:30,276 UH-UH. 462 00:33:30,276 --> 00:33:31,377 IT'S MY THIRD ONE. 463 00:33:31,377 --> 00:33:32,911 I GOT GUM. MAYBE THAT'S THE SECRET. 464 00:33:32,911 --> 00:33:35,281 IF YOU WANT TO PLAY LIKE BIRD, YOU GOT TO EAT LIKE BIRD. 465 00:33:35,281 --> 00:33:38,917 ALL THOSE TWO AND FOUR BAR BREAKS. 466 00:33:38,917 --> 00:33:42,321 YOU MEAN, I EAT A LOT FOR A JUNKIE. 467 00:33:42,321 --> 00:33:45,924 DON'T TELL ME WHAT I MEAN, MAN. 468 00:33:45,924 --> 00:33:47,326 SORRY. 469 00:33:47,326 --> 00:33:51,930 SO HOW DO YOU COME TO KNOW SO MUCH ABOUT MUSIC? 470 00:33:51,930 --> 00:33:53,932 WILL YOU TALK TO ME? 471 00:33:53,932 --> 00:33:55,334 HERITAGE. 472 00:33:55,334 --> 00:33:57,336 MY FATHER PRODUCED NIGHTCLUB SHOWS. 473 00:33:57,336 --> 00:33:59,738 BROADWAY BEN THEY CALLED HIM. 474 00:33:59,738 --> 00:34:03,942 I HAD MY SWEET 16 PARTY AT THE COTTON CLUB. 475 00:34:03,942 --> 00:34:06,112 IT'S ALWAYS BEEN MUSICIANS. 476 00:34:12,484 --> 00:34:15,654 YOU WEREN'T SEEING ABOUT ANY RECORD DATE. 477 00:34:15,654 --> 00:34:16,955 NO. 478 00:34:16,955 --> 00:34:19,625 YOU DIDN'T THINK I WAS IN PHILLY. 479 00:34:19,625 --> 00:34:23,562 IT'S UP AND DOWN THE STREET I LOST THAT GIG. 480 00:34:23,562 --> 00:34:24,663 RIGHT. 481 00:34:24,663 --> 00:34:25,664 SO? 482 00:34:25,664 --> 00:34:27,065 SO? 483 00:34:27,065 --> 00:34:29,735 SO WHY ARE WE CONNING EACH OTHER? 484 00:34:31,337 --> 00:34:33,372 EVERYBODY ASSUMES WE'RE AN ITEM 485 00:34:33,372 --> 00:34:36,542 BECAUSE I SHOW UP WHEREVER YOU'RE PLAYING. 486 00:34:36,542 --> 00:34:37,543 YOU DO? 487 00:34:37,543 --> 00:34:40,379 WELL, I DON'T ALWAYS SAY HELLO. 488 00:34:40,379 --> 00:34:43,249 AND YOU DON'T USUALLY LEAVE ALONE. 489 00:34:44,383 --> 00:34:46,818 AND WHILE WE'RE ON THE SUBJECT, 490 00:34:46,818 --> 00:34:49,221 HOW MANY WIVES DO YOU HAVE? 491 00:34:50,589 --> 00:34:54,393 I HAVE MET MORE WOMEN IN THE LAST TWO YEARS 492 00:34:54,393 --> 00:34:57,396 WHO CLAIM TO BE MRS. CHARLIE PARKER... 493 00:34:57,396 --> 00:35:00,199 AND ALL OF THEM WEARIN' RINGS! 494 00:35:03,001 --> 00:35:05,070 RINGS ARE CHEAP. 495 00:35:05,070 --> 00:35:07,273 RINGS ARE CHEAP. 496 00:35:07,273 --> 00:35:10,409 IS THAT ALL YOU WANT TO SAY? 497 00:35:10,409 --> 00:35:13,011 NO. WHAT SIZE RING YOU WEAR? 498 00:35:13,011 --> 00:35:15,214 OH, NO. NOT ME. 499 00:35:19,585 --> 00:35:22,788 WHY DON'T YOU TELL ME SOME MORE 500 00:35:22,788 --> 00:35:24,190 ABOUT BROADWAY BEN. 501 00:35:24,190 --> 00:35:26,325 HE HAD A WAY ABOUT HIM. 502 00:35:26,325 --> 00:35:28,327 THE YEAR I WAS BORN, 503 00:35:28,327 --> 00:35:31,597 HE OPENED A PLACE ACROSS FROM THE PLAZA HOTEL. 504 00:35:31,597 --> 00:35:34,200 HE CALLED IT THE CLUB GRANDEUR. 505 00:35:34,200 --> 00:35:35,801 THAT WAY. 506 00:35:35,801 --> 00:35:37,603 IS THAT WHERE YOU LIVED? 507 00:35:37,603 --> 00:35:39,805 NO, BY THEN I WAS IN WESTCHESTER. 508 00:35:39,805 --> 00:35:41,207 IN WHERE? 509 00:35:41,207 --> 00:35:42,608 WESTCHESTER. WHY? 510 00:35:42,608 --> 00:35:45,811 NOTHIN'. I LIKE THE WAY YOU SAY THAT. 511 00:35:45,811 --> 00:35:47,213 "WESTCHESTER. WHY?" 512 00:35:47,213 --> 00:35:49,815 I WASN'T TYPICAL IN THOSE DAYS. 513 00:35:49,815 --> 00:35:51,217 I'M HALF-JEWISH. 514 00:35:51,217 --> 00:35:54,220 MY HERO'S DUKE ELLINGTON. I MEAN, WOW! 515 00:35:54,220 --> 00:35:57,223 NOW WHO IS HE? BILLY McNABB? 516 00:35:57,223 --> 00:35:59,225 NO. BILLY'S SEXY AND DANGEROUS, 517 00:35:59,225 --> 00:36:01,627 BUT I DON'T BUY HIS RECORDS. 518 00:36:01,627 --> 00:36:04,230 THOUGHT I DIDN'T KILL YOU. 519 00:36:04,230 --> 00:36:07,199 IT TOOK ME A WHILE TO GET USED TO THE SOUND, 520 00:36:07,199 --> 00:36:08,934 I WAS BROUGHT UP ON JOHNNY HODGES, 521 00:36:08,934 --> 00:36:10,836 BUT YOU ALWAYS KILLED ME. 522 00:36:10,836 --> 00:36:12,838 YOU BUY MY RECORDS? 523 00:36:12,838 --> 00:36:14,105 YEAH. 524 00:36:14,105 --> 00:36:15,841 SHOW ME. 525 00:36:15,841 --> 00:36:17,243 PRETTY CRUDE. COME. 526 00:36:17,243 --> 00:36:18,644 WHOA, YARDBIRD. 527 00:36:18,644 --> 00:36:21,847 WE WERE JUST TALKIN' ABOUT YOU. 528 00:36:21,847 --> 00:36:23,649 YEAH, WAS IT GOOD? 529 00:36:23,649 --> 00:36:25,851 ALWAYS GOOD, MAN. ALWAYS GOOD. 530 00:36:27,253 --> 00:36:28,854 WHAT'S GOIN' ON? 531 00:36:28,854 --> 00:36:30,121 NOTHIN'. 532 00:36:30,121 --> 00:36:33,124 BUT YOU DON'T TREAT THAT LADY RIGHT, 533 00:36:33,124 --> 00:36:34,660 GREAT AS YOU ARE, 534 00:36:34,660 --> 00:36:37,863 I'M GONNA KICK YOU IN THE HEAD. 535 00:36:37,863 --> 00:36:39,398 EVERY NOW AND THEN, 536 00:36:39,398 --> 00:36:42,868 SOME SUCKER TRIES TO TURN HER OUT. 537 00:36:42,868 --> 00:36:44,536 THAT GETS ME MAD. 538 00:36:44,536 --> 00:36:47,138 FROG, AS GREAT AS YOU ARE, 539 00:36:47,138 --> 00:36:49,875 DO I LOOK LIKE A PIMP? 540 00:36:49,875 --> 00:36:51,877 ASK ME SOMETHING ELSE. 541 00:36:51,877 --> 00:36:54,280 "DO I LOOK LIKE A PIMP?" 542 00:36:54,280 --> 00:36:56,882 DID YOU HEAR THAT BOY? 543 00:37:00,286 --> 00:37:02,688 DOESN'T YOUR MOTHER MIND THESE PEOPLE 544 00:37:02,688 --> 00:37:05,291 USIN' YOUR PLACE TO COOL OUT? 545 00:37:05,291 --> 00:37:07,893 NO. SHE'S USED TO IT. 546 00:37:07,893 --> 00:37:09,295 AND NOW... 547 00:37:09,295 --> 00:37:10,896 MY RECORD COLLECTION. 548 00:37:10,896 --> 00:37:12,898 DAMN, BABY, BE COOL! 549 00:37:12,898 --> 00:37:14,766 OH, I'M SORRY. 550 00:37:14,766 --> 00:37:15,901 OUCH. 551 00:37:15,901 --> 00:37:17,303 MAYBE LATER. 552 00:37:17,303 --> 00:37:18,704 THAT'S ALL RIGHT. 553 00:37:18,704 --> 00:37:21,907 CAN WE FIND US SOMEPLACE TO BE ALONE? 554 00:37:21,907 --> 00:37:23,309 WHY? 555 00:37:23,309 --> 00:37:26,312 'CAUSE I HAVEN'T FINISHED TALKIN' TO YOU. 556 00:37:26,312 --> 00:37:28,514 WELL, THERE'S THE SUICIDE ROOM. 557 00:37:30,916 --> 00:37:32,551 LET'S GO. 558 00:37:44,330 --> 00:37:45,931 APTLY NAMED. 559 00:37:46,932 --> 00:37:48,434 OOO-HO-HO! 560 00:38:01,947 --> 00:38:03,582 SO... 561 00:38:04,750 --> 00:38:07,653 WHY DON'T YOU TELL ME MORE ABOUT WESTCHESTER? 562 00:38:07,653 --> 00:38:11,357 DID YOU LIVE IN A PRETTY HOUSE? 563 00:38:11,357 --> 00:38:15,293 I HAD A ROOM THAT LOOKED OUT OVER A GARDEN. 564 00:38:15,293 --> 00:38:17,463 THE NIGHT OF MY SIXTH BIRTHDAY, 565 00:38:17,463 --> 00:38:20,499 MY FATHER HAD THE ORCHESTRA FROM HIS CLUB 566 00:38:20,499 --> 00:38:23,769 STAND UNDER THAT WINDOW AND SERENADE ME. 567 00:38:23,769 --> 00:38:26,772 THEY PLAYED WHY DO I LOVE YOU? 568 00:38:26,772 --> 00:38:29,575 * WHY DO YOU LOVE ME? * 569 00:38:29,575 --> 00:38:35,347 * WHY SHOULD THERE BE TWO HAPPY AS WE? ** 570 00:38:35,347 --> 00:38:37,015 THAT'S NICE. 571 00:38:37,015 --> 00:38:38,717 THAT'S REAL NICE. 572 00:38:39,985 --> 00:38:41,387 YEAH. 573 00:38:41,387 --> 00:38:44,055 HE HAD A WAY. 574 00:38:47,526 --> 00:38:50,729 OK, YOU WALKED ME HOME. 575 00:38:50,729 --> 00:38:51,830 YEAH. 576 00:38:51,830 --> 00:38:53,832 YOU GOT ME ALONE. 577 00:38:55,401 --> 00:38:57,803 YOU MANAGED TO GET ME TALKIN'. 578 00:38:57,803 --> 00:39:00,806 I'VE TOLD YOU SOME OF MY GIRLISH SECRETS. 579 00:39:00,806 --> 00:39:03,409 BUT YOU HAVEN'T TOLD ME A THING. 580 00:39:03,409 --> 00:39:05,577 WHAT'S GOIN' ON? 581 00:39:06,812 --> 00:39:11,417 THERE'S ONE NIGHT IN MY LIFE I NEVER WANT TO FORGET. 582 00:39:11,417 --> 00:39:14,420 I NEVER WANT TO GO THROUGH IT AGAIN. 583 00:39:14,420 --> 00:39:16,888 I WAS 15, 584 00:39:16,888 --> 00:39:20,091 AND I WOKE UP FEELING MORE PAIN 585 00:39:20,091 --> 00:39:22,093 THAN I'VE EVER FELT. 586 00:39:23,795 --> 00:39:26,998 I DIDN'T KNOW WHY TILL SOMEBODY TOLD ME 587 00:39:26,998 --> 00:39:28,834 I WAS STRUNG OUT. 588 00:39:28,834 --> 00:39:31,470 SOMEBODY HAD TO TELL ME THAT. 589 00:39:33,138 --> 00:39:34,573 YOU KNOW... 590 00:39:34,573 --> 00:39:36,575 I ALWAYS THOUGHT THAT... 591 00:39:36,575 --> 00:39:39,745 IF I HADN'T ASKED... 592 00:39:41,046 --> 00:39:43,014 THEN I WOULDN'T BE. 593 00:39:47,185 --> 00:39:49,187 YOU MAKE ME FEEL... 594 00:39:49,187 --> 00:39:52,491 VERY PEACEFUL, YOU KNOW? 595 00:39:57,362 --> 00:39:59,798 YOU'RE NOT MY TYPE, MAN. 596 00:40:01,199 --> 00:40:02,801 I KNOW THAT. 597 00:40:05,236 --> 00:40:08,106 PEACEFUL! PEACEFUL! 598 00:40:09,908 --> 00:40:13,979 IS THAT WHAT YOU MEAN BY "RINGS ARE CHEAP"? 599 00:40:15,514 --> 00:40:19,785 I DON'T WANT TO MAKE ANYBODY FEEL PEACEFUL, MAN. 600 00:40:21,286 --> 00:40:24,490 I WAS BORN TO DRIVE MEN CRAZY! 601 00:40:28,660 --> 00:40:30,061 SOMEBODY TOLD ME 602 00:40:30,061 --> 00:40:33,131 THAT I'M THE ONLY WOMAN IN NEW YORK 603 00:40:33,131 --> 00:40:34,866 THAT YOU HAVEN'T HAD. 604 00:40:34,866 --> 00:40:37,335 I JUST MADE A SIMPLE STATEMENT. 605 00:40:37,335 --> 00:40:39,270 WELL, DON'T MISUNDERSTAND ME. 606 00:40:39,270 --> 00:40:42,641 I APPRECIATE THE HONOR. 607 00:40:42,641 --> 00:40:43,675 IT'S NOT LIKE I DON'T KNOW 608 00:40:43,675 --> 00:40:45,944 WHO I'M TALKING TO. 609 00:40:45,944 --> 00:40:47,278 STOP IT! 610 00:40:47,278 --> 00:40:49,114 YOU'RE EMBARRASSING YOURSELF. 611 00:40:56,287 --> 00:40:57,889 I'M SORRY. 612 00:40:58,824 --> 00:41:01,727 BUT IF YOU AND ME GOT TOGETHER... 613 00:41:03,261 --> 00:41:04,996 UH-UH. 614 00:41:04,996 --> 00:41:07,065 MM-HMM. 615 00:41:08,700 --> 00:41:11,102 WHAT I MEAN BY MY TYPE-- 616 00:41:11,102 --> 00:41:15,040 IS THE TYPE YOU DON'T HAVE TO BE FAITHFUL TO. 617 00:41:15,040 --> 00:41:16,708 I KNOW THAT. 618 00:41:16,708 --> 00:41:20,178 EVERYBODY SAYS YOU'RE A MIND READER. 619 00:41:20,178 --> 00:41:21,547 I AM. 620 00:41:21,547 --> 00:41:25,050 I'M GOIN' TO CHICAGO. 621 00:41:27,352 --> 00:41:31,022 * AND YOU'RE SORRY THAT YOU CAN'T TAKE ME ** 622 00:41:47,773 --> 00:41:49,107 NO. 623 00:41:51,209 --> 00:41:52,944 NO! 624 00:41:59,618 --> 00:42:01,920 YOU QUIT READING MY MIND! 625 00:42:12,497 --> 00:42:16,968 [PLAYING I CAN'T BELIEVE THAT YOU'RE IN LOVE WITH ME] 626 00:42:44,996 --> 00:42:47,565 THAT CAT'S COOKIN' TONIGHT. 627 00:42:58,076 --> 00:43:00,779 WE THANK YOU ON BEHALF OF THE BAND. 628 00:43:00,779 --> 00:43:03,214 NOW WE'RE GOING TO LEAVE YOU 629 00:43:03,214 --> 00:43:08,854 IN THE VERY CAPABLE HANDS OF THE MARGIE HYAMS QUINTET. 630 00:43:27,138 --> 00:43:28,539 WAIT HERE. 631 00:43:28,539 --> 00:43:29,941 RIGHT. 632 00:43:29,941 --> 00:43:33,011 [PLAYING THREE DEUCES] 633 00:43:52,864 --> 00:43:54,866 YOU SOUNDED GOOD, BIRD. 634 00:43:54,866 --> 00:43:56,868 HOW WOULD YOU KNOW THAT? 635 00:43:56,868 --> 00:43:58,870 YOU WEREN'T OUT FRONT. 636 00:43:58,870 --> 00:44:00,872 YOU ALWAYS SOUND GOOD. 637 00:44:00,872 --> 00:44:02,874 SO WHAT DO YOU KNOW? 638 00:44:02,874 --> 00:44:05,877 I DON'T KNOW YOU, FOR ONE THING. 639 00:44:05,877 --> 00:44:07,879 BUT YOU'RE WAITIN' FOR ME. 640 00:44:07,879 --> 00:44:10,882 THE GUY YOU'RE WAITIN' FOR SENT ME INSTEAD. 641 00:44:10,882 --> 00:44:12,483 WHAT'S THE DIFFERENCE? 642 00:44:12,483 --> 00:44:14,485 OH, ABOUT SIX MONTHS. 643 00:44:14,485 --> 00:44:16,888 KENTUCKY'S COLD THIS TIME OF YEAR. 644 00:44:16,888 --> 00:44:19,290 I THINK I'LL PASS ON THAT. 645 00:44:19,290 --> 00:44:22,093 YOU THINK I'M ON THE SQUAD OR SOMETHING? 646 00:44:22,093 --> 00:44:23,361 SQUAD? 647 00:44:23,361 --> 00:44:25,096 WHAT SQUAD? 648 00:44:26,898 --> 00:44:29,200 ESTEVES. ESTEVES. 649 00:44:31,502 --> 00:44:33,772 YOU KNOW, I NEVER FORGET A FACE. 650 00:44:33,772 --> 00:44:36,842 YOU HAVIN' A BIG NIGHT, ESTEVES? 651 00:44:36,842 --> 00:44:38,877 WE PITCHED A FEW HERE AND THERE. 652 00:44:38,877 --> 00:44:41,880 NOT YOURS, BUT HE'S HEARD ABOUT IT. 653 00:44:44,215 --> 00:44:46,451 WHERE ARE YOU GOIN'? 654 00:44:46,451 --> 00:44:48,219 I DON'T KNOW. 655 00:44:48,219 --> 00:44:49,955 TAKE IT PERSONALLY. 656 00:45:00,899 --> 00:45:02,500 HEY, WATCH OUT. 657 00:45:02,500 --> 00:45:04,702 THE NABS ARE OUT TONIGHT. 658 00:45:07,505 --> 00:45:09,107 GOOD NIGHT. 659 00:45:10,508 --> 00:45:11,977 MRS. BERG? 660 00:45:11,977 --> 00:45:13,979 DID YOU LIKE WHAT I PLAYED TONIGHT? 661 00:45:13,979 --> 00:45:16,147 I'M NOT A MUSIC CRITIC. 662 00:45:17,248 --> 00:45:20,518 YOU COULD PLAY STAR EYES, THOUGH. 663 00:45:20,518 --> 00:45:23,321 I'D BE HAPPY TO DO THAT FOR YOU. 664 00:45:23,321 --> 00:45:26,892 YOUR LOVELY DAUGHTER... IS SHE STILL IN CHICAGO? 665 00:45:26,892 --> 00:45:29,727 MY LOVELY DAUGHTER IS STILL IN CHICAGO. 666 00:45:30,528 --> 00:45:32,130 TILL WHEN? 667 00:45:33,131 --> 00:45:34,866 BIRD-- 668 00:45:34,866 --> 00:45:37,936 I HAVE MY WAYS OF FINDING OUT. 669 00:45:37,936 --> 00:45:40,806 I JUST WANT TO WELCOME HER BACK, 670 00:45:40,806 --> 00:45:42,073 YOU KNOW? 671 00:45:42,073 --> 00:45:44,375 LIKE BROADWAY BEN WOULD. 672 00:46:07,365 --> 00:46:12,170 [SAXOPHONES PLAYING WHY DO I LOVE YOU?] 673 00:46:44,202 --> 00:46:46,204 HA HA HA! 674 00:46:58,616 --> 00:47:00,151 WHERE ARE WE GOING? 675 00:47:00,151 --> 00:47:02,753 WHAT'S-HER-NAME DIDN'T ASK VALENTINO 676 00:47:02,753 --> 00:47:04,622 NO QUESTIONS LIKE THAT. 677 00:47:04,622 --> 00:47:07,625 VILMA BANKY. SHE WAS IN A SWOO-- 678 00:47:07,625 --> 00:47:08,759 OOOH! 679 00:47:08,759 --> 00:47:11,629 SEE? I GOT A WAY ABOUT ME, TOO. 680 00:47:11,629 --> 00:47:13,231 I'LL SAY. 681 00:47:16,234 --> 00:47:19,537 [BAND PLAYING MOONLIGHT BECOMES YOU] 682 00:47:44,462 --> 00:47:47,798 HEY, THAT'S BIRD. CHARLIE PARKER. 683 00:47:47,798 --> 00:47:48,799 CHARLIE PARKER. 684 00:47:48,799 --> 00:47:50,101 OH, MY! WHERE? 685 00:48:04,682 --> 00:48:07,685 GOD, THIS MUSIC IS SO CORNY. 686 00:48:07,685 --> 00:48:09,487 YOU GOT TO STOP 687 00:48:09,487 --> 00:48:11,689 RUNNING AWAY FROM HONEST SENTIMENT. 688 00:48:11,689 --> 00:48:13,291 AM I RUNNING? 689 00:48:13,291 --> 00:48:14,559 YEAH. 690 00:48:14,559 --> 00:48:16,027 OH. 691 00:48:21,199 --> 00:48:24,202 I REMEMBER WHEN I FIRST MET YOU... 692 00:48:24,202 --> 00:48:27,405 YOU LOOKED SO YOUNG, IT SCARED ME. 693 00:48:30,408 --> 00:48:32,010 YOU AWAKE? 694 00:48:34,412 --> 00:48:36,047 YOU AWAKE? 695 00:48:37,949 --> 00:48:39,817 GOD! GOD... 696 00:48:39,817 --> 00:48:42,420 YOU MAKE ME FEEL SO PEACEFUL. 697 00:48:43,221 --> 00:48:45,823 I FEEL LIKE A COWARD, TOO, 698 00:48:45,823 --> 00:48:48,826 BECAUSE I LOVE YOU, YOU SEE, 699 00:48:48,826 --> 00:48:51,829 AND I DON'T THINK I COULD SAY THAT 700 00:48:51,829 --> 00:48:54,032 IF YOU WAS AWAKE. 701 00:48:55,833 --> 00:48:57,368 WHAT? 702 00:48:57,368 --> 00:49:00,438 YOU MAKIN' OUT YOU ASLEEP, LIKE A KID? 703 00:49:02,840 --> 00:49:05,043 GOOD THING IT'S DARK, HUH? 704 00:49:07,845 --> 00:49:09,647 YOU DIDN'T TELL ME 705 00:49:09,647 --> 00:49:12,850 HOW MUCH YOU LIKE GOIN' OUT ON THE ROAD. 706 00:49:12,850 --> 00:49:14,852 I'M GOIN' OUT ON THE ROAD AGAIN, 707 00:49:14,852 --> 00:49:16,854 TO HOLLYWOOD... BACK WITH DIZZY. 708 00:49:16,854 --> 00:49:18,856 BUT I HEAR THINGS ABOUT IT 709 00:49:18,856 --> 00:49:20,858 MAKE ME KIND OF JUMPY. 710 00:49:20,858 --> 00:49:22,460 WHAT? 711 00:49:23,394 --> 00:49:25,863 UH...STUFF'S NOT EASY TO FIND, 712 00:49:25,863 --> 00:49:27,465 FOR ONE THING... 713 00:49:27,465 --> 00:49:28,866 TOUGH COPS. 714 00:49:28,866 --> 00:49:30,268 WE'LL BE THE FIRST GROUP 715 00:49:30,268 --> 00:49:32,270 TO EVER PLAY THE NEW SOUND OUT THERE. 716 00:49:32,270 --> 00:49:35,106 I DON'T KNOW HOW THEY'D LIKE THAT. 717 00:49:41,279 --> 00:49:44,282 WHAT WOULD YOU THINK ABOUT KEEPIN' ME COMPANY? 718 00:49:45,883 --> 00:49:47,285 OH, YEAH. 719 00:49:47,285 --> 00:49:49,887 HUNT FOR DRUGS DURING THE DAY 720 00:49:49,887 --> 00:49:53,024 AND LEAD THE APPLAUSE AT NIGHT. 721 00:49:53,824 --> 00:49:56,094 WHAT ARE YOU SO MAD AT? 722 00:49:58,496 --> 00:49:59,897 WHO'S MAD? 723 00:49:59,897 --> 00:50:02,367 I'M NOT MAD. 724 00:50:04,502 --> 00:50:06,204 I'M PREGNANT. 725 00:50:06,204 --> 00:50:09,307 YOU KNOW HOW TO FLATTER A GUY. 726 00:50:09,307 --> 00:50:11,709 GIVE YOURSELF A COUPLE OF HOURS 727 00:50:11,709 --> 00:50:14,512 BEFORE YOU DECIDE IT'S SOMETHING LIKE THAT. 728 00:50:19,517 --> 00:50:21,119 BILLY McNABB? 729 00:50:25,523 --> 00:50:27,125 NO. 730 00:50:27,925 --> 00:50:29,927 NOBODY YOU KNOW. 731 00:50:29,927 --> 00:50:31,929 NOBODY I KNOW WELL ENOUGH 732 00:50:31,929 --> 00:50:34,799 TO EVER WANT TO SEE HIM AGAIN. 733 00:50:38,536 --> 00:50:40,138 SO... 734 00:50:41,939 --> 00:50:43,508 WHAT NOW? 735 00:50:44,375 --> 00:50:47,612 DO YOU REALIZE I HAVEN'T TOLD MY MOTHER, 736 00:50:47,612 --> 00:50:49,614 AND I'VE TOLD YOU? 737 00:50:50,715 --> 00:50:55,320 WELL, YOU COULD HAVE TOLD ME A LITTLE SOONER. 738 00:50:55,320 --> 00:50:56,354 HEY! 739 00:50:56,354 --> 00:50:58,356 IF MEN COULD GET PREGNANT, 740 00:50:58,356 --> 00:51:02,059 HOW MANY KIDS WOULD YOU HAVE BY NOW? 741 00:51:03,561 --> 00:51:04,962 CHAN, CHAN, CHAN. 742 00:51:04,962 --> 00:51:06,597 THAT'S ME. 743 00:51:08,966 --> 00:51:10,201 WELL... 744 00:51:10,201 --> 00:51:13,104 I GOTTA GO. I GOT A GIG ACROSS THE STREET 745 00:51:13,104 --> 00:51:15,106 BEFORE I GO TO HOLLYWOOD. 746 00:51:15,106 --> 00:51:17,108 WHERE'S YOUR HORN? 747 00:51:17,108 --> 00:51:19,377 I'LL BORROW ONE. 748 00:51:24,982 --> 00:51:26,584 EXCUSE ME. 749 00:51:28,986 --> 00:51:30,988 WHEN YOU GOING TO CALIFORNIA? 750 00:51:30,988 --> 00:51:33,191 COUPLE OF DAYS. 751 00:51:34,392 --> 00:51:37,195 TAKE CARE OF YOURSELF, OK? 752 00:51:40,398 --> 00:51:42,600 TAKE CARE OF YOURSELF. 753 00:51:48,606 --> 00:51:50,208 OH, NO. 754 00:51:51,809 --> 00:51:56,013 HE HOCKED HIS HORN TO RENT THAT DAMN HORSE. 755 00:51:56,013 --> 00:51:58,216 HA HA HA! 756 00:52:22,440 --> 00:52:24,575 APPARENT CONTRIBUTING FACTORS 757 00:52:24,575 --> 00:52:26,477 TO PATIENT'S "NERVOUS BREAKDOWN," 758 00:52:26,477 --> 00:52:30,448 IN CALIFORNIA, WINTER 1946, WERE AS FOLLOWS-- 759 00:52:30,448 --> 00:52:33,851 DISORIENTATION DUE TO UNFAMILIAR SURROUNDINGS, 760 00:52:33,851 --> 00:52:37,455 DISAPPOINTING PUBLIC REACTION BORDERING ON HOSTILITY 761 00:52:37,455 --> 00:52:39,590 TO PATIENT'S PARTICULAR STYLE OF MUSIC, 762 00:52:39,590 --> 00:52:42,059 REDUCED AVAILABILITY OF NARCOTICS 763 00:52:42,059 --> 00:52:44,262 DUE TO POLICE CRACKDOWN. 764 00:53:02,179 --> 00:53:04,482 HEY, HEY. 765 00:53:04,482 --> 00:53:07,285 [BAND PLAYING ORNITHOLOGY] 766 00:54:19,990 --> 00:54:21,759 ALL RIGHT! 767 00:55:07,204 --> 00:55:09,407 ANY WAY I CAN HELP? 768 00:55:11,909 --> 00:55:13,411 NO. 769 00:55:14,612 --> 00:55:17,314 SEE, I'M GETTIN' ON RIGHT NOW. 770 00:55:17,314 --> 00:55:19,183 YEAH, I KNOW. 771 00:55:19,183 --> 00:55:20,618 YOU KNOW? 772 00:55:20,618 --> 00:55:23,621 THE LESS YOU KNOW ABOUT GETTIN' ON, 773 00:55:23,621 --> 00:55:25,890 THE BETTER OFF YOU'LL BE. 774 00:55:27,458 --> 00:55:29,760 ANOTHER THING, JUNIOR-- 775 00:55:29,760 --> 00:55:33,230 IF I EVER HEAR ABOUT YOU USING THIS SHIT, 776 00:55:33,230 --> 00:55:35,633 I WILL COME FROM MY GRAVE, 777 00:55:35,633 --> 00:55:37,968 AND I WILL HAUNT YOU. 778 00:55:42,139 --> 00:55:43,741 HAVE WE MET? 779 00:55:44,975 --> 00:55:46,243 NO, SIR. 780 00:55:46,243 --> 00:55:48,045 MY NAME'S RODNEY. 781 00:55:48,045 --> 00:55:49,847 OH, SHIT. 782 00:55:52,850 --> 00:55:54,118 YOU PLAY, RODNEY? 783 00:55:56,654 --> 00:55:59,123 YEAH. I'M WITH KRUPA. 784 00:56:00,257 --> 00:56:02,226 DO YOU PLAY? 785 00:56:02,226 --> 00:56:03,794 TRUMPET. 786 00:56:03,794 --> 00:56:05,262 OH. 787 00:56:05,262 --> 00:56:09,266 THEN YOU CAME HERE TO SEE DIZZY PLAY. 788 00:56:09,266 --> 00:56:11,669 I TOOK THE JOB TOURING WITH KRUPA 789 00:56:11,669 --> 00:56:13,871 BECAUSE THE TOUR CAME TO L.A. 790 00:56:13,871 --> 00:56:16,674 AND I KNEW YOU WERE GOING TO BE HERE. 791 00:56:18,409 --> 00:56:21,145 YEAH... I CAME TO HEAR YOU. 792 00:56:21,145 --> 00:56:23,080 WELL, ALL RIGHT! 793 00:56:23,080 --> 00:56:26,951 WELL, THEN, I'M SORRY I KEPT YOU WAITIN'. 794 00:56:32,289 --> 00:56:35,292 SO...A GOOD CROWD IN THERE? 795 00:56:35,292 --> 00:56:36,894 SO-SO. 796 00:56:36,894 --> 00:56:38,295 SO-SO. 797 00:56:38,295 --> 00:56:39,697 YEAH... 798 00:56:39,697 --> 00:56:43,300 WE DON'T GET TOO MANY GOOD CROWDS OUT HERE. 799 00:56:43,300 --> 00:56:45,302 AH, THEY'LL CATCH ON. 800 00:56:45,302 --> 00:56:47,304 IT TOOK ME A WHILE. 801 00:56:47,304 --> 00:56:50,307 I THOUGHT I WANTED TO BE HARRY JAMES. 802 00:56:50,307 --> 00:56:51,709 YEAH, WELL... 803 00:56:51,709 --> 00:56:55,179 I WANT TO BE HARRY JAMES SOMETIMES. 804 00:58:07,785 --> 00:58:10,988 [FIREBIRD SUITE PLAYS] 805 00:58:27,538 --> 00:58:29,139 LISTEN TO THAT. 806 00:58:30,541 --> 00:58:31,942 YOU KNOW, AUDREY, 807 00:58:31,942 --> 00:58:36,146 IF WE COULD REALLY HEAR EVERY SOUND IN THE WORLD, 808 00:58:36,146 --> 00:58:37,748 WE'D GO CRAZY. 809 00:58:38,549 --> 00:58:41,151 HE MUST BE CRAZY, YOU KNOW? 810 00:58:42,953 --> 00:58:45,956 HE ALWAYS LOOKED FAIRLY NORMAL TO ME. 811 00:58:45,956 --> 00:58:48,158 NO. I'M TALKING ABOUT STRAVINSKY. 812 00:58:48,158 --> 00:58:49,560 SO AM I. 813 00:58:49,560 --> 00:58:51,896 WE GO TO THE SAME DENTIST. 814 00:58:51,896 --> 00:58:53,297 YEAH? 815 00:58:53,297 --> 00:58:54,899 MM-HMM. 816 00:58:58,168 --> 00:59:00,571 HE LIVES AROUND HERE? 817 00:59:00,571 --> 00:59:01,972 YES. 818 00:59:01,972 --> 00:59:04,975 AND SCHONBERG AND HEIFETZ 819 00:59:04,975 --> 00:59:09,179 AND HUXLEY AND THOMAS MANN. 820 00:59:09,980 --> 00:59:12,583 THE CLIMATE IS ADVANTAGEOUS. 821 00:59:12,583 --> 00:59:14,418 HE LIVES RIGHT THERE. 822 00:59:14,418 --> 00:59:17,087 PULL UP OVER THERE. PULL UP. 823 00:59:24,494 --> 00:59:26,496 WHAT TIME IS IT? 824 00:59:26,496 --> 00:59:28,899 ALMOST 10:00. WON'T YOU BE LATE? 825 00:59:28,899 --> 00:59:31,702 THE LIGHTS ARE ON. HE'S PROBABLY THERE. 826 00:59:35,105 --> 00:59:37,908 BET HE'S IN THERE. 827 00:59:44,815 --> 00:59:46,250 [RINGS DOORBELL] 828 01:00:09,640 --> 01:00:11,275 LET'S GO. 829 01:00:14,478 --> 01:00:17,982 HOW DO I GET ME A HOUSE LIKE THAT? 830 01:00:19,549 --> 01:00:21,151 WHAT'S STOPPING YOU? 831 01:00:37,702 --> 01:00:39,069 BIRKS. 832 01:00:39,069 --> 01:00:42,439 BIRKS, WHAT THE HELL HAPPENED? 833 01:00:42,439 --> 01:00:44,441 I'M NOT THAT LATE. 834 01:00:44,441 --> 01:00:46,176 NO AUDIENCE, MAN. 835 01:00:46,176 --> 01:00:47,978 THE BAR'S OPEN. 836 01:00:47,978 --> 01:00:49,780 THE ENGAGEMENT'S OVER. 837 01:00:49,780 --> 01:00:52,549 GUESS THEY WEREN'T READY TO BE INVADED. 838 01:00:52,549 --> 01:00:54,752 SO ANYWAY... 839 01:00:55,953 --> 01:00:57,955 WE GONNA TAKE A PLANE HOME. 840 01:00:57,955 --> 01:00:59,757 I GOT YOUR TICKET RIGHT HERE. 841 01:01:01,558 --> 01:01:02,960 WHAT IS THAT? 842 01:01:02,960 --> 01:01:05,963 I THOUGHT WE HAD A RADIO GIG TOMORROW. 843 01:01:05,963 --> 01:01:08,432 WE DID, YARD. WE DID. 844 01:01:08,432 --> 01:01:10,835 THE STATION JOINED IN THE BAN. 845 01:01:10,835 --> 01:01:13,771 "BEBOP TENDS TO PERVERT YOUNG MINDS." 846 01:01:13,771 --> 01:01:15,305 WHO SAID THAT? 847 01:01:15,305 --> 01:01:16,774 SOMEBODY WITH ENOUGH JUICE 848 01:01:16,774 --> 01:01:20,410 TO GET 12 RADIO STATIONS TO TURN US OFF. 849 01:01:20,410 --> 01:01:22,512 SO WE GOIN' HOME TOMORROW. 850 01:01:22,512 --> 01:01:24,181 HOW ABOUT YOU? 851 01:01:24,181 --> 01:01:25,582 BIRKS, LOOK, 852 01:01:25,582 --> 01:01:28,585 A BAN LIKE THAT CAN'T LAST FOREVER. 853 01:01:28,585 --> 01:01:30,988 WE GOT AN AUDIENCE OUT HERE. 854 01:01:30,988 --> 01:01:33,123 JUST GIVE IT SOME TIME. 855 01:01:33,123 --> 01:01:35,926 YOU GONNA HANG AROUND HERE? 856 01:01:37,995 --> 01:01:40,998 CAN'T GO BACK TO NEW YORK RIGHT NOW. 857 01:01:40,998 --> 01:01:44,168 WHAT ABOUT THE REST OF MY SALARY? 858 01:01:44,168 --> 01:01:45,402 WHAT SALARY? 859 01:01:45,402 --> 01:01:48,405 YARD, THERE HAVE BEEN A FEW ADVANCES DRAWN. 860 01:01:48,405 --> 01:01:51,408 JUST LAST WEEK, YOU BORROWED $20 FROM ME 861 01:01:51,408 --> 01:01:55,112 AND THEN KISSED ME WHEN I GAVE IT TO YOU. 862 01:01:55,112 --> 01:01:57,147 YOU DON'T REMEMBER THESE THINGS. 863 01:01:57,147 --> 01:01:59,349 I DON'T HAVE TO REMEMBER. 864 01:01:59,349 --> 01:02:01,151 YOU WOULDN'T LIE TO ME. 865 01:02:01,151 --> 01:02:03,020 WELL...LISTEN. 866 01:02:03,020 --> 01:02:06,023 JUST MAKE SURE SOMEBODY HAS YOUR NUMBER 867 01:02:06,023 --> 01:02:09,193 AND DON'T STAY AWAY TOO LONG, HMM? 868 01:02:13,497 --> 01:02:15,099 BIRKS! 869 01:02:15,099 --> 01:02:16,433 YEP? 870 01:02:16,433 --> 01:02:19,503 * DA DA DWEE YAH * 871 01:02:19,503 --> 01:02:21,972 * BAH DA DO DA * 872 01:02:21,972 --> 01:02:23,040 * DWEE DWEE DWEE DWEE * 873 01:02:23,040 --> 01:02:24,508 * DWEE DWEE DWEE ** 874 01:05:07,371 --> 01:05:10,240 VERY NICE, CHARLIE. VERY NICE. 875 01:05:17,081 --> 01:05:18,682 HE'S CLEAN! 876 01:05:18,682 --> 01:05:20,550 THE DOPE IN L.A. DRIED UP. 877 01:05:20,550 --> 01:05:21,718 HE HAD TO KICK. 878 01:05:21,718 --> 01:05:23,487 THAT NEARLY KILLED HIM, 879 01:05:23,487 --> 01:05:25,822 SO HE STAYED DRUNK MOST OF THE TIME. 880 01:05:25,822 --> 01:05:27,624 THAT'S WHY HE GOT SENT TO CAMARILLO. 881 01:05:27,624 --> 01:05:31,428 HE HASN'T HAD A DAMN THING FOR SIX MONTHS. 882 01:05:31,428 --> 01:05:32,829 ACCORDING TO HIM. 883 01:05:32,829 --> 01:05:34,231 NO, NO. 884 01:05:34,231 --> 01:05:37,234 ACCORDING TO HIS RECORD PRODUCER IN L.A. 885 01:05:39,236 --> 01:05:43,440 WHAT HE NEEDS IS A GIG OUT OF THE STATE. 886 01:05:43,440 --> 01:05:44,708 NO. 887 01:05:44,708 --> 01:05:46,510 FOR GOD'S SAKES, SAMMY! 888 01:05:46,510 --> 01:05:49,246 YOU HIRE CHARLIE PARKER IMITATIONS, 889 01:05:49,246 --> 01:05:51,248 AND THE REAL THING'S AVAILABLE! 890 01:05:51,248 --> 01:05:54,584 THE REAL THING COULD BE A PAIN IN MY ASS. 891 01:05:54,584 --> 01:05:55,986 SAMMY, LISTEN. 892 01:05:55,986 --> 01:05:57,988 LET'S PLAY A GAME. 893 01:05:57,988 --> 01:05:59,990 I'LL COUNT TO 100, SLOWLY, 894 01:05:59,990 --> 01:06:01,625 BEFORE I FINISH, NAME ME ONE OTHER MUSICIAN 895 01:06:01,625 --> 01:06:03,893 WHO CAN PACK THIS CLUB 896 01:06:03,893 --> 01:06:07,364 WHO ISN'T A PAIN IN THE ASS. 897 01:06:07,364 --> 01:06:09,433 WE'RE TALKING ABOUT CHARLIE PARKER! 898 01:06:11,568 --> 01:06:13,470 I'LL PAY 700 A WEEK. 899 01:06:13,470 --> 01:06:15,939 WAIT. THAT'S FOR HIM, A SECOND HORN, 900 01:06:15,939 --> 01:06:18,675 AND A RHYTHM SECTION. 901 01:06:18,675 --> 01:06:20,510 IF HE HANDLES IT RIGHT, 902 01:06:20,510 --> 01:06:23,113 HE CAN CLEAR A COUPLE HUNDRED. 903 01:06:23,113 --> 01:06:24,714 THREE-WEEK GUARANTEE. 904 01:06:24,714 --> 01:06:26,316 YOU'RE WONDERFUL. 905 01:06:40,697 --> 01:06:44,334 I THOUGHT THE FOUNTAIN OF YOUTH WAS IN FLORIDA. 906 01:06:44,334 --> 01:06:47,204 EVERYBODY SAYS THAT TO ME. 907 01:06:47,204 --> 01:06:49,306 YOU KNOW, I LEARNED SOMETHING. 908 01:06:49,306 --> 01:06:51,708 THEY CAN GET IT OUT OF YOUR BLOOD... 909 01:06:51,708 --> 01:06:53,110 SURE. 910 01:06:53,110 --> 01:06:57,147 BUT THEY CAN NEVER GET IT OUT OF YOUR MIND. 911 01:06:57,147 --> 01:06:59,749 I REALLY APPRECIATE WHAT YOU DID FOR ME. 912 01:06:59,749 --> 01:07:01,751 I WILL NEVER, EVER FORGET IT. 913 01:07:01,751 --> 01:07:03,487 DON'T! 914 01:07:03,487 --> 01:07:04,888 DON'T WHAT? 915 01:07:04,888 --> 01:07:06,290 DON'T BE HUMBLE. 916 01:07:06,290 --> 01:07:09,025 ANYBODY ELSE BUT YOU. 917 01:07:09,025 --> 01:07:11,161 HA HA! HEY, CHAN, 918 01:07:11,161 --> 01:07:13,763 WHEN A CONVICT'S ON THE STREET 919 01:07:13,763 --> 01:07:15,765 AFTER A LONG TIME AWAY, 920 01:07:15,765 --> 01:07:17,734 HE'S CAREFUL, 921 01:07:17,734 --> 01:07:19,169 NOT HUMBLE. 922 01:07:19,169 --> 01:07:22,005 WHY DON'T YOU LEARN TO SAY "YOU'RE WELCOME"? 923 01:07:22,005 --> 01:07:23,907 YOU'RE WELCOME. 924 01:07:23,907 --> 01:07:26,343 WILL YOU STOP TRYING TO LOOK 925 01:07:26,343 --> 01:07:28,345 FOR SOMEPLACE TO RUN? 926 01:07:28,345 --> 01:07:30,314 I JUST CAME HERE TO SAY THANKS. 927 01:07:30,314 --> 01:07:32,916 THE REST OF IT WILL WAIT. 928 01:07:32,916 --> 01:07:35,919 I'M GOING TO GO FIND ME A QUINTET 929 01:07:35,919 --> 01:07:37,754 AND GET STARTED. 930 01:07:39,423 --> 01:07:42,592 TAKE A LOOK AT HER AT LEAST. 931 01:07:53,437 --> 01:07:57,241 WELL, WHO COULD BLAME ME NOW? 932 01:07:59,143 --> 01:08:01,645 AND WHAT'S YOUR NAME, LITTLE ONE? 933 01:08:01,645 --> 01:08:06,049 MY NAME IS KIM. WHAT'S YOURS? 934 01:08:06,049 --> 01:08:09,353 WELCOME HOME FROM THE HOSPITAL, DADDY. 935 01:08:09,353 --> 01:08:13,056 HOW DID YOU KNOW I WAS IN THE HOSPITAL? 936 01:08:13,056 --> 01:08:15,459 I READ IT IN THE NEWSPAPER. 937 01:08:15,459 --> 01:08:17,461 DIDN'T YOU KNOW YOU'RE FAMOUS? 938 01:08:17,461 --> 01:08:20,230 GRANDMA COOKING SUPPER? 939 01:08:20,230 --> 01:08:22,632 YEAH, BUT SHE CALLS IT DINNER. 940 01:08:22,632 --> 01:08:24,734 SHE SAYS SUPPER'S AFTER THE SHOW. 941 01:08:24,734 --> 01:08:26,136 SHE'S RIGHT. 942 01:08:26,136 --> 01:08:28,205 I'LL BE RIGHT UP. 943 01:08:28,205 --> 01:08:30,207 WHERE ARE YOU GOING? 944 01:08:30,207 --> 01:08:31,941 WHO'S THAT? 945 01:08:31,941 --> 01:08:33,677 BUSINESS. 946 01:08:43,687 --> 01:08:45,088 HOW YOU FEELIN'? 947 01:08:45,088 --> 01:08:48,292 YOU READ THE HOSPITAL REPORT, I DIDN'T. 948 01:08:49,493 --> 01:08:52,596 GET IN. LET'S GO FOR A RIDE. 949 01:08:52,596 --> 01:08:54,464 I HAVE A CAR. 950 01:08:55,499 --> 01:08:57,501 IT'S GETTING A RING JOB. 951 01:08:57,501 --> 01:09:01,104 SHOULD I TELL WHEN YOUR WIFE BROUGHT IT IN, 952 01:09:01,104 --> 01:09:04,308 OR DO YOU WANT THE ENGINE SERIAL NUMBER? 953 01:09:06,643 --> 01:09:11,381 M-431-232-95. 954 01:09:11,381 --> 01:09:14,284 GET IN THE GODDAMN CAR. 955 01:09:31,468 --> 01:09:34,304 I'VE BEEN ON YOUR CASE 10 YEARS NOW, 956 01:09:34,304 --> 01:09:36,306 AND I'VE NEVER SEEN YOU WORSE. 957 01:09:36,306 --> 01:09:38,908 YOU CAN'T PLAY MORE THAN THREE NIGHTS A MONTH 958 01:09:38,908 --> 01:09:40,710 IN NEW YORK, 959 01:09:40,710 --> 01:09:43,913 AND NEW YORK IS THE ONLY PLACE LEFT 960 01:09:43,913 --> 01:09:45,915 WHERE YOU CAN GET WORK. 961 01:09:45,915 --> 01:09:47,817 YOU BLEW A THREE-NIGHTER 962 01:09:47,817 --> 01:09:49,553 AT 1:00 THIS MORNING. 963 01:09:49,553 --> 01:09:51,621 I TALKED WITH STEINBERG. 964 01:09:51,621 --> 01:09:54,558 HE'S READY TO WASH HIS HANDS OF YOU. 965 01:09:54,558 --> 01:09:56,760 YOU TALKED TO STEINBERG. 966 01:09:56,760 --> 01:09:58,228 YOU'RE SICK, BIRD. 967 01:09:58,228 --> 01:10:00,630 YOU'RE AN ALCOHOLIC, YOU'RE A JUNKIE, 968 01:10:00,630 --> 01:10:03,767 AND YOUR MIND IS HANGING BY A FUCKING THREAD. 969 01:10:03,767 --> 01:10:05,735 UH-HUH, YEAH, RIGHT, RIGHT, RIGHT. 970 01:10:05,735 --> 01:10:08,938 IT'S POSSIBLE I COULD CHANGE SOME ATTITUDES 971 01:10:08,938 --> 01:10:11,375 ABOUT YOUR CABARET CARD. 972 01:10:11,375 --> 01:10:14,344 THAT WOULD MAKE A HELL OF A DIFFERENCE 973 01:10:14,344 --> 01:10:15,912 IN YOUR SITUATION. 974 01:10:17,447 --> 01:10:20,450 IT WOULD MAKE A WORLD OF A DIFFERENCE. 975 01:10:20,450 --> 01:10:23,453 I GIVE YOU THREE, FOUR NAMES, ALL JUNKIES. 976 01:10:23,453 --> 01:10:27,056 ONCE YOU NAILED THEM, WOULDN'T BE NO MORE HEROIN 977 01:10:27,056 --> 01:10:29,326 IN NEW YORK CITY, WOULD THERE? 978 01:10:29,326 --> 01:10:33,730 LET ME OUT OF THIS GODDAMN CAR! 979 01:10:39,369 --> 01:10:41,571 THEY WOULDN'T THINK TWICE ABOUT DOING IT TO YOU. 980 01:10:45,241 --> 01:10:47,277 IT'S TIME TO SAVE YOUR LIFE! 981 01:10:47,277 --> 01:10:51,014 THIS IS THE YEAR I'M SUPPOSED TO DIE. 982 01:11:20,844 --> 01:11:22,846 YOU MISSED DINNER. 983 01:11:24,848 --> 01:11:27,417 HOW ABOUT SUPPER? 984 01:11:28,852 --> 01:11:30,253 I'M SORRY. 985 01:11:30,253 --> 01:11:32,856 I JUST WENT FOR A WALK. 986 01:11:35,859 --> 01:11:37,861 WERE YOU WORRIED? 987 01:11:40,129 --> 01:11:43,433 WHAT DO YOU WANT ME TO SAY? 988 01:11:45,569 --> 01:11:47,704 WHO WAS THAT MAN? 989 01:11:47,704 --> 01:11:49,673 SOMEBODY FROM THIS WORLD-- 990 01:11:49,673 --> 01:11:51,675 NOBODY I EVER WANT YOU 991 01:11:51,675 --> 01:11:53,877 TO CONCERN YOURSELF ABOUT. 992 01:11:53,877 --> 01:11:55,379 IT'S DIRTY. 993 01:11:56,880 --> 01:11:58,281 IT'S DIRTY? 994 01:11:58,281 --> 01:12:00,884 WHERE DO YOU THINK I'VE LIVED MY LIFE 995 01:12:00,884 --> 01:12:02,619 TILL I MET YOU? 996 01:12:02,619 --> 01:12:06,189 IT'S MY WISH THAT YOU REMAIN MY CHILD WIFE. 997 01:12:06,189 --> 01:12:09,659 WOULD YOU DO THAT FOR ME? 998 01:12:11,094 --> 01:12:14,431 NOW YOU'VE SWITCHED FROM BETTE DAVIS MOVIES 999 01:12:14,431 --> 01:12:15,632 TO JANE EYRE. 1000 01:12:15,632 --> 01:12:18,702 COME ON HOME AND EAT, ROCHESTER. 1001 01:12:21,037 --> 01:12:23,540 AFTER A WHILE. 1002 01:12:29,846 --> 01:12:34,418 REMEMBER, YOU'VE GOT FIVE TUNES TO WRITE. 1003 01:12:35,752 --> 01:12:39,055 LISTEN TO ME-- THE VOICE OF DUTY. 1004 01:12:39,055 --> 01:12:41,425 OH, AND GUESS WHAT. 1005 01:12:41,425 --> 01:12:43,560 STEINBERG SENT US A CHECK. 1006 01:12:43,560 --> 01:12:46,362 WE'LL BE OK FOR TWO WEEKS. 1007 01:12:47,897 --> 01:12:50,967 CHAN. 1008 01:12:50,967 --> 01:12:53,036 THAT'S ME. 1009 01:12:53,036 --> 01:12:55,605 DON'T EVER LEAVE OLD POP. 1010 01:12:57,040 --> 01:13:00,276 HE'S NOT GOING TO DRINK ANY MORE IODINE... 1011 01:13:00,276 --> 01:13:01,845 'CAUSE HE LOVES YOU. 1012 01:13:01,845 --> 01:13:03,480 I KNOW. 1013 01:13:03,480 --> 01:13:06,716 I READ THE NOTE ON THE REFRIGERATOR. 1014 01:13:51,528 --> 01:13:53,530 IT'S A NICE, TIGHT ROOM. 1015 01:13:53,530 --> 01:13:54,931 GOOD ACOUSTICS. 1016 01:13:54,931 --> 01:13:57,534 BETTER THAN ANYTHING EVER WAS ON 52nd STREET. 1017 01:13:57,534 --> 01:13:59,536 BUCK AND A QUARTER ADMISSION, 1018 01:13:59,536 --> 01:14:01,538 2.50 MINIMUM AT THE TABLES. 1019 01:14:01,538 --> 01:14:03,540 THEY'RE BOOKED UP THE FIRST WEEKEND 1020 01:14:03,540 --> 01:14:05,542 AND HAVEN'T EVEN OPENED YET. 1021 01:14:05,542 --> 01:14:07,777 THEY NAMED IT AFTER ME. 1022 01:14:07,777 --> 01:14:09,713 WHO THE HELL ELSE COULD THEY NAME IT AFTER? 1023 01:14:09,713 --> 01:14:11,848 DON'T YOU LIKE THE IDEA? 1024 01:14:11,848 --> 01:14:13,950 BERNIE, I LIKE THE IDEA. 1025 01:14:13,950 --> 01:14:16,553 I'M FLATTERED BY IT. I'M OVERWHELMED. 1026 01:14:16,553 --> 01:14:18,555 I JUST WISH IT WAS TONIGHT 1027 01:14:18,555 --> 01:14:19,956 'CAUSE I'M BROKE. 1028 01:14:19,956 --> 01:14:23,326 I'M TRYING TO HOLD ONTO MY RHYTHM SECTION. 1029 01:14:23,326 --> 01:14:25,428 LEAN ON THE RECORD COMPANY. 1030 01:14:25,428 --> 01:14:28,064 MAYBE THEY WANT YOU IN PARIS. 1031 01:15:45,541 --> 01:15:49,278 [CHEERING AND APPLAUSE] 1032 01:16:19,008 --> 01:16:21,177 ENCORE! 1033 01:16:21,177 --> 01:16:23,312 ENCORE! 1034 01:16:27,550 --> 01:16:29,552 LOOKS LIKE YOU NEED SOMETHING 1035 01:16:29,552 --> 01:16:31,587 BETTER THAN A ROSE. 1036 01:16:31,587 --> 01:16:34,624 WHAT THE FUCK YOU WANT TO GO 1037 01:16:34,624 --> 01:16:36,626 BACK TO NEW YORK FOR? 1038 01:16:36,626 --> 01:16:38,294 BECAUSE. 1039 01:16:38,294 --> 01:16:39,562 YEAH? 1040 01:16:39,562 --> 01:16:41,030 YEAH. 1041 01:16:41,030 --> 01:16:42,431 BECAUSE. 1042 01:16:42,431 --> 01:16:45,702 YOU KNOW, I BEEN HERE FOUR YEARS. 1043 01:16:45,702 --> 01:16:49,305 I WORK 10 MONTHS OUT OF THE YEAR, 1044 01:16:49,305 --> 01:16:51,708 MORE IF I WANT TO. 1045 01:16:51,708 --> 01:16:54,711 I GO TO BELGIUM, HOLLAND, SWEDEN. 1046 01:16:54,711 --> 01:16:58,147 YOU COULD DO THE SAME THING. 1047 01:16:58,147 --> 01:17:02,919 YOU KNOW, I DON'T GO FOR THAT SHIT YOU PEOPLE PLAY, 1048 01:17:02,919 --> 01:17:08,057 BUT OVER HERE, THEY ARE CRAZY ABOUT IT. 1049 01:17:08,057 --> 01:17:10,226 NOW, YOU DON'T GET RICH, 1050 01:17:10,226 --> 01:17:11,895 BUT YOU LIVE, 1051 01:17:11,895 --> 01:17:14,931 AND THEY TREAT YOU LIKE A MAN. 1052 01:17:14,931 --> 01:17:17,867 NOW, WHAT YOU GOT TO GO BACK TO? 1053 01:17:17,867 --> 01:17:19,869 OH, YEAH, YEAH, YEAH, YEAH. 1054 01:17:19,869 --> 01:17:22,939 THEY NAMED A PLACE AFTER YOU. 1055 01:17:22,939 --> 01:17:25,809 WELL, HOW MUCH OF THAT PLACE DO YOU OWN? 1056 01:17:25,809 --> 01:17:27,777 WHEN THE GIG IS OVER, 1057 01:17:27,777 --> 01:17:30,947 YOU'LL BE SCUFFLING TO FIND THE NEXT ONE, 1058 01:17:30,947 --> 01:17:33,649 IF THERE IS A NEXT ONE. 1059 01:17:33,649 --> 01:17:37,353 YOU CAN'T EARN NO LIVIN' 1060 01:17:37,353 --> 01:17:41,057 PLAYIN' JAZZ IN THE STATES. 1061 01:17:41,057 --> 01:17:42,759 DIZ CAN. 1062 01:17:42,759 --> 01:17:44,694 DUKE CAN. 1063 01:17:44,694 --> 01:17:48,732 YOU AIN'T DIZ. YOU SURE AS HELL AIN'T DUKE. 1064 01:17:48,732 --> 01:17:49,933 AND THEY AIN'T ME. 1065 01:17:49,933 --> 01:17:51,567 WHAT DOES THAT HAVE TO DO WITH ANYTHING? 1066 01:17:51,567 --> 01:17:56,172 I'M NOT TALKIN' ABOUT WHAT YOU DO ON THE BANDSTAND, JUNIOR. 1067 01:17:56,172 --> 01:17:58,174 EVERYBODY SAID, YOU THE MAN. 1068 01:17:58,174 --> 01:18:00,910 WELL, THAT'S GREAT, UNTIL YOU MESS UP, 1069 01:18:00,910 --> 01:18:03,212 AND YOU ALWAYS MESS UP. 1070 01:18:03,212 --> 01:18:06,783 YOU MESS UP OVER THERE, YOU BE IN TROUBLE SO DEEP, 1071 01:18:06,783 --> 01:18:10,787 THEY WON'T EVEN LET YOU PLAY IN THE GODDAMN PLACE 1072 01:18:10,787 --> 01:18:12,822 THEY NAMED AFTER YOU IN THE FIRST PLACE. 1073 01:18:12,822 --> 01:18:17,093 THERE'S NO LAW THAT SAYS I HAVE TO MESS UP, 1074 01:18:17,093 --> 01:18:21,430 AND I'M NOT RUNNING AWAY FROM MY OWN COUNTRY. 1075 01:18:21,430 --> 01:18:22,698 YOUR COUNTRY? 1076 01:18:22,698 --> 01:18:24,200 YEAH, MINE. 1077 01:18:24,200 --> 01:18:27,403 WHETHER THEY LIKE IT OR NOT, IT'S MINE. 1078 01:18:27,403 --> 01:18:29,405 THERE'S GONNA BE A BIRDLAND 1079 01:18:29,405 --> 01:18:31,107 IN EVERY CITY ONE DAY. 1080 01:18:31,107 --> 01:18:33,342 THERE'S GONNA BE A BIRDLAND IN CHICAGO, 1081 01:18:33,342 --> 01:18:34,510 BIRDLAND IN DETROIT-- 1082 01:18:34,510 --> 01:18:37,413 A BIRDLAND RIGHT ACROSS THE STREET FROM CAMARILLO. 1083 01:18:37,413 --> 01:18:39,849 HA HA HA HA! 1084 01:18:39,849 --> 01:18:41,851 I'M THE LIBERATOR OF PARIS! 1085 01:18:41,851 --> 01:18:44,153 YOU ARE A MOTHERFUCKING AFTERTHOUGHT! 1086 01:18:44,153 --> 01:18:45,154 OH! 1087 01:18:50,659 --> 01:18:52,595 HA HA HA HA! 1088 01:18:52,595 --> 01:18:54,931 HA HA HA HA! 1089 01:18:58,434 --> 01:19:01,037 OH, SHIT! 1090 01:19:02,438 --> 01:19:05,608 SO...YOU'RE SAYING, UM... 1091 01:19:05,608 --> 01:19:09,445 DIZ AND DUKE ON ONE SIDE... 1092 01:19:09,445 --> 01:19:12,415 AND JUNKIES ON THE OTHER. 1093 01:19:12,415 --> 01:19:14,450 [POP] 1094 01:19:14,450 --> 01:19:16,853 SO I KICK. 1095 01:19:16,853 --> 01:19:19,055 HA HA HA HA! 1096 01:19:20,323 --> 01:19:21,858 I CAN KICK! 1097 01:19:21,858 --> 01:19:24,060 HA HA HA HA! 1098 01:19:25,862 --> 01:19:27,864 OH, JUNIOR! JUNIOR! 1099 01:19:27,864 --> 01:19:29,999 HA HA HA! 1100 01:19:37,540 --> 01:19:39,943 OTHER THAN THAT, WE GOT NOTHIN' 1101 01:19:39,943 --> 01:19:42,078 TILL A WEEK FROM FRIDAY-- 1102 01:19:42,078 --> 01:19:43,913 SOME SORT OF BENEFIT, 1103 01:19:43,913 --> 01:19:46,515 SOME COMMUNIST IN JAIL, OR SOMETHING. 1104 01:19:46,515 --> 01:19:48,517 HEY, WE GET PAID. 1105 01:19:48,517 --> 01:19:50,920 HOW MUCH DO WE GET PAID? 1106 01:19:50,920 --> 01:19:52,321 JUST HOLD OUT WITH ME. 1107 01:19:52,321 --> 01:19:54,824 IN A MONTH, WE OPEN UP BIRDLAND. 1108 01:19:54,824 --> 01:19:57,927 WHAT DO I EAT IN THE MEANTIME? 1109 01:19:57,927 --> 01:20:00,296 HEY! HARRY JAMES! 1110 01:20:06,535 --> 01:20:08,838 MEET BILLY. 1111 01:20:08,838 --> 01:20:10,706 JOHN WILSON. RODNEY. 1112 01:20:10,706 --> 01:20:11,941 RED RODNEY. 1113 01:20:11,941 --> 01:20:15,578 WHAT ARE YOU DOING IN NEW YORK, RED RODNEY? 1114 01:20:15,578 --> 01:20:17,280 I'VE BEEN HERE A YEAR NOW. 1115 01:20:17,280 --> 01:20:20,116 WHY DIDN'T YOU CALL ME? I WANT TO HEAR YOU PLAY. 1116 01:20:20,116 --> 01:20:21,985 I WASN'T READY FOR YOU TO HEAR ME PLAY. 1117 01:20:21,985 --> 01:20:24,988 HE WASN'T READY TO HEAR HIM PLAY. 1118 01:20:24,988 --> 01:20:28,591 AND NOW YOU'RE READY? 1119 01:20:28,591 --> 01:20:30,359 HOW YOU BEEN DOIN', THEN? 1120 01:20:30,359 --> 01:20:34,530 I'VE BEEN DOING MOSTLY SOCIETY STUFF. 1121 01:20:34,530 --> 01:20:37,733 PLENTY OF GODDAMN SOCIETY FOR SOME PEOPLE. 1122 01:20:37,733 --> 01:20:39,735 HOW COME NOBODY NEVER CALLS ME 1123 01:20:39,735 --> 01:20:42,872 FOR NO GODDAMN SOCIETY GIGS? 1124 01:20:42,872 --> 01:20:45,441 IT'S A SPECIAL TYPE OF SOCIETY. 1125 01:20:45,441 --> 01:20:46,842 FOR DANCING, RIGHT? 1126 01:20:46,842 --> 01:20:49,845 FOR DANCING, BUT NOT THE FOX TROT. 1127 01:20:49,845 --> 01:20:52,949 YOU'RE LOOKING FOR A GIG? EVERYBODY? 1128 01:20:54,083 --> 01:20:56,485 I MEAN, NOT YOU. 1129 01:20:56,485 --> 01:20:57,486 WHY NOT ME? 1130 01:20:57,486 --> 01:21:00,756 WELL, I CAME IN HERE LOOKING FOR PEOPLE, 1131 01:21:00,756 --> 01:21:02,458 BUT I NEVER-- 1132 01:21:02,458 --> 01:21:03,859 SHIT. WHY NOT? 1133 01:21:03,859 --> 01:21:05,861 2:00 THIS AFTERNOON 1134 01:21:05,861 --> 01:21:08,864 IN BROOKLYN, A WEDDING. 1135 01:22:21,937 --> 01:22:24,140 FANTASTIC! 1136 01:22:44,693 --> 01:22:46,695 WONDERFUL! 1137 01:22:49,698 --> 01:22:51,300 CHUDNICK! 1138 01:22:53,102 --> 01:22:56,739 THESE ARE NOT JEWISH BOYS, BUT GOOD. 1139 01:22:56,739 --> 01:22:59,608 A VERY NICE AFFAIR. 1140 01:22:59,608 --> 01:23:02,178 DON'T ASK. DON'T ASK. 1141 01:23:04,580 --> 01:23:05,981 WHAT'S THIS CHOODNICK? 1142 01:23:05,981 --> 01:23:08,017 YEAH, THAT'S WHAT I'M TALKING. 1143 01:23:08,017 --> 01:23:09,518 THAT'S MY REAL NAME. 1144 01:23:09,518 --> 01:23:11,820 SO, WHERE ARE YOU CATS HEADED? 1145 01:23:11,820 --> 01:23:15,724 DON'T ASK. DON'T ASK. 1146 01:23:35,911 --> 01:23:38,347 [RING] 1147 01:23:38,347 --> 01:23:39,315 HELLO. 1148 01:23:39,315 --> 01:23:41,717 I WANT TO KNOW ONE THING. 1149 01:23:41,717 --> 01:23:44,653 YOU STILL THE MOST GORGEOUS WOMAN ALIVE? 1150 01:23:47,356 --> 01:23:48,757 NO. 1151 01:23:48,757 --> 01:23:50,759 I'M RETIRED. 1152 01:23:51,560 --> 01:23:54,697 BUT I LIKE IT THAT YOU NEVER GIVE UP. 1153 01:23:54,697 --> 01:23:57,633 I TAKE IT HE'S THERE. 1154 01:23:57,633 --> 01:23:59,368 IS HE ALL RIGHT? 1155 01:23:59,368 --> 01:24:01,604 HE'S HOLDING HIS STOMACH. 1156 01:24:01,604 --> 01:24:03,306 IS THAT FROM... 1157 01:24:03,306 --> 01:24:05,808 NO, NO, THAT'S ULCERS. 1158 01:24:05,808 --> 01:24:08,777 HE'LL PROBABLY SPEND THE NIGHT. 1159 01:24:10,179 --> 01:24:11,780 THANKS, RED. 1160 01:24:11,780 --> 01:24:14,317 DON'T TELL HIM I CALLED YOU. 1161 01:24:14,317 --> 01:24:17,620 I MEAN, DON'T TELL HIM YOU CALLED ME. 1162 01:24:17,620 --> 01:24:19,188 DON'T WORRY. 1163 01:24:19,188 --> 01:24:20,956 GET SOME SLEEP. 1164 01:24:20,956 --> 01:24:22,658 MM-HMM. 1165 01:24:22,658 --> 01:24:24,260 GOOD NIGHT. 1166 01:24:44,413 --> 01:24:46,215 CHOOD... 1167 01:24:46,215 --> 01:24:49,218 THE LAST MAN TO EVER GET ME 1168 01:24:49,218 --> 01:24:51,554 A SOCIETY GIG. 1169 01:24:54,823 --> 01:24:56,459 THAT'S ME. 1170 01:25:28,291 --> 01:25:30,493 WOO! WOO! 1171 01:25:41,470 --> 01:25:43,672 WHAT ARE YOU DOING HERE? 1172 01:25:43,672 --> 01:25:45,474 LET'S GET A DRINK. 1173 01:25:45,474 --> 01:25:47,476 YOU REALLY ATE A ROSE? 1174 01:25:47,476 --> 01:25:49,478 ATE WHATEVER I COULD GET MY HANDS ON. 1175 01:25:49,478 --> 01:25:51,079 I HEARD YOU SAID IT WAS DESSERT. 1176 01:25:51,079 --> 01:25:52,215 IT WAS. 1177 01:25:52,215 --> 01:25:54,483 DON'T KNOW WHY I CAME BACK HERE FOR. 1178 01:25:54,483 --> 01:25:56,485 BIRDLAND STILL AIN'T OPEN. 1179 01:25:56,485 --> 01:25:58,487 BUT I GOT THIS BEAUTIFUL GIG. 1180 01:25:58,487 --> 01:26:00,689 I NEED A TRUMPET PLAYER. 1181 01:26:00,689 --> 01:26:02,458 SCOTCH ON THE ROCKS. 1182 01:26:02,458 --> 01:26:04,460 CLUB SODA. HOW LONG YOU BEEN LISTENING? 1183 01:26:04,460 --> 01:26:06,629 I KNOW A TRUMPET PLAYER WHEN I HEAR ONE. 1184 01:26:06,629 --> 01:26:09,198 THERE ARE SO MANY BETTER ONES-- 1185 01:26:09,198 --> 01:26:10,899 NAVARRO, KENNY DORHAM-- 1186 01:26:10,899 --> 01:26:13,302 I'M OFFERING THE JOB TO YOU. 1187 01:26:13,302 --> 01:26:15,904 WE START OFF WITH A TOUR-- 1188 01:26:15,904 --> 01:26:17,873 10 NIGHTS, $150 PER MAN... 1189 01:26:17,873 --> 01:26:19,308 PER NIGHT. 1190 01:26:19,308 --> 01:26:21,644 REALLY? THAT'S GREAT! WHERE? 1191 01:26:21,644 --> 01:26:23,446 SOUTH. WE DRIVE. 1192 01:26:23,446 --> 01:26:25,448 FRESH AIR, SCENERY, 1193 01:26:25,448 --> 01:26:27,583 UNSOPHISTICATED PUSSY. 1194 01:26:27,583 --> 01:26:30,819 YOU DON'T GET THAT WITH WOODY HERMAN, MAN. 1195 01:26:31,920 --> 01:26:33,989 GEORGIA, ALABAMA, 1196 01:26:33,989 --> 01:26:35,591 MISSISSIPPI, TENNESSEE. 1197 01:26:35,591 --> 01:26:38,193 DEEP SOUTH? WITH A MIXED BAND? 1198 01:26:38,193 --> 01:26:39,328 WE'D GET LYNCHED! 1199 01:26:39,328 --> 01:26:40,963 I GOT IT COVERED. 1200 01:27:18,033 --> 01:27:19,635 HERE WE ARE. 1201 01:27:22,438 --> 01:27:24,640 THERE'S UNCLE REMUS OVER THERE. 1202 01:27:24,640 --> 01:27:27,943 BIRD, WHAT ARE YOU DOIN'? 1203 01:27:27,943 --> 01:27:30,946 WE ARE IN THE SOUTH NOW. 1204 01:27:30,946 --> 01:27:33,215 AH, YOUR MAMA'S UP THERE. 1205 01:27:33,215 --> 01:27:35,217 WE SUPPOSED TO BE IN THE SOUTH. 1206 01:27:35,217 --> 01:27:36,619 YOUR MOTHER'S OVER THERE, MAN. 1207 01:27:36,619 --> 01:27:38,421 HEY, WILSON, Y'ALL DON'T PLAY THAT. 1208 01:27:39,755 --> 01:27:42,224 AIN'T IT GREAT TO BE HOME, FELLAS? 1209 01:27:42,224 --> 01:27:43,692 THANK YOU, BIRD. 1210 01:27:43,692 --> 01:27:44,660 LOOK AT THIS. 1211 01:27:44,660 --> 01:27:47,229 I'M OPENIN' UP A NEW WORLD TO YOU. 1212 01:27:47,229 --> 01:27:48,364 PULL UP OVER HERE. 1213 01:27:48,364 --> 01:27:50,098 I WANT TO TALK TO THE MANAGER. 1214 01:27:50,098 --> 01:27:52,067 WATCH OUT FOR THAT CAR. 1215 01:27:52,067 --> 01:27:53,402 OK. 1216 01:27:57,473 --> 01:28:00,476 WHERE DO YOU THINK THEY'LL PUT US UP? 1217 01:28:00,476 --> 01:28:03,479 MAN, YOU KNOW WHERE THEY'LL PUT US UP-- 1218 01:28:03,479 --> 01:28:06,482 SOME GODDAMN FUNKY RAT HOLE. 1219 01:28:06,482 --> 01:28:07,883 EXCEPT YOU, RED. 1220 01:28:07,883 --> 01:28:11,086 YOU'LL PROBABLY FIND YOURSELF A GOOD HOTEL 1221 01:28:11,086 --> 01:28:13,489 IN EVERY TOWN WE PLAY IN. 1222 01:28:13,489 --> 01:28:15,491 HA! I DON'T THINK SO. 1223 01:28:15,491 --> 01:28:18,093 RED, YOU GONNA BE RIGHT DOWN 1224 01:28:18,093 --> 01:28:20,095 IN THE FUNK WITH US. 1225 01:28:20,095 --> 01:28:23,098 BIRD DONE COVERED IT, ALL RIGHT. 1226 01:28:23,098 --> 01:28:25,000 YEAH. 1227 01:28:30,373 --> 01:28:32,508 BIRD, ARE YOU CRAZY? 1228 01:28:32,508 --> 01:28:35,511 NOBODY'S GOING TO BELIEVE THAT I'M AN ALBINO. 1229 01:28:35,511 --> 01:28:38,514 WHO EVER HEARD OF A JEWISH CAT 1230 01:28:38,514 --> 01:28:41,116 PLAYIN' TRUMPET THE WAY YOU DO? 1231 01:28:41,116 --> 01:28:42,518 THE MAIN THING IS I CAN'T SING! 1232 01:28:42,518 --> 01:28:44,520 ANYBODY CAN SING THE BLUES. 1233 01:28:44,520 --> 01:28:46,254 ALL YOU GOT TO DO 1234 01:28:46,254 --> 01:28:48,290 IS SING ONE BLUES EVERY SET. 1235 01:28:48,290 --> 01:28:50,292 GO TO SLEEP NOW. THAT'S YOUR ROOM. 1236 01:28:50,292 --> 01:28:52,294 WHAT IF THEY FIND OUT? 1237 01:28:52,294 --> 01:28:54,296 WHO, YOUR PEOPLE OR MY PEOPLE? 1238 01:28:54,296 --> 01:28:55,698 HA HA. THAT'S PRETTY FUNNY. 1239 01:28:55,698 --> 01:28:57,700 NOW GO INSIDE. WAKE ME UP IN TWO HOURS. 1240 01:28:57,700 --> 01:28:59,902 DON'T YOU WANDER OFF NOWHERE, BOY! 1241 01:28:59,902 --> 01:29:01,303 WHAT? 1242 01:29:01,303 --> 01:29:03,305 I GOT TO KEEP UP THE CORRECT IMPRESSION, 1243 01:29:03,305 --> 01:29:04,840 DON'T I? HEH HEH. 1244 01:29:15,384 --> 01:29:16,685 OH, JESUS. 1245 01:29:16,685 --> 01:29:18,687 YEAH. I'D ALMOST FORGOTTEN. 1246 01:29:18,687 --> 01:29:20,689 GET SOME REST, NIGGER. 1247 01:29:20,689 --> 01:29:23,492 THESE PEOPLE WANT TO DANCE. 1248 01:29:26,429 --> 01:29:28,330 [BAND PLAYING NOW'S THE TIME] 1249 01:29:28,330 --> 01:29:29,331 YEAH! 1250 01:29:29,331 --> 01:29:31,434 ALL RIGHT! 1251 01:30:22,585 --> 01:30:25,721 YOU FOLKS WILL HAVE TO GO UPSTAIRS. 1252 01:30:27,856 --> 01:30:28,791 THANKS. 1253 01:30:28,791 --> 01:30:31,860 SURE. YOU CAN GET A DRINK UP THERE. 1254 01:31:13,301 --> 01:31:14,637 HA HA HA. 1255 01:31:14,637 --> 01:31:17,272 [BAND PLAYS ALBINO RED BLUES] 1256 01:31:17,272 --> 01:31:18,674 WHOO! ALL RIGHT! 1257 01:31:18,674 --> 01:31:22,678 AT THIS TIME, IT IS MY PRIVILEGE 1258 01:31:22,678 --> 01:31:24,880 TO BRING TO THE MICROPHONE 1259 01:31:24,880 --> 01:31:26,682 A YOUNG MAN, 1260 01:31:26,682 --> 01:31:29,685 WHO, IN A SHORT SPACE OF TIME, 1261 01:31:29,685 --> 01:31:32,621 HAS BECOME A LEGEND. 1262 01:31:34,256 --> 01:31:37,392 BORN AT THE GEOGRAPHICAL CENTER OF THE UNIVERSE-- 1263 01:31:37,392 --> 01:31:39,394 125th STREET AND LENOX AVENUE. 1264 01:31:39,394 --> 01:31:41,797 I SAW HIM AT THE APOLLO. 1265 01:31:41,797 --> 01:31:45,267 I KNEW I HAD TO HAVE HIM WITH US! 1266 01:31:45,267 --> 01:31:46,735 YEAH! WHOO! 1267 01:31:46,735 --> 01:31:49,705 NOT JUST BECAUSE HE BRINGS US LUCK. 1268 01:31:49,705 --> 01:31:52,708 NO, BUT BECAUSE WHILE THE GOOD LORD 1269 01:31:52,708 --> 01:31:55,711 DIDN'T SEE FIT TO GIVE HIM NO PIGMENT, 1270 01:31:55,711 --> 01:31:58,714 HE MADE UP FOR IT BY ENDOWING HIM 1271 01:31:58,714 --> 01:32:01,316 WITH THE SPIRITUAL INHERITANCE 1272 01:32:01,316 --> 01:32:03,719 OF JEFFERSON AND BROONZY. 1273 01:32:03,719 --> 01:32:05,721 AND NOW, WITHOUT FURTHER ADO, 1274 01:32:05,721 --> 01:32:07,923 I BRING TO YOU... 1275 01:32:07,923 --> 01:32:11,393 ALBINO RED! 1276 01:32:11,393 --> 01:32:12,961 [CHEERING] 1277 01:32:13,862 --> 01:32:16,098 I PLAYED YOUR WEDDING. 1278 01:32:16,098 --> 01:32:17,933 YOU PLAY MINE. 1279 01:32:21,737 --> 01:32:23,739 * HEY, EVERYBODY * 1280 01:32:23,739 --> 01:32:25,340 ALL RIGHT, NOW. 1281 01:32:25,340 --> 01:32:26,508 * IT'S ALL OVER TOWN * 1282 01:32:26,508 --> 01:32:27,576 YEAH! 1283 01:32:27,576 --> 01:32:29,845 YEAH! WHOO! 1284 01:32:32,347 --> 01:32:34,349 * HEY, EVERYBODY * 1285 01:32:34,349 --> 01:32:36,619 * A-A-A-AAAH * 1286 01:32:36,619 --> 01:32:40,122 * IT'S A-A-ALL OVER TOWN * 1287 01:32:41,657 --> 01:32:46,729 * DON'T GO MESSIN' WITH THAT SUCKER, BABY * 1288 01:32:46,729 --> 01:32:50,298 * 'CAUSE I'LL HAVE TO * 1289 01:32:50,298 --> 01:32:52,000 * HAVE TO SHOOT YOU DOWN * 1290 01:32:52,000 --> 01:32:53,969 GREAT. ONE MORE CHORUS, HUH? 1291 01:32:53,969 --> 01:32:56,538 YEAH! 1292 01:32:56,538 --> 01:32:59,808 * GIVE YOU ALL MY MONEY * 1293 01:32:59,808 --> 01:33:04,947 * DON'T HOLD NOTHIN' BACK FOR ME-E-E-E * 1294 01:33:06,514 --> 01:33:08,651 * TOOK MY $50 * 1295 01:33:08,651 --> 01:33:12,520 * WENT TO BUY SOME GROCERY * 1296 01:33:12,520 --> 01:33:13,521 * HEE HEE * 1297 01:33:13,521 --> 01:33:15,523 WHAT HAPPENED AFTER THAT? 1298 01:33:15,523 --> 01:33:17,693 * THE NEXT THING I KNEW * 1299 01:33:17,693 --> 01:33:20,562 * YOU WERE SHACKED UP WITH HENRY LEE * 1300 01:33:20,562 --> 01:33:21,596 NO! 1301 01:33:21,596 --> 01:33:23,098 NOT HENRY. NO! 1302 01:34:01,837 --> 01:34:05,173 * HEY, EVERYBODY * 1303 01:34:05,173 --> 01:34:07,009 * A-A-A-AAAH * 1304 01:34:07,009 --> 01:34:12,147 * OHHHH, IT'S A-A-ALL OVER, OVER TOWN * 1305 01:35:07,435 --> 01:35:11,506 * DON'T GO MESSIN' WITH THAT SUCKER, BABY * 1306 01:35:11,506 --> 01:35:14,609 * HEY, 'CAUSE I'M BOUND TO * 1307 01:35:14,609 --> 01:35:15,944 * BOUND TO * 1308 01:35:15,944 --> 01:35:18,346 * SHOOT YOU, SHOOT YOU DOWN * 1309 01:35:18,346 --> 01:35:21,349 * DOWN, DOWN, DOWN, DOWN ** 1310 01:35:44,272 --> 01:35:45,673 MR. RODNEY? 1311 01:35:45,673 --> 01:35:47,409 FOLLOW ME. 1312 01:35:48,410 --> 01:35:50,412 WHEN DID IT START? 1313 01:35:50,412 --> 01:35:51,814 LAST NIGHT. 1314 01:35:51,814 --> 01:35:54,216 UH, BUT I'VE HAD IT PREVIOUSLY. 1315 01:35:54,216 --> 01:35:57,419 I BEGAN TO FEEL A LITTLE TWINGE 1316 01:35:57,419 --> 01:35:58,821 THE OTHER DAY. 1317 01:35:58,821 --> 01:36:02,024 GIVE US A SAMPLE IF YOU CAN. 1318 01:36:21,810 --> 01:36:25,380 SO YOU'VE HAD HEMATURIA PREVIOUSLY? 1319 01:36:25,380 --> 01:36:26,648 WHAT'S THAT? 1320 01:36:26,648 --> 01:36:29,184 THAT BLOOD IN YOUR URINE. 1321 01:36:29,184 --> 01:36:31,887 OH, YEAH. MY DOCTOR KEEPS TALKING 1322 01:36:31,887 --> 01:36:33,488 ABOUT REMOVING THE STONES. 1323 01:36:33,488 --> 01:36:35,023 SUPPOSE I SHOULD LET HIM. 1324 01:36:35,023 --> 01:36:36,624 WHEN YOU GOING HOME? 1325 01:36:36,624 --> 01:36:37,960 DAY AFTER TOMORROW. 1326 01:36:37,960 --> 01:36:42,130 STUPID OF ME TO LEAVE MY PAIN PILLS IN NEW YORK, 1327 01:36:42,130 --> 01:36:45,733 BUT IT'S BEEN A WHILE SINCE IT'S FLARED UP. 1328 01:36:45,733 --> 01:36:48,203 EMPIRIN WITH CODEINE OUGHTA DO IT. 1329 01:36:48,203 --> 01:36:50,538 MY DOCTOR WROTE FOR DILAUDID. 1330 01:36:52,740 --> 01:36:54,042 DILAUDID? 1331 01:36:57,345 --> 01:36:59,547 FOR KIDNEY STONES? 1332 01:37:04,352 --> 01:37:06,521 I'M AN ETHICAL MAN. 1333 01:37:10,758 --> 01:37:12,760 AND FORTUNATELY FOR YOU, 1334 01:37:12,760 --> 01:37:15,197 I'M A COMPASSIONATE ONE. 1335 01:37:15,197 --> 01:37:16,031 [KNOCKING] 1336 01:37:16,031 --> 01:37:18,233 MR. PARKER, IT'S RED. 1337 01:37:29,377 --> 01:37:30,445 CHOOD, 1338 01:37:30,445 --> 01:37:32,414 WHAT ARE YOU DOING? 1339 01:37:33,781 --> 01:37:36,218 CHOOD! 1340 01:37:48,663 --> 01:37:52,434 Oh, damn... 1341 01:37:52,434 --> 01:37:54,436 AH, CHOOD. 1342 01:37:55,803 --> 01:37:57,672 NOT YOU, MAN. 1343 01:37:57,672 --> 01:37:59,307 WHY NOT ME? 1344 01:38:00,842 --> 01:38:04,846 IF YOU WANT TO PLAY LIKE BIRD, 1345 01:38:04,846 --> 01:38:07,249 YOU GOT TO SHOOT SHIT LIKE BIRD? 1346 01:38:07,249 --> 01:38:09,251 IS THAT WHAT YOU THOUGHT? 1347 01:38:09,251 --> 01:38:12,054 IS THAT WHAT THEY TOLD YOU? 1348 01:38:13,121 --> 01:38:14,822 I DON'T REMEMBER. 1349 01:38:14,822 --> 01:38:16,458 NO! 1350 01:38:18,460 --> 01:38:20,028 NO!! 1351 01:38:21,429 --> 01:38:23,565 IT DON'T HELP, MAN. 1352 01:38:24,832 --> 01:38:26,834 DON'T HELP. 1353 01:38:26,834 --> 01:38:29,437 DON'T YOU KNOW THAT? 1354 01:38:29,437 --> 01:38:31,439 I KNOW NOW. 1355 01:38:43,118 --> 01:38:45,320 IT'S NOT YOUR FAULT. 1356 01:38:47,455 --> 01:38:50,758 I--I KNOW A THOUSAND GUYS WHO FIX. 1357 01:38:50,758 --> 01:38:52,294 YEAH. 1358 01:38:56,464 --> 01:38:58,233 A THOUSAND EASY. 1359 01:39:02,670 --> 01:39:05,573 [WILSON] RED, WHAT HAPPENED WITH THAT WOMAN 1360 01:39:05,573 --> 01:39:09,211 THAT CAME OUT OF THAT ROOM THAT NIGHT? 1361 01:39:09,211 --> 01:39:11,179 I'VE SEEN BETTER LOOKING HEADS 1362 01:39:11,179 --> 01:39:12,447 ON A BOIL, MAN. 1363 01:39:12,447 --> 01:39:14,049 I'M NOT GOING TO TEASE YOU, RED. 1364 01:39:14,049 --> 01:39:16,051 YOU GOT SOME OF THAT, DIDN'T YOU? 1365 01:39:16,051 --> 01:39:17,652 HEY, RED. 1366 01:39:17,652 --> 01:39:21,056 * HEY, EVERYBODY * 1367 01:39:21,056 --> 01:39:22,590 * IT'S ALL OVER TOWN ** 1368 01:39:22,590 --> 01:39:24,059 HA HA HA! 1369 01:39:24,059 --> 01:39:25,893 I SOUNDED BETTER THAN THAT. 1370 01:39:25,893 --> 01:39:28,363 THEY LOVED ME. I'M GOING BACK. 1371 01:39:28,363 --> 01:39:29,197 RIGHT. 1372 01:39:29,197 --> 01:39:31,466 I NEVER HAD THIS MUCH MONEY 1373 01:39:31,466 --> 01:39:33,501 COMING BACK FROM A TOUR. 1374 01:39:33,501 --> 01:39:35,970 WE MUST HAVE $7,500 BETWEEN US. 1375 01:39:35,970 --> 01:39:37,105 $8,500. 1376 01:39:37,105 --> 01:39:39,674 WE HAD A CUT ON ADMISSIONS OVER 500. 1377 01:39:39,674 --> 01:39:41,076 WE WENT OVER FOUR TIMES. 1378 01:39:41,076 --> 01:39:43,111 HEY, THAT'S YOUR MONEY, BIRD. 1379 01:39:43,111 --> 01:39:45,680 NAW. I'M SPLITTIN' IT FIVE WAYS. 1380 01:39:45,680 --> 01:39:46,748 SHIT! 1381 01:39:46,748 --> 01:39:48,616 THAT'S WHAT I'M TALKIN' ABOUT! 1382 01:39:48,616 --> 01:39:49,451 YAY! 1383 01:39:49,451 --> 01:39:51,486 DON'T GO SIGNIFYING THAT WAY. 1384 01:39:51,486 --> 01:39:56,791 IT'S ABOUT TIME THIS BAND GOT ORGANIZED. 1385 01:39:56,791 --> 01:39:58,426 THANK YOU. 1386 01:39:58,426 --> 01:40:01,863 NOW, THAT'S NOT SO HARD, IS IT, JOHN? 1387 01:40:01,863 --> 01:40:04,532 MAN, IT'S GOOD TO BE HOME. 1388 01:40:04,532 --> 01:40:06,368 YEAH. 1389 01:40:14,442 --> 01:40:16,044 GOOD EVENING. 1390 01:40:19,314 --> 01:40:22,250 [BAND PLAYING COOL BLUES] 1391 01:40:28,990 --> 01:40:30,592 HERE YOU GO, LADIES. 1392 01:40:30,592 --> 01:40:32,194 YEAH. 1393 01:40:37,599 --> 01:40:39,734 YEAH! WHOO! 1394 01:40:50,011 --> 01:40:51,646 OH, YEAH! 1395 01:41:06,961 --> 01:41:08,996 DON'T BOTHER ME NOW, MAN. 1396 01:41:08,996 --> 01:41:10,598 I'M FLIPPED. 1397 01:41:16,638 --> 01:41:18,640 [APPLAUSE] 1398 01:41:40,628 --> 01:41:43,198 GOOD, ISN'T HE? 1399 01:42:03,318 --> 01:42:05,453 YEAH. MY MAN! 1400 01:42:07,455 --> 01:42:09,191 WHOA! 1401 01:42:09,191 --> 01:42:12,860 LET'S HEAR IT FOR THE BAND OF THE CENTURY! 1402 01:42:12,860 --> 01:42:15,330 [APPLAUSE] 1403 01:42:19,401 --> 01:42:21,503 LOOK. NICA MADE IT. 1404 01:42:23,271 --> 01:42:25,139 SHE'S A BARONESS OR SOMETHING. 1405 01:42:25,139 --> 01:42:28,009 SHE GOT A THING FOR JAZZ MUSICIANS, 1406 01:42:28,009 --> 01:42:30,011 BUT IT ISN'T SEXUAL. 1407 01:42:30,011 --> 01:42:31,813 I SHOULD HOPE NOT. 1408 01:42:31,813 --> 01:42:35,016 BILLY'S A MUSICIAN. WOULD YOU FUCK HIM? 1409 01:42:35,016 --> 01:42:36,618 HA HA HA! 1410 01:42:38,320 --> 01:42:40,755 YOU WERE AN ABSOLUTE GAS, 1411 01:42:40,755 --> 01:42:42,156 AS USUAL. 1412 01:42:42,156 --> 01:42:44,626 MY NAME'S NICA. 1413 01:42:44,626 --> 01:42:46,027 DELIGHTED. 1414 01:42:46,027 --> 01:42:47,629 HELLO, NICA. 1415 01:42:51,566 --> 01:42:54,202 WHAT DO YOU THINK ABOUT BIRD? 1416 01:42:54,202 --> 01:42:57,672 I LIVE AT THE CORNER OF 40th AND 3rd, 1417 01:42:57,672 --> 01:42:59,874 BUT, I'M ORIGINALLY FROM PHILLY. 1418 01:42:59,874 --> 01:43:01,276 YOU BEEN THERE? 1419 01:43:01,276 --> 01:43:02,510 PAYDAY. 1420 01:43:02,510 --> 01:43:04,178 * BUH-DUDDLE DEE ZEE BOP ** 1421 01:43:04,178 --> 01:43:05,179 PAYDAY. 1422 01:43:05,179 --> 01:43:06,581 SCOTCH AND MILK! 1423 01:43:06,581 --> 01:43:09,917 I'LL CATCH YOU LATER, OK, BABE? 1424 01:43:09,917 --> 01:43:11,753 SURE. I'LL SEE YOU LATER. 1425 01:43:11,753 --> 01:43:15,957 YEAH. BEST THREE WEEKS WE EVER HAD. 1426 01:43:17,925 --> 01:43:19,327 YEAH. 1427 01:43:19,327 --> 01:43:21,929 YOU NOTICE ANYTHING DIFFERENT 1428 01:43:21,929 --> 01:43:23,931 THESE LAST THREE WEEKS? 1429 01:43:23,931 --> 01:43:24,999 YEAH. 1430 01:43:24,999 --> 01:43:27,235 YOU'RE DRINKING MORE THAN EVER. 1431 01:43:27,235 --> 01:43:29,871 YEAH, BUT DO YOU KNOW WHY? 1432 01:43:29,871 --> 01:43:31,339 I CAN GUESS. 1433 01:43:31,339 --> 01:43:34,409 YOU'RE TRYING TO KICK. 1434 01:43:34,409 --> 01:43:36,077 I'M NOT TRYING. 1435 01:43:36,077 --> 01:43:38,480 I'VE BEEN ON FOR 15 YEARS. 1436 01:43:38,480 --> 01:43:42,917 NOW, IF I CAN KICK, THEN YOU CAN KICK. 1437 01:43:42,917 --> 01:43:44,352 I HEAR YOU, 1438 01:43:44,352 --> 01:43:47,489 AND I APPRECIATE WHAT YOU'RE GETTING AT. 1439 01:43:49,824 --> 01:43:51,225 RED RODNEY. 1440 01:43:51,225 --> 01:43:53,428 THE NEXT CHARLIE PARKER. 1441 01:43:55,229 --> 01:43:57,231 IT'S NOT YOUR FAULT. 1442 01:43:57,231 --> 01:43:58,866 NOBODY BLAMES YOU. 1443 01:44:01,836 --> 01:44:04,105 YOU EXPECT TO SEE 40? 1444 01:44:04,105 --> 01:44:05,139 BIRD, 1445 01:44:05,139 --> 01:44:08,142 I'M IN THE WRONG FRAME OF MIND 1446 01:44:08,142 --> 01:44:10,345 FOR QUESTIONS LIKE THAT. 1447 01:44:12,246 --> 01:44:15,450 HEY, YOU EXPECT TO SEE 40? 1448 01:44:24,859 --> 01:44:26,461 I'M DIFFERENT. 1449 01:44:48,149 --> 01:44:50,418 HI, RED. 1450 01:44:51,285 --> 01:44:52,487 SHIT. 1451 01:45:10,338 --> 01:45:12,306 HOW'S THE BOSS? 1452 01:45:12,306 --> 01:45:14,709 BETTER THAN EVER. 1453 01:45:14,709 --> 01:45:17,912 THAT AIN'T MY KIND OF MUSIC. 1454 01:45:19,914 --> 01:45:21,916 ROLL UP YOUR SLEEVES. 1455 01:45:24,486 --> 01:45:26,488 OW! YOU'LL FIND MARKS THERE. 1456 01:45:26,488 --> 01:45:28,089 THAT'S INTERNAL POSSESSION. 1457 01:45:28,089 --> 01:45:30,492 NO SUCH THING IN THIS STATE. 1458 01:45:30,492 --> 01:45:33,495 THAT YOU CAN ARGUE WITH THE MAGISTRATE. 1459 01:45:33,495 --> 01:45:36,498 MEANWHILE, I GOT TO DO MY JOB. 1460 01:45:36,498 --> 01:45:38,533 LET'S TAKE HIM IN. 1461 01:45:38,533 --> 01:45:41,002 WHY DO YOU GO THROUGH THIS EVERY TIME? 1462 01:45:41,002 --> 01:45:43,505 WHAT DO YOU MEAN? WHAT ARE YOU SUGGESTING? 1463 01:45:43,505 --> 01:45:45,106 YOU GOT SOMETHING TO SUGGEST? 1464 01:45:45,106 --> 01:45:47,108 IT WAS 50 BUCKS LAST TIME. 1465 01:45:47,108 --> 01:45:48,743 LAST TIME YOU WERE OUT OF WORK. 1466 01:45:48,743 --> 01:45:50,912 BUT NOW YOU'RE WITH THE KING OF BEBOP, 1467 01:45:50,912 --> 01:45:52,980 AND YOU JUST GOT PAID. 1468 01:45:52,980 --> 01:45:54,782 HOW DID YOU KNOW THAT? 1469 01:45:54,782 --> 01:45:57,985 HOW MANY PEOPLE ARE IN ON THIS, 1470 01:45:57,985 --> 01:45:59,421 YOU SON OF A BITCH? 1471 01:46:06,961 --> 01:46:10,131 I DIDNT EXPECT THAT OF A NICE JEWISH BOY. 1472 01:46:10,131 --> 01:46:11,566 THAT'S MORE YOUR STYLE. 1473 01:46:11,566 --> 01:46:13,501 WHAT'S HE LOOKIN' AT, BERNIE? 1474 01:46:13,501 --> 01:46:15,102 IT'S FEDERAL. 1475 01:46:15,102 --> 01:46:16,904 THAT'S AT LEAST A YEAR. 1476 01:46:16,904 --> 01:46:19,373 NOW, THERE ARE SEVERAL POSSIBILITIES. 1477 01:46:19,373 --> 01:46:21,776 YOU MIGHT WANT TO THINK ABOUT 1478 01:46:21,776 --> 01:46:24,846 A DIFFERENT HORN, MAYBE A TROMBONE. 1479 01:46:27,348 --> 01:46:28,750 THERE'S ANOTHER POSSIBILITY. 1480 01:46:28,750 --> 01:46:32,353 LIKE, MAYBE A QUINTET ISN'T THE WAY TO GO 1481 01:46:32,353 --> 01:46:33,988 RIGHT NOW. 1482 01:46:33,988 --> 01:46:35,990 [PLAYING LAURA] 1483 01:48:25,933 --> 01:48:27,769 OH! 1484 01:49:51,085 --> 01:49:53,755 THAT WAS LOVELY. THANK YOU VERY MUCH. 1485 01:49:53,755 --> 01:49:55,122 SMOOTH AS BUTTER 1486 01:49:55,122 --> 01:49:58,125 AND SWEET AS HER LITTLE SISTER'S ASS. 1487 01:49:58,125 --> 01:50:00,327 YOU'RE STILL THE GREATEST, MAN. 1488 01:50:00,327 --> 01:50:02,129 BEEN AWAY TOO LONG. 1489 01:50:02,129 --> 01:50:04,732 WHAT EVER HAPPENED TO THAT CHICK 1490 01:50:04,732 --> 01:50:06,934 YOU USED TO RUN WITH? 1491 01:50:06,934 --> 01:50:07,935 CHAN? 1492 01:50:08,736 --> 01:50:10,972 HA HA HA. 1493 01:50:10,972 --> 01:50:14,175 SHE'S THE MOTHER OF THREE LOVELY CHILDREN. 1494 01:50:15,977 --> 01:50:18,379 [LIP-SYNCING MARIO LANZA RECORDING] 1495 01:50:18,379 --> 01:50:20,782 * BE MY LOVE * 1496 01:50:20,782 --> 01:50:27,621 * FOR NO ONE ELSE CAN END THIS YEARNING * 1497 01:50:27,621 --> 01:50:34,862 * THIS NEED THAT YOU AND YOU ALONE CREATE * 1498 01:50:34,862 --> 01:50:37,832 * JUST FILL MY ARMS * 1499 01:50:37,832 --> 01:50:41,035 * THE WAY YOU FILL MY DREAMS * 1500 01:50:41,035 --> 01:50:42,436 DADDY! 1501 01:50:42,436 --> 01:50:43,838 HA HA HA! 1502 01:50:43,838 --> 01:50:46,640 *...THE DREAMS THAT YOU INSPIRE * 1503 01:50:46,640 --> 01:50:48,042 HA HA HA! 1504 01:50:48,042 --> 01:50:49,043 HEY, DADDY! 1505 01:50:49,043 --> 01:50:52,814 * WITH EVERY SWEET DESIRE ** 1506 01:50:52,814 --> 01:50:54,415 WE'RE A SANDWICH, DADDY. 1507 01:50:54,415 --> 01:50:56,818 YOU GOING TO EAT US UP? 1508 01:50:56,818 --> 01:50:59,420 BIRD DOESN'T EAT SWEETS, MY LOVE. 1509 01:50:59,420 --> 01:51:00,822 HA HA HA. 1510 01:51:00,822 --> 01:51:03,390 YOU KNOW... 1511 01:51:03,390 --> 01:51:05,827 I DO ANOTHER STRINGS ALBUM, 1512 01:51:05,827 --> 01:51:08,830 I'M GOIN' TO SEE IF I CAN GET 1513 01:51:08,830 --> 01:51:11,032 MARIO TO DO THE VOCAL. 1514 01:51:11,032 --> 01:51:12,166 BIRD? 1515 01:51:12,166 --> 01:51:14,135 WHAT? 1516 01:51:15,436 --> 01:51:18,005 LET'S GO SAY HELLO TO PREE. 1517 01:51:47,001 --> 01:51:49,871 IS SHE DOIN' ANY BETTER TODAY? 1518 01:51:49,871 --> 01:51:53,775 SHE WENT TO THE RADIO AND TURNED IT ON 1519 01:51:53,775 --> 01:51:55,176 ALL BY HERSELF. 1520 01:51:55,176 --> 01:51:58,079 HOW DO YOU MEAN, SHE WALKED TO THE RADIO? 1521 01:51:58,079 --> 01:52:00,081 KIM AND BAIRD HAVE HEARD THEIR TUNES ON THE AIR. 1522 01:52:00,081 --> 01:52:01,648 WHEN ARE YOU GONNA WRITE ONE FOR PREE? 1523 01:52:01,648 --> 01:52:03,284 DID SHE WALK TO THE RADIO? 1524 01:52:03,284 --> 01:52:05,319 IF SHE WALKED, I WOULD HAVE RUN TO THE STUDIO 1525 01:52:05,319 --> 01:52:07,188 AND SHOUTED IT OUT, DON'T YOU THINK? 1526 01:52:13,027 --> 01:52:15,029 IS SHE KEEPIN' HER FOOD DOWN? 1527 01:52:15,029 --> 01:52:18,032 I DIDN'T BRING YOU IN HERE TO GIVE A MEDICAL REPORT, 1528 01:52:18,032 --> 01:52:20,534 JUST TO REMIND YOU, YOU HAVE A DAUGHTER. 1529 01:52:20,534 --> 01:52:22,036 MISSY PARKER, 1530 01:52:22,036 --> 01:52:24,238 YOU'RE BEING SALTY THIS EVENING! 1531 01:52:28,642 --> 01:52:30,744 SHOULD I KISS HER? 1532 01:52:30,744 --> 01:52:32,613 SHOULD YOU KISS HER? 1533 01:52:32,613 --> 01:52:35,382 I JUST MEANT, IF I KISS HER 1534 01:52:35,382 --> 01:52:36,984 AND SHE WAKES UP BEFORE SHE NEEDS TO, 1535 01:52:36,984 --> 01:52:40,287 THAT'S MORE TROUBLE FOR YOU. 1536 01:52:41,388 --> 01:52:42,990 I KNOW. 1537 01:52:44,658 --> 01:52:46,660 NO, DON'T WAKE HER UP. 1538 01:52:46,660 --> 01:52:49,030 YOU SHOULD KISS ME. 1539 01:52:52,967 --> 01:52:56,237 I'M PACKING IN THE MAGIC VIOLINS FOR A WHILE. 1540 01:52:56,237 --> 01:52:59,273 GOIN' TO PLAY A COUPLE WEEKS IN ME-LAND. 1541 01:52:59,273 --> 01:53:01,708 MAYBE I'LL HIRE YOUR OLD BOYFRIEND 1542 01:53:01,708 --> 01:53:04,445 BILLY McNABB. 1543 01:53:04,445 --> 01:53:06,280 OH, TESTING ME, HUH? 1544 01:53:06,280 --> 01:53:08,315 I GOTTA GO SIGN SOME CONTRACTS. 1545 01:53:08,315 --> 01:53:10,451 HEY, THAT'S GREAT. 1546 01:53:12,086 --> 01:53:16,290 * BE MY LOVE * 1547 01:53:19,460 --> 01:53:24,198 NOBODY SIGNS CONTRACTS AT 7:00 AT NIGHT. 1548 01:53:24,198 --> 01:53:25,900 I KNOW! 1549 01:53:30,504 --> 01:53:34,942 I SHOULDN'T HAVE ASKED HIM TO GO IN THERE, THAT'S ALL. 1550 01:53:42,116 --> 01:53:44,318 HEY, LOOK WHO'S UPTOWN. 1551 01:53:49,723 --> 01:53:53,327 YOU KNOW WHERE I CAN GET ME SOME STUFF? 1552 01:54:26,994 --> 01:54:28,595 MR. PARKER, 1553 01:54:28,595 --> 01:54:30,998 IF YOU EVER HAVE THE URGE 1554 01:54:30,998 --> 01:54:34,001 TO STICK A NEEDLE IN YOUR ARM AGAIN, 1555 01:54:34,001 --> 01:54:37,438 TAKE YOUR HORN OUT INTO THE WOODS AND BLOW. 1556 01:54:37,438 --> 01:54:39,640 THREE MONTHS SUSPENDED SENTENCE. 1557 01:54:39,640 --> 01:54:41,175 YOUR HONOR. 1558 01:54:41,175 --> 01:54:44,178 A CONVICTION WOULD MEAN THE LOSS OF MY CABARET CARD. 1559 01:54:44,178 --> 01:54:47,181 THE WOODS WOULD BE THE ONLY PLACE I CAN PLAY. 1560 01:54:47,181 --> 01:54:49,383 AT LEAST IN THIS CITY, SIR. 1561 01:54:49,383 --> 01:54:51,418 YOU HAVE THE RIGHT TO APPEAL. 1562 01:54:51,418 --> 01:54:54,421 SIR, I HAVE A 2-YEAR-OLD DAUGHTER 1563 01:54:54,421 --> 01:54:57,024 WHO'S IN NEED OF MEDICAL ATTENTION 1564 01:54:57,024 --> 01:54:58,993 SEVERAL TIMES A WEEK. 1565 01:54:58,993 --> 01:55:00,861 WOULD IT... 1566 01:55:00,861 --> 01:55:02,229 IS IT POSSIBLE 1567 01:55:02,229 --> 01:55:05,232 THAT YOU COULD PUT ME IN JAIL 1568 01:55:05,232 --> 01:55:08,235 AND LET ME PAY MY DEBT TO SOCIETY 1569 01:55:08,235 --> 01:55:12,273 AND THEN REINSTATE MY CABARET CARD, SIR? 1570 01:55:12,273 --> 01:55:14,942 THAT'S NOT THE WAY IT WORKS, MR. PARKER. 1571 01:55:14,942 --> 01:55:16,910 BUT ALL I'M ASKING, I-- 1572 01:55:16,910 --> 01:55:18,879 THANK YOU, YOUR HONOR. 1573 01:55:18,879 --> 01:55:20,481 THANKS, BERNIE. 1574 01:55:20,481 --> 01:55:22,849 YEAH. COOL. 1575 01:55:22,849 --> 01:55:25,019 IT'S COOL. 1576 01:55:30,824 --> 01:55:33,427 THEY WON'T PAY FOR A GROUP. 1577 01:55:33,427 --> 01:55:34,428 JUST ME. 1578 01:55:34,428 --> 01:55:35,829 THAT'S ALL RIGHT. 1579 01:55:35,829 --> 01:55:37,231 THERE'S SOME DECENT CATS 1580 01:55:37,231 --> 01:55:39,433 IN L.A. THESE DAYS. 1581 01:55:40,834 --> 01:55:42,236 DON'T GO. 1582 01:55:42,236 --> 01:55:44,438 GIVE ME A BETTER IDEA. 1583 01:55:45,839 --> 01:55:47,241 DAMN IT! 1584 01:55:47,241 --> 01:55:49,576 ALL THE RECORDS YOU'VE SOLD! 1585 01:55:49,576 --> 01:55:50,411 I MADE THEM! 1586 01:55:50,411 --> 01:55:52,479 SOMEBODY ELSE DONE SOLD THEM. 1587 01:55:54,248 --> 01:55:55,582 HELL. 1588 01:55:56,883 --> 01:56:01,122 YOU COULD USE A VACATION FROM ME. 1589 01:56:02,256 --> 01:56:04,258 HOLD THIS HOME TOGETHER. 1590 01:56:04,258 --> 01:56:07,995 WE BOTH WANT TO DO THAT, RIGHT? 1591 01:56:07,995 --> 01:56:09,730 OH, BIRD. 1592 01:56:13,267 --> 01:56:16,070 YOU AND YOUR GEORGE BRENT DIALOGUE. 1593 01:56:17,004 --> 01:56:19,840 [CAR RADIO PLAYING PARKER'S MOOD] 1594 01:56:19,840 --> 01:56:21,442 GEORGE BRENT, HUH? 1595 01:56:21,442 --> 01:56:22,676 UH-HUH. 1596 01:56:22,676 --> 01:56:25,279 MAYBE HE'LL COME INTO THE CLUB ONE NIGHT. 1597 01:56:25,279 --> 01:56:27,714 I GOT A GABBY HAYES AUTOGRAPH LAST TRIP. 1598 01:56:27,714 --> 01:56:29,716 OH, DID HE GET YOURS? 1599 01:56:29,716 --> 01:56:31,552 YEAH. SURE. 1600 01:56:31,552 --> 01:56:32,486 HE SAYS, 1601 01:56:32,486 --> 01:56:34,688 [IMITATING GABBY HAYES] "YARDBIRD, 1602 01:56:34,688 --> 01:56:37,091 "I SURE AS HELL AM PARTIAL 1603 01:56:37,091 --> 01:56:39,493 "TO THEM FLATTED FIFTHS OF YOURS. 1604 01:56:39,493 --> 01:56:41,495 "PLAY ME THAT THERE KLACTOVEEDSEDSTENE 1605 01:56:41,495 --> 01:56:44,098 "ONE MORE TIME, WILL YOU, PARTNER? 1606 01:56:44,098 --> 01:56:45,499 "I TELL YOU. 1607 01:56:45,499 --> 01:56:48,102 "NOBODY CAN IMPROVISE A DIMINISHED NINTH 1608 01:56:48,102 --> 01:56:49,503 "UP FROM THE TONIC 1609 01:56:49,503 --> 01:56:51,638 LIKE A FULL-BLOODED NEGRO." 1610 01:56:51,638 --> 01:56:53,374 HA HA HA! 1611 01:56:53,374 --> 01:56:56,077 [RADIO] * I'M FEELING LOW DOWN AND BLUE * 1612 01:56:56,077 --> 01:56:58,045 HEY, THAT'S MY SOLO. 1613 01:56:58,045 --> 01:57:00,814 * AND FULL OF SORROW * 1614 01:57:00,814 --> 01:57:02,816 HE WROTE WORDS TO THAT? 1615 01:57:02,816 --> 01:57:04,618 HAVEN'T YOU HEARD THAT? 1616 01:57:04,618 --> 01:57:06,420 * WHERE WILL I BE TOMORROW? * 1617 01:57:06,420 --> 01:57:07,654 IT'S CRAPPY. 1618 01:57:07,654 --> 01:57:09,456 I WANT TO HEAR IT. 1619 01:57:09,456 --> 01:57:11,225 * GOING TO KANSAS CITY * 1620 01:57:11,225 --> 01:57:12,593 * WANT TO GO, TOO? * 1621 01:57:12,593 --> 01:57:14,228 * NO, YOU CAN'T MAKE IT WITH ME * 1622 01:57:14,228 --> 01:57:16,163 * GOING TO KANSAS CITY * 1623 01:57:16,163 --> 01:57:19,166 * SORRY THAT I CAN'T TAKE YOU * 1624 01:57:19,166 --> 01:57:20,767 YEAH, HA. 1625 01:57:20,767 --> 01:57:22,769 * WHEN YOU SEE ME COMIN', RAISE YOUR WINDOW HIGH * 1626 01:57:22,769 --> 01:57:25,072 * WHEN YOU SEE ME LEAVIN', HANG YOUR HEAD AND CRY * 1627 01:57:25,072 --> 01:57:26,640 CHOODNICK COULD HAVE USED THAT ONE. 1628 01:57:26,640 --> 01:57:30,077 IT WAS A GREAT SOLO. I HATE THE IDEA-- 1629 01:57:30,077 --> 01:57:31,078 SHH! 1630 01:57:31,078 --> 01:57:33,480 COME ON. LET ME HEAR THIS. 1631 01:57:33,480 --> 01:57:36,350 * SHE'D ONLY BRING HERSELF DOWN * 1632 01:57:36,350 --> 01:57:41,355 * SO LONG, EVERYBODY * 1633 01:57:41,355 --> 01:57:43,924 * THE TIME HAS COME * 1634 01:57:43,924 --> 01:57:45,426 * AND I MUST LEAVE YOU * 1635 01:57:45,426 --> 01:57:49,796 * SO IF I DON'T SEE YOUR SMILIN' FACE AGAIN * 1636 01:57:49,796 --> 01:57:51,898 * MAKE A PROMISE YOU'LL REMEMBER * 1637 01:57:51,898 --> 01:57:54,801 * LIKE A CHRISTMAS DAY IN DECEMBER * 1638 01:57:54,801 --> 01:57:57,238 * THAT I TOLD YOU ALL THROUGH THICK AND THIN * 1639 01:57:57,238 --> 01:57:59,440 * ON UP UNTIL THE END * 1640 01:57:59,440 --> 01:58:01,542 * PARKER'S BEEN YOUR FRIEND * 1641 01:58:01,542 --> 01:58:04,044 * DON'T HANG YOUR HEAD WHEN YOU SEE * 1642 01:58:04,044 --> 01:58:07,481 * WHEN YOU SEE THOSE SIX PRETTY HORSES PULLIN' ME * 1643 01:58:07,481 --> 01:58:11,518 * PUT A $20 SILVER PIECE * 1644 01:58:11,518 --> 01:58:12,819 * ON MY WATCH CHAIN * 1645 01:58:12,819 --> 01:58:14,755 * LOOK AT THE SMILE ON MY FACE * 1646 01:58:14,755 --> 01:58:17,124 * AND SING A LITTLE SONG TO LET THE WORLD KNOW * 1647 01:58:17,124 --> 01:58:18,359 * I'M REALLY FREE * 1648 01:58:18,359 --> 01:58:20,761 * DON'T CRY FOR ME * 1649 01:58:20,761 --> 01:58:25,232 * 'CAUSE I'M GOIN' TO KANSAS CITY ** 1650 01:58:25,232 --> 01:58:27,234 GOT ANY IDEA HOW MUCH 1651 01:58:27,234 --> 01:58:29,270 A $20 SILVER PIECE 1652 01:58:29,270 --> 01:58:31,338 WOULD WEIGH? 1653 01:58:31,338 --> 01:58:33,340 I DIDN'T HEAR THAT. 1654 01:58:33,340 --> 01:58:36,477 I WAS THINKING ABOUT WHAT A GREAT SOLO IT WAS 1655 01:58:36,477 --> 01:58:39,746 AND WHAT THIS MAN HAS DONE TO IT. 1656 01:58:39,746 --> 01:58:40,881 I THINK IT'S TERRIBLE. 1657 01:58:40,881 --> 01:58:42,249 CHAN? 1658 01:58:44,185 --> 01:58:47,188 DON'T EVER LET THEM SEND ME BACK 1659 01:58:47,188 --> 01:58:49,223 TO KANSAS CITY. 1660 01:58:55,796 --> 01:58:57,164 BIRD, LOOK. 1661 01:58:57,164 --> 01:58:58,699 YOU GOT A GIG? 1662 01:58:58,699 --> 01:59:01,168 I'M GONNA GET THERE... EVENTUALLY. 1663 01:59:01,168 --> 01:59:02,569 EVENTUALLY. 1664 01:59:02,569 --> 01:59:05,439 THEY FOUND ME THIS TRIO TO PLAY WITH. 1665 01:59:05,439 --> 01:59:08,074 BUT THEY'RE MORE SCARED OF ME 1666 01:59:08,074 --> 01:59:10,577 THAN THEY'RE SCARED OF THE OWNER, 1667 01:59:10,577 --> 01:59:14,080 AND THEY'RE SHIT-SCARED OF HIM. 1668 01:59:14,080 --> 01:59:17,050 I'M GONNA GET TO THE JOB, BIRKS. 1669 01:59:17,050 --> 01:59:19,085 I ALWAYS GET TO THE JOB. 1670 01:59:19,085 --> 01:59:21,121 SO I'M A LITTLE LATE, SO WHAT? 1671 01:59:21,121 --> 01:59:24,291 SO I'LL PLAY A COUPLE EXTRA HOURS. 1672 01:59:24,291 --> 01:59:26,360 YOU HAVE YOUR TASTE. I'LL HAVE ME A TASTE. 1673 01:59:26,360 --> 01:59:28,962 THEN I'LL FIND ME A LADY AND GET TO THE JOB. 1674 01:59:28,962 --> 01:59:30,163 CHEERS. 1675 01:59:32,566 --> 01:59:34,100 OH! HA HA! 1676 01:59:34,100 --> 01:59:35,636 WHAT'S THE MATTER, BIRD? 1677 01:59:35,636 --> 01:59:37,804 [COUGHS AND CLEARS THROAT] 1678 01:59:37,804 --> 01:59:39,640 AIN'T IT A BITCH? 1679 01:59:39,640 --> 01:59:45,379 I GO TO A LIVER DOCTOR, AND I PAY HIM $50, 1680 01:59:45,379 --> 01:59:48,148 AND IT DON'T HELP ME. 1681 01:59:48,148 --> 01:59:49,983 I GO TO AN ULCER DOCTOR... 1682 01:59:49,983 --> 01:59:52,519 SAME THING, EXCEPT I PAY HIM 75. 1683 01:59:52,519 --> 01:59:56,257 BUT I GO TO SOME CAT AND PAY HIM $10 1684 01:59:56,257 --> 01:59:59,426 FOR A BAG OF SHIT AND A LITTLE PEACE... 1685 01:59:59,426 --> 02:00:02,095 AND MY ULCERS DON'T HURT, MY LIVER DON'T HURT. 1686 02:00:02,095 --> 02:00:04,798 MY HEART TROUBLE IS GONE. 1687 02:00:04,798 --> 02:00:08,969 YOU TELLIN' ME THIS IS THE MAN I'M SUPPOSED TO STAY AWAY FROM? 1688 02:00:10,404 --> 02:00:12,138 HA HA! UH-UH. 1689 02:00:12,138 --> 02:00:14,140 MR. GILLESPIE... 1690 02:00:14,140 --> 02:00:17,511 MY COMRADE-IN-ARMS... 1691 02:00:17,511 --> 02:00:21,482 THAT IS WHAT I CALL A PARADOX. 1692 02:00:36,297 --> 02:00:38,499 [CHILD CRYING] 1693 02:00:55,916 --> 02:00:57,651 GIVE HER TO ME. 1694 02:01:11,898 --> 02:01:13,334 [GASP] 1695 02:01:13,334 --> 02:01:16,937 I HAVE AN IMPORTANT QUESTION THAT CAN'T WAIT. 1696 02:01:16,937 --> 02:01:18,672 IS SHE BAPTIZED? 1697 02:01:18,672 --> 02:01:19,840 No. 1698 02:01:26,780 --> 02:01:32,118 BIRKS, IT'S JUST YOU AND ME AND THE WATER. 1699 02:01:32,118 --> 02:01:33,520 YOU TELL ME THE SECRET. 1700 02:01:33,520 --> 02:01:36,523 I'M NOT HAVIN' AN EASY TIME TALKIN' TO YOU TONIGHT. 1701 02:01:36,523 --> 02:01:39,125 DON'T TALK. JUST TELL ME THE SECRET. 1702 02:01:39,125 --> 02:01:40,527 WHAT SECRET? 1703 02:01:40,527 --> 02:01:44,264 I KNOW MY OWN SECRETS, JUST LIKE YOU KNOW YOURS. 1704 02:01:44,264 --> 02:01:46,132 NO, NO. 1705 02:01:46,132 --> 02:01:48,535 WHAT YOU REALLY ASKIN' ME IS 1706 02:01:48,535 --> 02:01:51,672 HOW COME, WHEN I'M SUPPOSED TO HIT AT 9:30, 1707 02:01:51,672 --> 02:01:53,173 I HIT AT 9:30, HUH? 1708 02:01:53,173 --> 02:01:55,275 HOW COME I CAN LAND ON A CAT I LOVE 1709 02:01:55,275 --> 02:01:57,077 ALMOST AS MUCH AS I LOVE YOU, 1710 02:01:57,077 --> 02:01:59,813 AND THEN FIRE HIS ASS FOR SHOWIN' UP LATE OR STONED? 1711 02:01:59,813 --> 02:02:03,016 WHY I CAN HOLD A GROUP TOGETHER? 1712 02:02:03,016 --> 02:02:04,518 WHY I'M A LEADER? 1713 02:02:04,518 --> 02:02:06,787 YEAH, THAT'S WHAT I'M ASKIN'. 1714 02:02:06,787 --> 02:02:10,123 BECAUSE THEY DON'T EXPECT ME TO BE. 1715 02:02:10,123 --> 02:02:11,658 BECAUSE, DEEP DOWN, 1716 02:02:11,658 --> 02:02:15,396 THEY LIKE IT IF THE NIGGER TURNS OUT UNRELIABLE. 1717 02:02:15,396 --> 02:02:18,799 THAT'S THEY WAY THEY THINK IT'S SUPPOSED TO BE. 1718 02:02:18,799 --> 02:02:22,736 I WON'T GIVE THEM THE SATISFACTION OF BEING RIGHT. 1719 02:02:25,539 --> 02:02:27,140 HERE WE ARE... 1720 02:02:27,140 --> 02:02:28,274 YEAH. 1721 02:02:28,274 --> 02:02:29,543 BROTHERS. 1722 02:02:29,543 --> 02:02:33,079 I'M A REFORMER. YOU TRYIN' TO BE A MARTYR. 1723 02:02:35,949 --> 02:02:39,386 THEY ALWAYS REMEMBER THE MARTYRS LONGER. 1724 02:02:42,956 --> 02:02:46,760 THEY GONNA TALK ABOUT YOU WHEN YOU DEAD, BIRD... 1725 02:02:47,661 --> 02:02:50,564 MORE THAN THEY DO NOW. 1726 02:02:50,564 --> 02:02:54,568 THEY GONNA SHOVEL YOU UNDER LIKE THEY LOVE TO DO, 1727 02:02:54,568 --> 02:02:57,404 AND THEY GONNA TALK ABOUT YOU. 1728 02:02:58,572 --> 02:03:00,574 MY SECRET... 1729 02:03:00,574 --> 02:03:04,578 MY SECRET IS THAT IF THEY KILL ME... 1730 02:03:04,578 --> 02:03:07,781 IT WON'T BE BECAUSE I HELPED THEM. 1731 02:03:52,759 --> 02:03:54,495 LADIES AND GENTLEMEN, 1732 02:03:54,495 --> 02:03:57,498 THANK YOU VERY MUCH FOR YOUR PATIENCE. 1733 02:03:57,498 --> 02:04:00,634 ONCE AGAIN, PLEASE ACCEPT MY HEARTFELT APOLOGIES 1734 02:04:00,634 --> 02:04:02,636 FOR BEING UNAVOIDABLY DETAINED. 1735 02:04:02,636 --> 02:04:06,239 RIGHT NOW WE'RE GOING TO TAKE A SHORT BREAK. 1736 02:04:06,239 --> 02:04:08,174 WE WILL BE BACK SHORTLY. 1737 02:04:19,252 --> 02:04:20,654 REAL GOOD. 1738 02:04:20,654 --> 02:04:23,524 BIRD, YOU GOT A MESSAGE. 1739 02:04:23,524 --> 02:04:25,726 CALL HOME. 1740 02:04:29,963 --> 02:04:34,434 TELEGRAM TO MRS. CHAN PARKER... 1741 02:04:34,434 --> 02:04:38,338 151 AVENUE B... 1742 02:04:38,338 --> 02:04:40,173 NEW YORK CITY. 1743 02:04:42,676 --> 02:04:44,878 "MY DARLING... 1744 02:04:46,279 --> 02:04:49,082 "THE NEWS OF OUR DAUGHTER'S DEATH 1745 02:04:49,082 --> 02:04:52,519 "SURPRISED ME MORE THAN IT DID YOU. 1746 02:04:54,555 --> 02:04:57,290 "DO NOT FULFILL FUNERAL PROCEEDINGS 1747 02:04:57,290 --> 02:04:59,092 "UNTIL I GET THERE. 1748 02:04:59,092 --> 02:05:03,296 "I SHALL BE THE FIRST ONE TO WALK WITH YOU 1749 02:05:03,296 --> 02:05:05,498 "INTO THE CHAPEL. 1750 02:05:07,100 --> 02:05:11,337 [VOICE BREAKING] "FORGIVE ME FOR NOT BEING... 1751 02:05:11,337 --> 02:05:12,906 "IN THE HOSPITAL WITH YOU. 1752 02:05:14,140 --> 02:05:16,176 "YOURS MOST SINCERELY, 1753 02:05:16,176 --> 02:05:18,511 "YOUR HUSBAND... 1754 02:05:20,714 --> 02:05:22,916 CHARLIE PARKER." 1755 02:05:41,334 --> 02:05:43,536 WESTERN UNION? 1756 02:05:44,738 --> 02:05:47,741 A TELEGRAM TO MRS. CHAN PARKER, 1757 02:05:47,741 --> 02:05:51,678 151 AVENUE B, NEW YORK CITY. 1758 02:05:54,948 --> 02:05:56,549 "CHAN... 1759 02:05:57,751 --> 02:06:00,954 "FOR GOD'S SAKE, HOLD ON TO YOURSELF. 1760 02:06:03,356 --> 02:06:05,358 CHARLIE PARKER." 1761 02:06:05,358 --> 02:06:07,427 [HANGS UP TELEPHONE] 1762 02:06:07,427 --> 02:06:10,130 [CRYING] 1763 02:06:26,780 --> 02:06:28,581 WESTERN UNION? 1764 02:06:31,384 --> 02:06:36,522 TELEGRAM TO MRS. CHAN PARKER... 1765 02:06:36,522 --> 02:06:40,761 151 AVENUE B, NEW YORK CITY. 1766 02:06:44,264 --> 02:06:45,666 "CHAN..." 1767 02:06:45,666 --> 02:06:47,600 [SOBBING] 1768 02:06:49,002 --> 02:06:50,603 "COMMA 1769 02:06:54,007 --> 02:06:55,676 "HELP 1770 02:06:59,012 --> 02:07:01,181 "PERIOD. 1771 02:07:04,818 --> 02:07:07,020 CHARLIE PARKER." 1772 02:07:42,856 --> 02:07:45,191 TH-THIS IS A TELEGRAM... 1773 02:07:46,592 --> 02:07:49,662 TO MRS. CHAN PARKER... 1774 02:07:50,864 --> 02:07:54,067 151 AVENUE B... 1775 02:07:54,067 --> 02:07:56,069 NEW YORK. 1776 02:07:56,069 --> 02:07:57,871 [CRYING] 1777 02:07:57,871 --> 02:08:00,340 "MY DAUGHTER IS DEAD. 1778 02:08:01,742 --> 02:08:03,844 "I KNOW IT. 1779 02:08:04,878 --> 02:08:07,080 I'LL BE THERE RIGHT AWAY." 1780 02:08:08,481 --> 02:08:10,683 MY NAME IS BIRD. 1781 02:08:13,887 --> 02:08:16,622 "IT'S VERY NICE OUT HERE. 1782 02:08:16,622 --> 02:08:20,493 "PEOPLE HAVE BEEN VERY... 1783 02:08:20,493 --> 02:08:23,096 "NICE TO ME OUT HERE. 1784 02:08:24,530 --> 02:08:27,100 I'LL BE THERE RIGHT AWAY." 1785 02:08:35,909 --> 02:08:38,111 "TAKE IT EASY. 1786 02:08:40,280 --> 02:08:45,718 "LET ME BE THE FIRST ONE... TO APPROACH YOU. 1787 02:08:47,520 --> 02:08:50,156 "I'M YOUR HUSBAND. 1788 02:08:51,925 --> 02:08:54,127 "SINCERELY... 1789 02:08:56,529 --> 02:08:58,731 "CHARLIE... 1790 02:09:00,133 --> 02:09:01,734 PARKER." 1791 02:09:07,673 --> 02:09:08,875 [BOTTLE SHATTERS] 1792 02:09:12,278 --> 02:09:13,513 [COUGH COUGH] 1793 02:09:13,513 --> 02:09:15,181 CASE NUMBER 1540-- 1794 02:09:15,181 --> 02:09:17,784 PATIENT ADMITTED TO PSYCHIATRIC PAVILION 1795 02:09:17,784 --> 02:09:19,452 AT REQUEST OF WIFE 1796 02:09:19,452 --> 02:09:22,455 FOLLOWING SUICIDE ATTEMPT BY INGESTION OF IODINE. 1797 02:09:22,455 --> 02:09:24,457 TIME--5 A.M., SEPTEMBER 1, 1954. 1798 02:09:24,457 --> 02:09:27,460 PATIENT HAS A PAST HISTORY OF NERVOUS BREAKDOWN, 1799 02:09:27,460 --> 02:09:31,464 FOR WHICH HE WAS HOSPITALIZED IN CALIFORNIA FOR EIGHT MONTHS. 1800 02:09:31,464 --> 02:09:35,068 THE WIFE SAID THIS ATTEMPT WAS RELATED TO DEPRESSION 1801 02:09:35,068 --> 02:09:38,071 OVER THE RECENT DEATH OF THEIR DAUGHTER 1802 02:09:38,071 --> 02:09:41,274 AND ALSO BY REVERSES IN "HIS CAREER." 1803 02:09:46,079 --> 02:09:49,015 YOU CAN'T SLEEP EITHER, HUH? 1804 02:09:49,015 --> 02:09:52,452 YEAH. I'M GIVING UP ALL MY BAD HABITS. 1805 02:09:53,453 --> 02:09:54,955 YEAH. 1806 02:09:54,955 --> 02:09:59,960 TELL ME, WHAT DO YOU THINK ABOUT THIS CHUMMY MORELLO? 1807 02:09:59,960 --> 02:10:04,730 HE WANTS ME TO TOUR WITH HIM AND SOME SINGER. 1808 02:10:04,730 --> 02:10:06,332 YEAH? 1809 02:10:06,332 --> 02:10:08,034 CHUMMY MORELLO. 1810 02:10:10,703 --> 02:10:12,572 VIOLET WELLES. 1811 02:10:12,572 --> 02:10:13,706 WHO? 1812 02:10:13,706 --> 02:10:15,708 SEE, YOU DON'T KNOW HER. 1813 02:10:15,708 --> 02:10:17,710 YOU'RE TOO YOUNG. 1814 02:10:17,710 --> 02:10:19,712 SHE'S PROBABLY DEAD BY NOW. 1815 02:10:19,712 --> 02:10:21,581 BUT, UH, VIOLET... 1816 02:10:25,986 --> 02:10:27,988 "THE VIBRANT VIOLET OF SONG," 1817 02:10:27,988 --> 02:10:30,823 THEY BILLED HER AT THE APOLLO. 1818 02:10:33,059 --> 02:10:35,929 THIS IS THE CHICK I WAS PLAYIN' BEHIND 1819 02:10:35,929 --> 02:10:37,931 WHEN I FOUND MY STYLE. 1820 02:10:37,931 --> 02:10:40,300 I WAS JUST BACKING HER UP. 1821 02:10:40,300 --> 02:10:42,702 I DIDN'T EVEN HAVE A REGULAR GIG. 1822 02:10:42,702 --> 02:10:46,606 I WAS JUST WASHIN' DISHES AND JAMMIN' AFTER HOURS. 1823 02:10:48,774 --> 02:10:50,410 HA HA HA! 1824 02:10:50,410 --> 02:10:52,545 COURSE, THAT'S BEFORE I BECAME THE... 1825 02:10:52,545 --> 02:10:56,416 TITANIC COMMERCIAL SUCCESS THAT YOU SEE SITTING BEFORE YOU. 1826 02:10:56,416 --> 02:10:59,752 THAT'S BEFORE I... CAPTURED THE FANCY OF... 1827 02:10:59,752 --> 02:11:02,355 THE ADORING PUBLIC. 1828 02:11:03,456 --> 02:11:04,757 YEAH. 1829 02:11:04,757 --> 02:11:06,359 BUT, UH... 1830 02:11:06,359 --> 02:11:09,629 I STARTED PLAYIN' THESE LITTLE... 1831 02:11:09,629 --> 02:11:11,031 YOU KNOW... 1832 02:11:11,031 --> 02:11:13,166 THESE FIGURES BEHIND HER, SEE? 1833 02:11:13,166 --> 02:11:16,169 AND THEY FIT WITH THE SONG... 1834 02:11:16,169 --> 02:11:20,606 BUT IT WAS, LIKE, GOIN' INSIDE THE MELODY. 1835 02:11:20,606 --> 02:11:21,908 YOU KNOW? 1836 02:11:21,908 --> 02:11:24,044 AND SHE SAYS, RIGHT ON THE STAGE... 1837 02:11:24,044 --> 02:11:26,812 SHE SAYS, "NIGGER... 1838 02:11:26,812 --> 02:11:31,251 DON'T BE PLAYIN' THAT SHIT BEHIND ME WHILE I'M SINGIN' 1839 02:11:35,455 --> 02:11:36,923 I DON'T KNOW. 1840 02:11:36,923 --> 02:11:39,325 AFTER THAT, A LITTLE LATER ON, 1841 02:11:39,325 --> 02:11:42,595 ME AND THE PIANO PLAYER, WE GOT TOGETHER. 1842 02:11:42,595 --> 02:11:44,597 WE WERE WORKIN' ON CHEROKEE. 1843 02:11:44,597 --> 02:11:49,235 THIS IS THE SONG I HAD PLAYED 10,000 TIMES, 1844 02:11:49,235 --> 02:11:51,237 AND I WAS SICK TO DEATH OF THIS SONG. 1845 02:11:51,237 --> 02:11:53,974 BUT I FOUND THIS NEW WAY 1846 02:11:53,974 --> 02:11:56,809 OF EXTENDING THE CHORD CHANGES. 1847 02:11:56,809 --> 02:11:59,412 SO IT WAS LIKE... 1848 02:11:59,412 --> 02:12:02,148 A WHOLE NEW SONG. 1849 02:12:02,148 --> 02:12:04,117 AND IT STILL FIT. 1850 02:12:04,117 --> 02:12:06,519 THIS IS WHAT I BEEN TRYIN' TO DO 1851 02:12:06,519 --> 02:12:08,788 EVER SINCE THEY GONGED ME OFF THE RENO CLUB. 1852 02:12:08,788 --> 02:12:13,259 THE BRIDGE OF CHEROKEE, THAT'S THE BRIDGE I CROSSED 1853 02:12:13,259 --> 02:12:16,196 TWO DAYS BEFORE CHRISTMAS... 1854 02:12:17,297 --> 02:12:19,299 1939. 1855 02:12:20,866 --> 02:12:24,037 WHAT A CHRISTMAS PRESENT. 1856 02:12:27,573 --> 02:12:28,841 ANYWAY... 1857 02:12:28,841 --> 02:12:30,843 THAT'S WHY YOU'RE SITTIN' THERE... 1858 02:12:30,843 --> 02:12:32,845 LISTENIN' TO ME... 1859 02:12:32,845 --> 02:12:35,848 INSTEAD OF BEIN' RED-HOT RODNEY 1860 02:12:35,848 --> 02:12:38,184 FROM GENE KRUPA'S BAND. 1861 02:12:40,853 --> 02:12:42,322 YEAH. 1862 02:12:42,322 --> 02:12:45,791 SO WHAT YOU THINK ABOUT... CHUMMY MORELLO? 1863 02:12:45,791 --> 02:12:48,894 I FIGURE A GOOD 16-WEEK TOUR... 1864 02:12:48,894 --> 02:12:51,564 I COULD PAY A LOT OF BILLS. 1865 02:12:51,564 --> 02:12:54,867 JESUS CHRIST, BIRD, WHAT ARE WE TALKIN' ABOUT? 1866 02:12:54,867 --> 02:12:56,302 YOU-- 1867 02:12:56,302 --> 02:12:59,372 I'M TALKIN' ABOUT A MUSICIAN MAKIN' A LIVING. 1868 02:12:59,372 --> 02:13:01,574 THAT'S WHAT I'M TALKIN' ABOUT. 1869 02:13:01,574 --> 02:13:04,777 LOOK, DON'T CRY FOR ME. 1870 02:13:04,777 --> 02:13:07,747 YOU CAN KICK ME IN THE ASS. 1871 02:13:07,747 --> 02:13:09,215 COME ON. 1872 02:13:10,016 --> 02:13:11,917 KICK ME IN THE ASS! 1873 02:13:11,917 --> 02:13:13,919 KICK ME IN THE ASS! 1874 02:13:13,919 --> 02:13:15,988 KICK ME IN HE ASS! 1875 02:13:21,094 --> 02:13:24,430 YOU'RE SO FUCKING DRAMATIC ALL THE TIME. 1876 02:13:24,430 --> 02:13:27,633 YOU OUGHT TO GO INTO SHOW BUSINESS. 1877 02:13:29,902 --> 02:13:31,504 VIOLET WELLES. 1878 02:13:35,508 --> 02:13:37,577 [POLICE RADIO] 1879 02:13:40,380 --> 02:13:41,714 OH, MAN! 1880 02:13:52,792 --> 02:13:54,394 CHAN. 1881 02:13:56,529 --> 02:13:57,930 WHAT'S WRONG? 1882 02:13:57,930 --> 02:14:00,533 WHAT ARE THE POLICE DOIN' HERE? 1883 02:14:00,533 --> 02:14:01,934 YOU OK? 1884 02:14:01,934 --> 02:14:04,337 DURING THE NIGHT, SOMEBODY CAME IN, 1885 02:14:04,337 --> 02:14:07,540 TOOK SOME CLOTHES AND A COUPLE OF SUITCASES. 1886 02:14:07,540 --> 02:14:08,474 THE KIDS? 1887 02:14:08,474 --> 02:14:10,210 THE KIDS ARE GOOD. GOOD. 1888 02:14:10,210 --> 02:14:11,477 I WAS THINKING, 1889 02:14:11,477 --> 02:14:15,948 WHAT IF WE GOT OUT OF NEW YORK FOR A WHILE? 1890 02:14:15,948 --> 02:14:19,452 MY MOM'S GOT A HOUSE SHE CAN'T RENT. 1891 02:14:19,452 --> 02:14:22,088 IT'LL COST US CLOSE TO NOTHING, 1892 02:14:22,088 --> 02:14:24,690 AND IT'S NOT FAR FROM WESTCHESTER. 1893 02:14:40,973 --> 02:14:43,676 JUNKIES DREAM THEIR LIVES AWAY, 1894 02:14:43,676 --> 02:14:48,448 JUST THINKIN' ABOUT LIVIN' IN PLACES LIKE THIS. 1895 02:14:49,649 --> 02:14:53,186 WHAT WAS I THINKIN' ABOUT, PUDDIN'? 1896 02:14:54,587 --> 02:14:55,988 [PLAYING PIANO] 1897 02:14:55,988 --> 02:14:57,590 WHAT? MUSIC? 1898 02:14:57,590 --> 02:14:58,924 WHAT IS THIS? 1899 02:14:58,924 --> 02:15:01,727 [PLAYING BACH'S SHEEP MAY SAFELY GRAZE] 1900 02:15:01,727 --> 02:15:02,995 BACH? 1901 02:15:02,995 --> 02:15:05,198 [PLAYING PIANO] 1902 02:15:09,001 --> 02:15:11,003 SHEEP MAY SAFELY GRAZE. 1903 02:15:11,003 --> 02:15:12,605 YEAH. 1904 02:15:13,406 --> 02:15:15,741 YOU GET MY PRESCRIPTION FILLED? 1905 02:15:15,741 --> 02:15:17,610 YES. 1906 02:15:21,614 --> 02:15:22,815 AHA! 1907 02:15:22,815 --> 02:15:27,019 MORELLO SAYS HE'S GOING OUT OF TOWN FOR A MONTH. 1908 02:15:27,019 --> 02:15:29,021 AND HE WONDERS... 1909 02:15:29,021 --> 02:15:32,292 IF I MIGHT GET TOGETHER WITH HIM, 1910 02:15:32,292 --> 02:15:34,294 BRING MY AX... 1911 02:15:34,294 --> 02:15:37,230 MAYBE GO OVER A FEW TUNES... 1912 02:15:38,631 --> 02:15:40,032 A FEW IDEAS. 1913 02:15:40,032 --> 02:15:41,767 BRING MY AX. 1914 02:15:43,169 --> 02:15:46,439 SEE THAT? HE WANTS TO AUDITION ME. 1915 02:15:46,439 --> 02:15:48,708 I DON'T BELIEVE THAT. 1916 02:15:48,708 --> 02:15:52,312 HE WANTS TO SEE IF I CAN HOLD IT 1917 02:15:52,312 --> 02:15:54,914 AND STAND UP AT THE SAME TIME. 1918 02:15:54,914 --> 02:15:56,916 I COULDN'T YESTERDAY. 1919 02:15:58,050 --> 02:16:01,254 I MIGHT NOT BE ABLE TO TODAY. 1920 02:16:13,065 --> 02:16:16,068 I WANT TO GO WITH DAD. 1921 02:16:16,068 --> 02:16:18,271 GO PLAY WITH KIMMY. 1922 02:16:20,873 --> 02:16:24,944 IF YOU TOOK THE TRAIN, YOU COULD SLEEP LONGER. 1923 02:16:26,479 --> 02:16:29,482 BERNIE SAID SOMETHING ABOUT A GIG IN BOSTON. 1924 02:16:29,482 --> 02:16:33,719 THEY DON'T PAY MY AIRFARE THESE DAYS. 1925 02:16:38,724 --> 02:16:40,426 I'M RESTED. 1926 02:16:44,096 --> 02:16:45,798 GOT TO GO. 1927 02:17:27,673 --> 02:17:30,776 THE LONE-STAR REVUE! $1.00 MINIMUM. 1928 02:17:31,844 --> 02:17:34,347 SEE PAMELA AND HER PASSIONATE PYTHON 1929 02:17:34,347 --> 02:17:37,783 IN THE JUNGLE DANCE OF DESIRE. 1930 02:17:37,783 --> 02:17:39,919 GIRLS! GIRLS! GIRLS! 1931 02:17:39,919 --> 02:17:41,053 HEY! 1932 02:17:41,053 --> 02:17:42,755 ONE SHOW! 1933 02:17:42,755 --> 02:17:44,189 HEY! 1934 02:17:44,189 --> 02:17:45,858 WHAT THE HELL HAPPENED HERE? 1935 02:17:45,858 --> 02:17:48,594 ALL THESE CLUBS TURNED TO STRIP JOINTS. 1936 02:17:48,594 --> 02:17:50,330 YEAH. THINK THIS IS BAD? 1937 02:17:50,330 --> 02:17:53,065 YOU SHOULD SEE WHAT'S GOING ON AT THE PARAMOUNT. 1938 02:17:53,065 --> 02:17:55,435 PARAMOUNT? 1939 02:17:55,435 --> 02:17:58,604 THAT'S A MOVIE AND STAGE SHOW, LIKE ALWAYS. 1940 02:17:58,604 --> 02:18:01,641 NOT LIKE ALWAYS. NEVER AGAIN. 1941 02:18:06,312 --> 02:18:08,314 GIRLS! GIRLS! GIRLS! 1942 02:18:08,314 --> 02:18:11,317 COME ON AND SEE THE LOVELY SUZETTE 1943 02:18:11,317 --> 02:18:13,553 AND HER TERRE HAUTE! 1944 02:18:30,069 --> 02:18:33,005 [PLAYING ROCK 'N' ROLL] 1945 02:19:16,148 --> 02:19:17,917 HEY, BIRD, WHAT'S GOIN' ON? 1946 02:19:17,917 --> 02:19:21,587 WHEN DID BUSTER START PLAYIN' RHYTHM AND BLUES? 1947 02:19:21,587 --> 02:19:23,589 WHOA. AIN'T NO SUCH THING, MAN. 1948 02:19:23,589 --> 02:19:26,592 DJs DON'T LIKE TO CALL IT THAT. 1949 02:19:26,592 --> 02:19:30,029 THIS IS ROCK 'N' ROLL, THE MUSIC OF TODAY! 1950 02:19:30,029 --> 02:19:31,431 YEAH, GO! 1951 02:19:31,431 --> 02:19:32,698 DON'T FIT. 1952 02:19:32,698 --> 02:19:34,834 ALL THIS OFF OF PLAYIN' IN B-FLAT. 1953 02:19:34,834 --> 02:19:37,470 B-FLAT TONIGHT. F-SHARP TOMORROW. 1954 02:19:37,470 --> 02:19:39,238 12 NOTES IN A SCALE. 1955 02:19:39,238 --> 02:19:43,008 BUSTER'S GOT 12 SHOWS, WITHOUT REPEATING HIMSELF ONCE. 1956 02:19:44,444 --> 02:19:46,512 DON'T FIT. 1957 02:20:10,603 --> 02:20:14,707 LET'S HEAR IT FOR BUSTER FRANKLIN! 1958 02:20:29,522 --> 02:20:32,224 EVERYBODY, CLEAR THE ROOM! 1959 02:20:32,224 --> 02:20:34,460 HOLD ON, NOW! 1960 02:20:36,028 --> 02:20:37,697 WHAT'S YOUR NAME? 1961 02:20:40,600 --> 02:20:42,835 ALL RIGHT. HERE YOU GO. 1962 02:20:53,646 --> 02:20:55,848 GIVE ME THAT. 1963 02:21:09,662 --> 02:21:12,264 CHAN SAID HE WAS DRIVING DOWN. 1964 02:21:12,264 --> 02:21:14,867 COULD BE HE GOT STUCK IN-- 1965 02:21:14,867 --> 02:21:16,001 TRAFFIC. 1966 02:21:17,870 --> 02:21:19,471 SURE. 1967 02:21:27,980 --> 02:21:30,983 *** * *** *** 1968 02:21:37,289 --> 02:21:39,592 I DON'T WANT TO HURT YOU! 1969 02:21:39,592 --> 02:21:42,394 BUT I WILL! LET GO! LET GO! 1970 02:21:42,394 --> 02:21:44,429 EVERYBODY SAYS YOU FLIPPED OUT! 1971 02:21:44,429 --> 02:21:46,932 WHAT, ARE YOU A GODDAMN THIEF? 1972 02:21:46,932 --> 02:21:50,002 I JUST WANTED TO SEE IF IT COULD PLAY 1973 02:21:50,002 --> 02:21:53,205 MORE THAN ONE NOTE AT A TIME. 1974 02:21:53,205 --> 02:21:55,040 WHAT? YOU WANT MONEY? 1975 02:21:55,040 --> 02:21:56,709 NEVER MIND. 1976 02:21:56,709 --> 02:21:58,911 NEVER YOU MIND. 1977 02:22:01,013 --> 02:22:04,049 A DRAG, MAN. 1978 02:22:04,049 --> 02:22:05,618 LET HIM GO. 1979 02:22:05,618 --> 02:22:07,920 COME ON! COME ON! 1980 02:22:08,721 --> 02:22:10,322 YOU ALL RIGHT? 1981 02:22:10,322 --> 02:22:11,924 COME ON. 1982 02:22:30,743 --> 02:22:32,812 DAMNEDEST THING. 1983 02:22:34,346 --> 02:22:36,616 THE DAMNEDEST THING! 1984 02:22:36,616 --> 02:22:39,752 I COULDN'T REMEMBER WHERE I PARKED MY CAR. 1985 02:22:39,752 --> 02:22:43,623 AND MY HORN IS IN THE BACK OF THE CAR. 1986 02:22:43,623 --> 02:22:45,625 I WOULD HAVE CALLED YOU, 1987 02:22:45,625 --> 02:22:48,193 BUT I COULDN'T REMEMBER THE NUMBER. 1988 02:22:48,193 --> 02:22:49,795 STORYVILLE IN BOSTON. 1989 02:22:49,795 --> 02:22:52,264 THREE NIGHTS, STARTING TOMORROW. 1990 02:22:52,264 --> 02:22:54,266 HOUSE BAND. 1991 02:22:54,266 --> 02:22:56,135 400 BUCKS. 1992 02:22:56,135 --> 02:22:57,670 WHAT DID HE SAY? 1993 02:22:57,670 --> 02:22:59,138 WHAT DO YOU EXPECT? 1994 02:22:59,138 --> 02:23:02,441 "GIVE ME SOMEBODY HALF AS GOOD WHO SHOWS UP!" 1995 02:23:02,441 --> 02:23:04,176 I SHOWED UP. 1996 02:23:04,176 --> 02:23:05,745 YEAH. 1997 02:23:05,745 --> 02:23:07,713 YOU ALWAYS DO... 1998 02:23:07,713 --> 02:23:09,682 EVENTUALLY. 1999 02:23:12,184 --> 02:23:13,452 BERNIE. 2000 02:23:13,452 --> 02:23:14,854 THIS IS THE STUDIO 2001 02:23:14,854 --> 02:23:18,457 WHERE WE RECORDED THE METRONOME ALL-STAR DATE. 2002 02:23:18,457 --> 02:23:19,591 YOU REMEMBER? 2003 02:23:19,591 --> 02:23:20,726 YEAH. 2004 02:23:20,726 --> 02:23:23,929 THE TRUMPET SECTION WAS... 2005 02:23:23,929 --> 02:23:27,066 DIZZY... 2006 02:23:27,066 --> 02:23:29,068 MILES... 2007 02:23:29,068 --> 02:23:30,335 FATS. 2008 02:23:32,471 --> 02:23:34,139 POOR FATS. 2009 02:23:34,139 --> 02:23:37,476 YOU KNOW, HE WASN'T IN GOOD HEALTH, BERNIE. 2010 02:23:37,476 --> 02:23:40,345 HE DIED RIGHT AFTER THAT. 2011 02:23:42,882 --> 02:23:46,518 WHEN YOU DIDN'T SHOW UP, I CALLED CHAN. 2012 02:23:46,518 --> 02:23:48,754 SHE WAS WORRIED. 2013 02:23:48,754 --> 02:23:52,692 MAYBE YOU OUGHT TO GIVE HER A RING. 2014 02:23:54,493 --> 02:23:56,228 STORYVILLE, BERN? 2015 02:23:56,228 --> 02:23:57,629 STORYVILLE. 2016 02:23:57,629 --> 02:23:59,231 COPLEY SQUARE. 2017 02:23:59,231 --> 02:24:00,499 BOSTON. 2018 02:24:00,499 --> 02:24:02,101 MASSACHUSETTS. 2019 02:24:02,101 --> 02:24:03,769 EARTH! 2020 02:24:44,409 --> 02:24:45,811 Operator. 2021 02:24:45,811 --> 02:24:47,546 Operator. 2022 02:24:47,546 --> 02:24:49,014 OPERATOR. 2023 02:24:50,950 --> 02:24:53,719 THIS IS A COLLECT CALL. 2024 02:24:53,719 --> 02:24:56,388 [TELEPHONE RINGS] 2025 02:24:58,157 --> 02:24:59,224 HELLO. 2026 02:24:59,224 --> 02:25:01,426 COLLECT CALL FROM CHARLIE PARKER. 2027 02:25:01,426 --> 02:25:03,428 WILL YOU ACCEPT THE CHARGES? 2028 02:25:03,428 --> 02:25:05,164 YES, I WILL. 2029 02:25:05,164 --> 02:25:06,431 HELLO. 2030 02:25:06,431 --> 02:25:09,534 HELLO, PUDDIN'? 2031 02:25:09,534 --> 02:25:10,970 Oh! 2032 02:25:10,970 --> 02:25:13,038 PUDDIN', ARE YOU THERE? 2033 02:25:15,174 --> 02:25:16,842 ARE YOU THERE? 2034 02:25:16,842 --> 02:25:19,044 OH, MY GOD! 2035 02:25:20,179 --> 02:25:21,981 I WAS, UM... 2036 02:25:21,981 --> 02:25:25,584 I--I JUST HAD AN AWFUL DREAM. 2037 02:25:25,584 --> 02:25:29,588 I TOLD YOU, TIME AND AGAIN... 2038 02:25:29,588 --> 02:25:31,857 TO STOP INDULGING SO FREQUENTLY 2039 02:25:31,857 --> 02:25:33,859 IN OVERLY SPICED FOOD. 2040 02:25:33,859 --> 02:25:36,228 THEM SPICES WILL KILL YOU. 2041 02:25:37,396 --> 02:25:42,701 WILL YOU GET THE HELL OUT OF THERE AND COME HOME? 2042 02:25:42,701 --> 02:25:46,471 I CAN'T LET MY BOSTON AUDIENCE DOWN. 2043 02:25:46,471 --> 02:25:48,273 I CAN'T COME HOME RIGHT NOW. 2044 02:25:48,273 --> 02:25:51,343 I STILL DO HAVE AN AUDIENCE HERE. 2045 02:25:53,278 --> 02:25:56,215 YOU DIDN'T ASK ME ABOUT MORELLO. 2046 02:25:57,749 --> 02:25:59,819 THAT'S SHOP. 2047 02:26:01,020 --> 02:26:04,623 HOW LONG IS THIS BOSTON GIG? 2048 02:26:04,623 --> 02:26:07,626 I SHOULD BE HOME AROUND... 2049 02:26:07,626 --> 02:26:09,829 MONDAY. 2050 02:26:13,432 --> 02:26:17,236 YOU MIGHT AS WELL TAKE CARE OF THAT LAWN 2051 02:26:17,236 --> 02:26:18,637 IN THE MEANTIME. 2052 02:26:18,637 --> 02:26:21,506 IT'S LIKE A JUNGLE OUT THERE. 2053 02:26:21,506 --> 02:26:23,242 THE LAWN? 2054 02:26:25,644 --> 02:26:27,646 OH, YEAH! SURE! 2055 02:26:27,646 --> 02:26:29,381 AND, UM... 2056 02:26:29,381 --> 02:26:31,550 YOU REMIND ME, 2057 02:26:31,550 --> 02:26:33,518 WHEN I GET HOME... 2058 02:26:33,518 --> 02:26:36,655 I WANT TO PAINT THAT GARAGE. 2059 02:26:36,655 --> 02:26:38,057 YOU KNOW, ISN'T-- 2060 02:26:38,057 --> 02:26:40,059 IF YOU HAVE A HOME, 2061 02:26:40,059 --> 02:26:43,262 THE LEAST YOU CAN DO FOR THAT HOME 2062 02:26:43,262 --> 02:26:44,864 IS MAINTAIN IT. 2063 02:26:48,467 --> 02:26:52,972 HAVE, UM...HAVE YOU GOT ANY MEDICATION? 2064 02:26:55,074 --> 02:26:57,542 I GOT EVERYTHING. 2065 02:27:02,214 --> 02:27:05,517 I--I HATE TO HANG UP. 2066 02:27:07,286 --> 02:27:08,220 WELL... 2067 02:27:08,220 --> 02:27:10,890 YOU DIDN'T ALWAYS, YOU KNOW. 2068 02:27:12,691 --> 02:27:14,093 WHAT? 2069 02:27:14,093 --> 02:27:17,496 YOU NEED ME TO GET EVIL WITH YOU? 2070 02:27:17,496 --> 02:27:19,298 Ha ha ha ha! 2071 02:27:19,298 --> 02:27:20,699 YEAH! 2072 02:27:20,699 --> 02:27:23,168 GET EVIL. 2073 02:27:26,571 --> 02:27:28,173 GOOD-BYE. 2074 02:27:30,409 --> 02:27:32,311 [DIAL TONE] 2075 02:28:09,881 --> 02:28:12,084 [THUNDER] 2076 02:28:13,585 --> 02:28:18,657 I DON'T THINK SITTING UP IS THE THING JUST YET. 2077 02:28:18,657 --> 02:28:20,759 YOU FAINTED. 2078 02:28:20,759 --> 02:28:23,628 V-V-VERY UNDIGNIFIED OF ME. 2079 02:28:23,628 --> 02:28:24,796 HA HA HA! 2080 02:28:24,796 --> 02:28:27,299 NONSENSE. 2081 02:28:27,299 --> 02:28:30,769 YOU'RE ALWAYS WELCOME HERE. 2082 02:28:30,769 --> 02:28:35,174 NO MATTER WHAT CONDITION. 2083 02:28:35,174 --> 02:28:39,511 GIVE ME CHAN'S PHONE NUMBER, AND I'LL RING HER UP... 2084 02:28:39,511 --> 02:28:41,513 LATER. 2085 02:28:41,513 --> 02:28:43,115 NO. 2086 02:28:44,383 --> 02:28:45,985 PLEASE. 2087 02:28:47,386 --> 02:28:49,088 AND NO DOCTOR. 2088 02:28:49,088 --> 02:28:52,724 I'VE ALREADY PHONED THE DOCTOR. 2089 02:28:52,724 --> 02:28:56,795 WHEN WAS THE LAST TIME YOU FAINTED, MR. PARKER? 2090 02:28:56,795 --> 02:28:58,663 DON'T KNOW. 2091 02:28:58,663 --> 02:29:01,233 BEEN A WHILE, THOUGH. 2092 02:29:01,233 --> 02:29:03,835 YOU SHOULD BE IN THE HOSPITAL. 2093 02:29:03,835 --> 02:29:08,507 I DON'T EVER WANT TO GO BACK TO THE HOSPITAL AGAIN. 2094 02:29:10,775 --> 02:29:13,378 YOU DRINK A GOOD DEAL? 2095 02:29:13,378 --> 02:29:15,447 OH... 2096 02:29:15,447 --> 02:29:20,119 SOMETIMES I HAVE A LITTLE SHERRY BEFORE DINNER. 2097 02:29:23,755 --> 02:29:28,327 HE SHOULD BE IN THE EMERGENCY ROOM, NOT IN YOUR APARTMENT. 2098 02:29:28,327 --> 02:29:32,931 TELL ME IT WOULD HELP HIM, AND I'LL GET HIM THERE. 2099 02:29:32,931 --> 02:29:35,934 HE'S GOT A HISTORY OF ADVANCED CIRRHOSIS, 2100 02:29:35,934 --> 02:29:37,336 PERFORATED ULCERS. 2101 02:29:37,336 --> 02:29:40,139 I'M FAIRLY SURE HE'S BLEEDING INTERNALLY. 2102 02:29:42,541 --> 02:29:45,477 IT'S YOU I'M TRYING TO HELP, NICA. 2103 02:29:45,477 --> 02:29:48,680 I'LL PHONE YOU IF THERE'S A CHANGE. 2104 02:29:48,680 --> 02:29:50,549 THERE WON'T BE. 2105 02:29:50,549 --> 02:29:52,151 GOOD NIGHT. 2106 02:30:04,363 --> 02:30:06,098 [TELEVISION] THANK YOU VERY MUCH... 2107 02:30:06,098 --> 02:30:07,832 YOU'VE DRUNK IT ALL. 2108 02:30:07,832 --> 02:30:09,468 LADIES AND GENTLEMEN... 2109 02:30:09,468 --> 02:30:12,837 THAT'S WHAT I CALL A PRODIGIOUS THIRST. 2110 02:30:12,837 --> 02:30:14,439 PRODIGIOUS. 2111 02:30:14,439 --> 02:30:17,176 THAT'S NICE. 2112 02:30:37,596 --> 02:30:39,598 [LAUGHTER] 2113 02:31:49,134 --> 02:31:51,670 WANT TO KNOW SOMETHING? 2114 02:31:51,670 --> 02:31:54,406 WHAT'S THAT? 2115 02:31:54,406 --> 02:31:57,409 WHAT DO YOU THINK ABOUT YARDBIRD? 2116 02:32:04,616 --> 02:32:06,185 I'M NOT MAD. 2117 02:32:09,888 --> 02:32:11,290 * GONNA * 2118 02:32:11,290 --> 02:32:13,124 * SHOOT YOU DOWN * 2119 02:32:19,364 --> 02:32:21,166 THAT'S YOU, MAN. 2120 02:32:24,836 --> 02:32:27,105 HI. I'M CHAN RICHARDSON. 2121 02:32:27,105 --> 02:32:30,709 [MUSIC PLAYING ON TV] 2122 02:32:30,709 --> 02:32:32,711 [LAUGHTER] 2123 02:33:06,144 --> 02:33:08,213 [THUNDER] 2124 02:33:32,036 --> 02:33:34,005 HAS MILDRED COME IN YET? 2125 02:33:34,005 --> 02:33:36,375 I CAN'T REACH HER AT HOME. 2126 02:33:36,375 --> 02:33:39,778 WHEN SHE DOES, TELL HER TO PHONE ME IMMEDIATELY. 2127 02:33:39,778 --> 02:33:44,449 AND TELL HER I NEED TO REACH CHAN RIGHT AWAY. 2128 02:33:47,185 --> 02:33:49,388 I'LL FILL YOU IN LATER. 2129 02:34:00,799 --> 02:34:01,733 BARBARA. 2130 02:34:01,733 --> 02:34:04,336 I GOT ANOTHER ONE AFTER THIS. 2131 02:34:04,336 --> 02:34:05,870 GET DOWN TO PRELIMINARY. 2132 02:34:05,870 --> 02:34:08,607 I'LL GIVE YOU THE FULL REPORT TOMORROW. 2133 02:34:08,607 --> 02:34:10,475 "CHARLES CHRISTOPHER PARKER, JR. 2134 02:34:10,475 --> 02:34:13,445 "PRELIMINARY DIAGNOSIS, HEART ATTACK. 2135 02:34:13,445 --> 02:34:16,047 "STOCKY MALE NEGRO, 2136 02:34:16,047 --> 02:34:18,883 APPROXIMATELY 65 YEARS OF AGE." 2137 02:34:20,084 --> 02:34:22,253 HE WAS 34. 2138 02:34:45,243 --> 02:34:46,845 * COME WITH ME * 2139 02:34:46,845 --> 02:34:51,049 * IF YOU WANT TO GO TO KANSAS CITY * 2140 02:35:07,231 --> 02:35:10,168 * I'M FEELING LOW-DOWN AND BLUE * 2141 02:35:10,168 --> 02:35:13,338 * MY HEART'S FULL OF SORROW * 2142 02:35:14,673 --> 02:35:18,610 * DON'T HARDLY KNOW WHAT TO DO * 2143 02:35:18,610 --> 02:35:22,681 * WHERE WILL I BE TOMORROW? * 2144 02:35:22,681 --> 02:35:24,683 * GOIN' TO KANSAS CITY * 2145 02:35:24,683 --> 02:35:25,984 * WANT TO GO, TOO? * 2146 02:35:25,984 --> 02:35:28,186 * NO, YOU CAN'T MAKE IT WITH ME * 2147 02:35:28,186 --> 02:35:29,488 * GOIN' TO KANSAS CITY * 2148 02:35:29,488 --> 02:35:32,957 * SORRY THAT I CAN'T TAKE YOU * 2149 02:35:32,957 --> 02:35:35,093 * WHEN YOU SEE ME COMIN', RAISE YOUR WINDOW HIGH * 2150 02:35:35,093 --> 02:35:37,962 * WHEN YOU SEE ME LEAVIN', BABY, HANG YOUR HEAD AND CRY * 2151 02:35:37,962 --> 02:35:42,567 * I'M AFRAID THERE'S NOTHIN' IN THIS CREAMY, DREAMY TOWN * 2152 02:35:42,567 --> 02:35:46,771 * A HONKY-TONKIN' MONKEY WOMAN CAN DO * 2153 02:35:46,771 --> 02:35:49,508 * SHE'D ONLY BRING HERSELF DOWN * 2154 02:35:50,709 --> 02:35:54,613 * SO LONG, EVERYBODY * 2155 02:35:55,714 --> 02:35:58,316 * THE TIME HAS COME, AND I MUST LEAVE YOU * 2156 02:35:58,316 --> 02:36:03,054 * SO IF I DON'T EVER SEE YOUR SMILING FACE AGAIN * 2157 02:36:03,054 --> 02:36:05,056 * MAKE A PROMISE YOU'LL REMEMBER * 2158 02:36:05,056 --> 02:36:07,058 * LIKE A CHRISTMAS DAY IN DECEMBER * 2159 02:36:07,058 --> 02:36:10,729 * THAT I TOLD YOU ALL THROUGH THICK AND THIN * 2160 02:36:10,729 --> 02:36:13,197 * ON UP UNTIL THE END * 2161 02:36:13,197 --> 02:36:15,066 * PARKER'S BEEN YOUR FRIEND * 2162 02:36:15,066 --> 02:36:17,669 * DON'T HANG YOUR HEAD WHEN YOU SEE * 2163 02:36:17,669 --> 02:36:20,371 * WHEN YOU SEE THOSE SIX PRETTY HORSES * 2164 02:36:20,371 --> 02:36:22,941 * PULLIN' ME * 2165 02:36:22,941 --> 02:36:26,010 * PUT A $20 SILVER PIECE ON MY WATCH CHAIN * 2166 02:36:26,010 --> 02:36:27,846 * LOOK AT THE SMILE ON MY FACE * 2167 02:36:27,846 --> 02:36:29,147 * AND SING A LITTLE SONG * 2168 02:36:29,147 --> 02:36:32,216 * TO LET THE WORLD KNOW I'M REALLY FREE * 2169 02:36:32,216 --> 02:36:33,885 * DON'T CRY FOR ME * 2170 02:36:33,885 --> 02:36:36,621 * 'CAUSE I'M GOIN' TO KANSAS CITY * 2171 02:37:25,003 --> 02:37:26,805 * COME WITH ME * 2172 02:37:26,805 --> 02:37:31,476 * IF YOU WANT TO GO TO KANSAS CITY ** 2173 02:37:32,811 --> 02:37:36,615 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2174 02:37:36,615 --> 02:37:39,951 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--